bsmith5552 "El Paso, a Pine/Thomas production has a large cast and plenty of violent action to satisfy the most demanding western fan. However, most of the real violence happens off screen to appease the censors.Clay Fletcher (John Payne) goes to El Paso to have Judge Henry Jeffers (Henry Hull) sign some legal documents for his grandfather Judge Fletcher (H.B. Warner). Clay also hopes to see his lost love Susan Jeffers (Gail Russell) as well. On his journey he becomes acquainted with bewhiskered Pesky (Gabby Hayes), a peddler.What Clay finds is a lawless town run by landowner Bert Donner (Sterling Hayden) and his corrupt sheriff La Farge (Dick Foran). Clay himself a lawyer, witnesses a mock trial of a prisoner accused of murder presided over by an intoxicated Judge Jeffers. The prisoner (Keith Richards) is quickly found guilty by a jury composed of Donner and his men. Clay goes to see Susan and the two try to find a way to sober up Judge Jeffers.Farmer John Elkins (Arthur Space) is told that his ranch is being sold for unpaid taxes. When he resists a deputy is shot in the scuffle. Ellis escapes to the hosienda of Mexican Don Nacho Vazquez (Eduardo Noriega) for protection. Clay decides to defend Elkins and hatches a plan to have, with Pesky's help, the Judge sobered up. At the trial, Elkins is found innocent but consequences ensue. The Elkins ranch is raided by La Farge's men who burn down their home and murder Elkins and his wife. Their son Jack (Bobby Ellis) witnesses the attack. At the same time, Judge Jeffers is dragged to death.When Clay learns of this he loses it and forms a gang of vigilantes to exact their revenge. Young Jack identifies some of the attackers who are promptly strung up. Unfortunately, Jack identifies an innocent man who is killed before the error is discovered.Judge Fletcher comes to town and he and Sally try to reason with Clay to stop his attacks. He agrees to do so but relents when Judge Fletcher's body is brought to him. This incites the final showdown with Donner and La Farge and................................................................................The finale for some reason, takes place in a sand storm which makes it difficult for the viewer to see all of the action. The brutal deaths of the two judges even though they occur off screen, are shocking.Payne and Hayden are convincing in their roles and the tragic Russell looks absolutely beautiful here. Gabby Hayes nearing the end of his long career, turns in another typical Gabby performance. But the big surprise is the casting of Dick Foran as the brutal sheriff. He normally was a good guy so this about face caught me off guard.The most surprising thing about this picture is the fact that Payne and his cohorts are not punished for the murder of the innocent Minister.Also in the cast are Irving Bacon as a stagecoach passenger, Mary Beth Hughes, Chief Yowlachie and Dewey Robinson as the bartender (what else?).

Richard Chatten As kids we're always told to stand up to bullies; but try putting that into practise at work with your boss! Lawyer John Payne proves similarly naïve in thinking Sterling Hayden and his brutal henchman Dick Foran will be as easily dissuaded by due process; and after 80 rather garrulous and conventional minutes this film finally makes you sit up and take notice when Payne and the rest of the townsfolk at last take the law into their own hands and fight fire with gunfire.But did anyone ever stand trial for the accidental lynching of the newly arrived minister?

ianlouisiana When all else fails out come the Colts and Winchesters. Fine upstanding ex - Confederate officer Mr John Payne tries to Clean Up The Town by lawful means but has to resort to violence in the face of endemic corruption. The end justifies the means,eh,John? If "El Paso" has a moral message that appears to be it. Aided,if that's the word by Gabby Hayes and Gail Russel,hindered by the great Henry Hull,with heavyweight "help" such as Sterling Hayden,Mr Payne finds that friends in need are friends indeed. Mind you,nobody said either he or Haynes was clever judging from the ease with which " Stagecoach Nellie" parts then from their wallets before they arrive in town. I watched a horrible orange and grey print of this on Freeview the other night and it is a tribute to the performers that stayed to the end. The odd Fordian touch kept me from grabbing the remote but overall it's potboiling stuff all round I'm afraid.

MartinHafer "El Paso" is an ugly looking film. I assume it looked a lot better when it first debuted, but the print from Netflix is yucky looking. Part of this might be because it used Cinecolor (a very inexpensive but far from perfect color system) and part of it surely is due to the effects of degradation over time. All I know for sure is that the film is full of sepia tones and green-grays but many other colors are absent.The film begins just after the Civil War. A lawyer (John Payne) is sent from Charleston to El Paso to get some papers signed by a judge who used to live in South Carolina. Unfortunately, when Payne arrives, he finds that the judge (Henry Hull) is a drunk and the town is run by an evil boss (Sterling Hayden) whose aim is to steal away everyone's land. Can Payne use the law to his advantage or will he and his new friends have to take the law into their own hands? The evil boss-man theme is a very, very familiar one in American films of this era--perhaps THE most familiar. I am pretty sure it was used long before it was in "Birth of a Nation" (this was an evil boss film despite its sick racist message). Because it's become a bit of a cliché, "El Paso" certainly lacks originality. But, despite the familiar, the film is handled well on several levels. While the boss-man story is overused, using an alcoholic judge to help make the land-grab 'legal' was an inspired change to the standard story. Additionally, Payne and Hayden are both good actors and make the most of the material. In addition, it was nice to see the way Mexicans were handled in the film. Too often, they are simpletons in westerns, but here they are both noble AND manly--with Eduardo Noriega's character being one of the better ones in this era. Along for the ride is old reliable Gabby Hayes for a nice bit of comic relief. In addition, while the film might be a bit blood-thirsty, it sure did make it exciting and better than the usually over-sanitized western of the day. The overall package manages to breath life into an ancient sort of story and makes the film a lot better than it should be. Worth seeing--particularly if you like westerns.