steen-just What is to say? One of the best of Christies' novels adapted as close to the original story as possible, if you neglect the homosexual stuff. Some minor flaws (esp. the age and looks of Julie Fox) have been mentioned elsewhere. But if you don't like this one, I gather you're not able to appreciate any Christie at all. "Five Litte Pigs" is on the very top rung and maybe the most touching Christie of them all. Anyone is allowed to cry out loud even though most are engaged in solving the mystery.David Suchet makes one of his most convincing performances here and as many other states, Rachel Stirling is unbelievably good as Caroline Crale. Any man with a touch of "gentle" in his blood would fight for this woman until his death.. some clue to the denouement might be stated here!

blanche-2 This is definitely one of the best, if not the best, adaptation of a Christie story, "Five Little Pigs," and certainly a top Christie story in itself.A young woman, Lucy Crale, comes to see Poirot to ask for help in clearing her mother's name. Fourteen years earlier, Caroline Crale was hanged for the murder of her husband, an artist, Amyas Crale. Lucy promises that even if it turns out that her mother committed the murder, she will accept it, but she wants the whole truth.Poirot then visits the five people who were present when the murder took place: Amyas' best friend, Philip Blake, a visitor at the Crale home when the murder happened; Philip's brother Meredith, from whom it is suspected that Caroline stole the poison used to kill Amyas; Elsa Greer, Amyas' lover and whose portrait he was painting; Caroline's half-sister, Angela, who is sure her sister was innocent; and Miss Williams, Lucy's governess. After hearing each story, Poirot knows the truth and reunites all of them to make the announcement.The story unfolds neatly, and at the end, Poirot keeps you guessing. The flashbacks are beautifully, dreamily photographed, and the locations are lovely, as is the period atmosphere. The way the flashbacks were filmed is reminiscent of the flashback scenes in the feature film, "Murder on the Orient Express." The acting is superb, with David Suchet perfect as usual, and he's surrounded by some top talent, including Rachel Stirling, the brilliant Toby Stephens (he comes by his talent honestly, being the son of Robert Stephens and Maggie Smith!), Gemma Jones, and Patrick Malahide, Top drawer - don't miss it.

bovnyccc Unlike some of the adaptations of Christie' s Poirot, this was very true to the novel. There were a few melodramatic moments in this production that were not true to the novel but they were minor.This is one of the Christie novels where the characterizations were at the heart of the tale. The close-up of all the major characters showed not only how much they suffered from the events of the past but how hollow they had become. It seemed, even in death, the husband and wife were more dynamic than those who orbited around them.The acting was fabulous and Suchet' s Poirot showed subtlety and charm and happily, few of the affectation s he sometimes employed with his quarry and I think Rachael Stirling,as Caroline Crayle was first among equals.This show affected me greatly and won't soon be forgotten.

Edu-16 Quite the best Christie adaptation I or my wife have seen to date. We were particularly surprised by how emotionally engaged we were. Where as with most detective stories you remain dispassionate, quietly observing from the outside, FLP draws you in to care about the characters and come the final denouement we are both intellectually and emotional rewarded by the resolution.The direction and story telling are perfect - cutting neatly between the present and five flashback accounts of the same 14 yrs old incident. We are led gently up all manner of garden paths, and even allowed to think we've 'nailed it' only to have our smugness shot down in the final reel. The acting is far above the norm, and the casting, especially of the flashback 'younger versions', particularly effective.FLP is lovely to look at - with a nice contrast for the flashbacks to a heightened, over exposed look, and lovely to listen to - the score is a magnificently clever variation of the basic Poirot theme.Yes - an all round joy that we even wanted to watch again the next day. A 'whodunit first' for us!