Frankenstein 1970

Frankenstein 1970

1958 "The One...The Only KING OF MONSTERS!"
Frankenstein 1970
Frankenstein 1970

Frankenstein 1970

4.9 | 1h23m | NR | en | Horror

The baron's grandson rents the family castle to a TV crew to fund his atomic revival of the family monster.

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4.9 | 1h23m | NR | en | Horror , Science Fiction | More Info
Released: July. 20,1958 | Released Producted By: Aubrey Schenck Productions , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

The baron's grandson rents the family castle to a TV crew to fund his atomic revival of the family monster.

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Cast

Boris Karloff , Jana Lund , Don Barry

Director

Jack T. Collis

Producted By

Aubrey Schenck Productions ,

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Reviews

O2D This movie is all around bad. Karloff as Dr. Frankenstein is weird but you won't even notice because the story is so stupid and boring. I almost stopped watching when he hypnotized a guy but I had to see how bad it would get. And of course the title doesn't make any sense. 1 star is the lowest rating you can give, I would give -1.
Rainey Dawn This is not a down right awful film... it's actually quite fun to watch. This might not be the best film Karloff has starred in but it's entertaining! It's nice to see Karloff in a role reversal of Frankenstein. He is the scientist who created The Monster in this film.I have to agree with other reviewers that it is Karloff's presence in the movie that makes this one worth watching over again. Some of the film is laughable - which really creates the "fun" in watching the film.Love the semi-Gothic atmosphere - and the surprise at the end of it.All in all this is a good weekend popcorn flick! Worth watching if you like anything Frankenstein and/or Boris Karloff! 7/10
GL84 While allowing a film crew to make a movie at his castle, the Baron decides to use the opportunity to finish his ancestor's brain-swapping experiments and lets the hulking creation loose upon the unsuspecting filmmakers.Actually not all that bad of an entry, definitely has it's moments and features some good stuff from time to time, namely in the beginning where the film-crew twist makes the action a bit jolting, and the times spent in the lab trying to reanimate the body are pure old-school sci-fi goodness. The location works nicely as well, being the kind of grand Gothic design that manages to have all it's usual theatrics played up rather nicely. It's just marred by a criminal lack of energy and enthusiasm when it's not dealing with the baron's antics, as the film-crew aren't that interesting and hardly ever do anything, the monster is a joke and looks retarded (in concept, not execution) and the entire thing is over so hurriedly it's impossible to realize what's happened until the credits start to roll. A real missed opportunity since this one could've been decent.Today's Rating: Unrated/PG: Mild Violence
mark.waltz all except for the monster who has none, yet somehow manages to find its victim even though Dr. Frankenstein (Boris Karloff) dropped the jar of the eyes from his previous victim, which he kept in his refrigerator, right next to the pickles. Indeed, it looks like he has a treasure trove of foreign beers in that refrigerator for celebrating once his experiment is complete.Almost 20 years since he played this Dr. Frankenstein's ancestor's monster, Karloff now gets to collect the body parts for this pathetic creature which has laid in slumber in the family crypt for over a hundred years. Now some Hollywood film crew is on the estate and Karloff, desperate for money, gets the itch of his ancestors when he suddenly begins playing the organ in a terrifying manor. Karloff manages to hypnotize his family retainer into becoming the first victim to provide the monster with necessary body parts (which they must have run out of at the local Piggly Wiggly) by simply waving his scalpel at the dumbbell.You will hoot, you will howl at the idiotic dialog, not only of Karloff who explains everything he is doing into a reel-to-reel tape-recorder (remember those?) so the audience doesn't have to suspend its belief as to what he is doing. And with times having changed since the days of the original Frankenstein (minus Frau Brucher---she comes later), the doctor has the advantage of some modern appliances to help him with his nefarious experiments. Add on some stupid Hollywood types to provide the drive-in audiences with moments of time to do things other than watch the movie. This is the type of film that screams for Elvira or the two robots from Mystery Science Theater.