nadineacoury-44872
When it came out I was young and more a slave to movie fashion, I saw it again yesterday after more than 30 years and could not bear more than one hour, the movie is awfully false and pretentious and Jeanne Moreau is unbearably fake and untruthful
writers_reign
The Pseuds are gonna be falling over themselves to rave about this piece of cheese followed closely by the Academics lining up to 'teach' it. Good luck to both camps. Basically it's a pseudo-intellectual 'director' wallowing in self-indulgence, seemingly willfully - certainly knowingly - miscasting two incompatible leads and seeking in the to temper this by setting the action in an out-of-season Venice and more or less ignoring the 'tourist-picture-postcard elements in favour of a cryptic and virtually meaningless storyline involving two unsympathetic leading characters in the shape of a fraudulent novelist and - we have to take their word for this - an irresistible woman, who is, in fact, as irresistible as a three a.m. rap on the door by the Gestapo. Stanley Baker and Jeanne Moreau don't even try to do anything with this drek and it's yawns all round.
emuir-1
This film is oh so 60's that it is as much a time capsule as La Dolce Vita. The clothes, hair styles, make up, and attitudes all date this film. Even the furnishings scream `period piece'.If you don't mind spending good money watching Jeanne Moreau strike one pose after another while wearing heavy eyeliner and false eyelashes, then this is for you. If there was a story I missed it although the theme did seem to be half decent man ruined by infatuation with femme fatale. The action takes place in Venice in the winter - no tourists, no pigeons and very bleak. As far I could tell the action comprised Ms. Moreau strutting into a room with her hair done up trailing her fur coat behind her, lighting a cigarette, turning around blowing smoke and we see her face in close up. This scene is repeated throughout with a variation when she unpins her hair and shakes it loose, or brushes it. She also lights up before going to bed at night after hugging the cat , or maybe she lit up before hugging the cat. Maybe she gave the cat a smoke too. Stanley Baker was the man who became besotted by her although if I got it right, she despised him. Virna Lisi was his sweet little betrayed wife. Jeanne Moreau, cigarette dangling from the corner of her mouth, posed in various couture gowns in a casino, night club, parties and smoked heavily throughout. Until the film ended.
theeht
For all the hoopla surrounding Eva during it's re-release in 2000, you'll feel very disapointed after viewing it. Jeanne Moreau is interesting, but not fascinating,as the title femme fatale. The film isn't strong in plot nor characterization. It's a case of a man choosing the wrong woman=as the lovely, soft Virna Lisi is much more appealing than Moreau, in a smaller role.
AD
