kapelusznik18 ***SPOILERS*** It's when overly aggressive and hot headed cop Jeff Powers, Lou Diamond Phillips, is assigned top the exclusive SIS unite of the L.A police Department that he comes top realize that his brutal tactics were humanitarian actions compared to that outfit. The SIS, that sounds a lot like the mid-east terrorist organization ISIS, is involved in letting criminals commit the most horrendous crimes like murder & rape so that they can first get the goods on them and then blow them away without trial!It's Powers' partner and head of SIS Dan Vaughn, Scott Glenn,who orchestrates and sets up the targeted by letting them get away with literally bloody murder just so he can gun them down and keep them off the city streets, in their graves not prison cells, forever with no regards to their victims lives. How Vaughn & his boys get away with all this is by the internal affairs of the police department looking the other way by not doing anything to stop them. It's Powers who gets religious when his girlfriend L.A Chronicle reporter Kelly Daniels, Chelsea Fields, writes an expose on the death squad unit that if fact exposed him as one of its members!***SPOILERS*** Powers soon learns that he's on SIS's hit-list and the only way to save his as well as Kelly's behind is to come clean and expose SIS to the public, the cops were no help, before it can do any more damage! To him Kelly as well as the citizens of the city. With everything now out in the wash, in SIS being exposed by the L.A Chronicle, Powers comes to see the discredited but still on the L.A police force Dan Vaughn to tell him what he thinks of him and his gestapo like police organization. The ending isn't pretty with the usual cool as a cucumber Vaughn losing it and going completely insane in trying to murder the man , Jeff Powers, who fingered him. were told at the end of the movie that Vaughn ended up shot to death in one of his set-up raids that went terribly wrong for him. As for Powers he resigned from the LAPD and is now the head of internal affairs at the city of Detroit Police Department.

Robert J. Maxwell The film open with a prologue telling us that what we are about to see is inspired by a true story, and the next credit tells us that the following film does not resemble any living human being, or any dead ones either. The first scene has half a dozen members of the Special Investigation Section (or whatever), under the leadership of Scott Glenn, shooting a hold-up guy to pieces. We get the impression that these are some tough fellas.Then there is a cut to Lou Diamond Phillips, enraged, behind the wheel of his car in a high-speed pursuit of a child-molesting perp. Phillips repeatedly bumps his car against the other -- a requirement in movies like this -- until he forces the fugitive through a plate glass window in slow motion. Then Phillips leaps from his car, pulls the bleeding perp from his wreck, and beats the unholy hell out of him before being restrained by his partner and the other newly arrived cops. A loose cannon alright, and a prime recruit for the SIS.What the SIS does, with the complicity of the higher authorities, is follow the suspects, wait until after the crime is committed, then walk in and kill the perpetrators. It's a death squad.When Phillips' girl friend, Chelsea Fields, a crime reporter, discovers her lover's involvement, they have an argument and he leaves their love nest. As you can see, not a lot of imagination has gone into this production, beginning with the title -- "Extreme Justice." You can, after all, have justice, but if it becomes somehow "extreme" it's no longer justice.The conflict between Phillips and his girl friend echoes the opposing values of lovers in previous police movies -- "Bullett," "Heat," "Serpico." And it belongs to a more inclusive genre -- career vs. marriage. See reporter Kurt Russell wrestle with Mariel Hemingway in "Mean Season." Watch John Wayne try to balance his love life in military films like "Wings of Eagles" or "In Harm's Way" or "Rio Grande." Now a member of the elite SIS, Phillips is happy as a clam, but when he finally grasps what's up, he turns to his girl friend and spills the beans. She prints it. There is a final brutal fight between Glenn and Phillips. The politically correct person winds up decked.The two leads turn in professional performances and Chelsea Fields is sexy. Yaphet Koto stands out among the squad members. The weakest performance is by an SIS member who kills a young girl by mistake and later blows his brains out. The direction is what you'd expect from a police movie built around several episodes of violence.

lost-in-limbo Supposedly this film when it came out caused a bit of a stir and controversy by claiming that the idea behind the premise (an elite group of LAPD cops operating outside normal police guidelines that target high-profile criminals) was inspired by facts. The idea is scary (bystanders sometimes considered necessary sacrifices), but not particularly new as it did remind me of the Dirty Harry sequel; "Magnum Force". Although this death squad were not rogues operating outside the law as in that film; well that's what they like to think in what is an official unit. "Extreme Justice" might be audacious, but what occurs is by-the-book and formulaic. Director Mark L. Lester's mechanically brazen handling balances the tough action with the not-so black-and-white context. Some set-pieces are frenetic and raw, chucking in foot-chases, car-chases, bloody shootouts and Mark Irwin's sweeping photography. Sure it can be somewhat heavy-handed and morally bounded, but Lester keeps it reality bounded and it's the lead performance of Scott Glenn that sells it. He plays the leader of the S.I.S (Special Investigation Section) unit. Glenn's outstanding performance is lean, but also ballsy and cynical as you can see it beginning to affect him. Lou Diamond Phillips suitably plays the brash, but idealistically rough newcomer to the squad who actually begins to question the methods in how they go about getting the job done. Watching the two go at it fuelled some tension in between the set- ups after set-ups. There's good support from the likes of Yaphet Kotto, Chelsea Field, Richard Grove, William Lucking, L. Scott Caldwall and Ed Lauter as the police captain. Daniel Quinn and Andrew Divoff play some criminals. While also look for action stuntman Larry Holt and stuntman / actor Bob Minor."Trust me amigo. You're made for this work."

Comeuppance Reviews Jeff Powers (Phillips) is an LAPD detective known for his aggressive streak. Rather than be a detriment to his career, it enables him to join the SIS, or Special Investigative Section, an elite team of cops given a wider berth to take down repeat criminal offenders by any means necessary. The group is led by Dan Vaughn (Glenn), a charismatic but violent man. Other members of the team include Angel (Divoff) and, as Larson, Yaphet Kotto in one of his best roles we've seen to date. As Vaughn and his ethical issues become darker and murkier, Powers, spurred on by his reporter girlfriend Kelly (Field), becomes wary and spirals into a moral conundrum - remain true to his brotherhood and its camaraderie - after all, they ARE stopping crimes, or, blow the whistle because their crime-stoppery knows absolutely no limits and at times comes with a very high price? What will Jeff Powers do? There are a lot of really good things about Extreme Justice, starting with its title. This was before "extreme" things became the norm. The SIS gets EXTREME justice. But besides that, it has a top-notch cast, and the excellence of fan-favorites LDP, Yaphet Kotto, Andrew Divoff, Ed Lauter and Scott Glenn raise the bar considerably. The movie has back-to-back scenes of awesome clichés (someone should invent a word that means "cliche" but doesn't have a negative connotation, because that's what we'd use here) - everything from a female BYC (Black Yelling Chief), to Jeff Powers being called "A Loose Cannon" - but Extreme Justice really does provoke thought, as well as conversation with whoever you're watching it with.We talked about the fine ethical line some of the characters walk - and Powers, Vaughn and others deal with their issues in their own ways. We also talked about the nature of law and justice and things of that nature. This movie really does bring them up, which is more than you can say about a lot of other cop dramas of this type. Plus it has Yaphet Kotto dressed as a cowboy complete with hat, belt buckle and six-shooter.The ubiquitous Ed Lauter's role here (as well as the plot of the movie) is a precursor to the great The Sweeper, 1996 (note the "Cloak and Dagger" business card), and Scott Glenn's role as Vaughn also is a precursor to another career-best role as Cole McCleary in The Last Marshal (1999). This is a manly movie about dudes who drink at bars, go to strip clubs, and shoot their guns at their steak-fueled cookouts. But this Brotherhood Movie, as we call them, has an uglier side and themes of adult peer pressure are explored. Try to imagine a cross between the TV show The Shield, The Last of the Finest (1990) and The New Centurions (1972). Now add to the mix the L.A.- based cop dramas of James Ellroy such as Dark Blue (2002) and Street Kings (2008), and you have an idea of where this movie lives.Director Mark L. Lester, who has given us such gems as Showdown in Little Tokyo (1991) and Commando (1985), delivers a refreshingly-adult drama, a far cry from the stupidity of his later Hit-man's Run (1999). Here, there are no stupid, wisecracking teens or kids.Extreme Justice is solid and recommended.For more action insanity, please visit: www.comeuppancereviews.com