For Heaven's Sake

For Heaven's Sake

1950 "That Belvedere man is back in his newest comedy hit..."
For Heaven's Sake
For Heaven's Sake

For Heaven's Sake

6.4 | 1h32m | en | Fantasy

An angel takes on human form in order to persuade a theatrical couple to finally consummate their child that has been waiting to be born.

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6.4 | 1h32m | en | Fantasy , Comedy | More Info
Released: December. 15,1950 | Released Producted By: 20th Century Fox , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

An angel takes on human form in order to persuade a theatrical couple to finally consummate their child that has been waiting to be born.

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Cast

Clifton Webb , Joan Bennett , Robert Cummings

Director

Lloyd Ahern

Producted By

20th Century Fox ,

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Reviews

utgard14 Angels Clifton Webb and Edmund Gwenn are tasked with bringing an unborn (not even conceived yet!) child into the world by getting a theatrical couple (Robert Cummings, Joan Bennett) with a rocky marriage to have a baby. Webb hatches a plan to take human form in order to better accomplish this task. But life as a human proves to be a distraction for him and Gwenn has to intervene.Webb is the star of the show, particularly as a Gary Cooper-inspired cowboy character. If you're a fan of Webb's you have to see this. Cummings and Bennett are fine, if a bit dull. Gwenn is likable as ever. Joan Blondell adds her usual brand of zing to things. Gigi Perreau is cute playing the would-be daughter and Tommy Rettig from Lassie is adorable in a small part. Jack La Rue is fun as an actor who's played one too many gangster parts. Loses momentum midway through but is still enjoyable. Old-fashioned ideas such as having a baby will save a troubled marriage will induce eye rolls for many viewers today, I'm sure. But it's all well-meaning and good-natured. Not for the cynics among us. Sweet, charming, and funny.
jjnxn-1 Utterly charming comedy with Clifton Webb and Edmund Gwenn delightful as a pair of guardian angels tasked with getting a little girl born to a self absorbed but good hearted couple.Joan Bennett comes across well as the prospective mother, a warm presence this film came along just as she was segueing from her period as a film noir chippy to character and mother roles. Joan Blondell is great fun as a flashy screenwriter injecting her special brand of zip whenever she's on screen. Robert Cummings is bland as the father to be but he fades into the background and doesn't hurt the picture.As enjoyable as the two Joans are this is really Clifton's show and he makes the most of it especially after he temporarily returns to earth in human form and has many misadventures. A sweet, feel good film in the best sense of that phrase.
David (Handlinghandel) When Clifton Webb says this, he is referring to cowboy boots. In this exceptionally peculiar movie, he is an angel. So is Edmund Gwenn. Gigi Perreau and Tommy Rettig are also, though they are angels of a different, rather mawkish, sort.When Webb utters this comment, he is pretending to be a Texan and an angel of a different sort: a theatrical angel. You see, little Gigi wants to be born as a human child (as does little Tommy.) Gigi has chosen her prospective parents: Robert Cummings and Joan Bennett. (Does this seem to anyone else like an unlikely match?) They are a theatrical couple -- he a director, she a star. They live in a chic Manhattan duplex. Cummings is urbane and Bennett looks luscious.There are in-jokes about pets named Alfred and Lynn and tossed-off comments about Arlene and Martin. It has a swanky style.Webb is saddled (no pun intended) with a highly unflattering hair style when he plays the Texas millionaire. He gets top billing but for the most part his considerable talents are wasted. OH! And he falls for the as always delightful, here tanned and rather plump Joan Blondell. She is playing a famous playwright.The combination of the cynical story of the selfish theatrical people with the icky concept of angels waiting to be born as children makes for a fascinatingly strange concoction.
rdepontb Great escapist fantasy, perfect 1950s era storyline and shooting. Clifton Webb couldn't be better as cowboy-playing angel trying to get this writer-couple to want a baby who's been waiting for parents.The acting, staging, storyline, acting all terrific, great fun, poignant, simple.