dwpollar
1st watched 3/9/2010 -- 7 out of 10 (Dir-Claire Denis): Beautiful film about a woman preparing for a new life, getting stuck in a traffic jam, picking up a stranger and then having a night together with him. This film is like watching a ballet with it's beautiful depiction of everything from the city of Paris, to the hotel room, to the main characters. The camera is like a peeping tom into the heart of the main character played by Valerie Lemercier as we feel and see everything she sees and feels. Except, of course, the emotions are a little restrained -- which is typical of the French. With French films, you never expect a cut-and-dry ending and they take their time letting you experience every moment(this is unique to this countries films). The film has a very simple premise and it lets you think thru what's going on in the character's minds and never gives away anything. There is very little dialogue which lets you breathe in and experience every minute. Sure -- not much happens, but it doesn't have to. Sometimes life is "exactly" like this and Claire Denis captures it beautifully. Do we know what happens to the character's when it's over?? -- no, but we can guess and that's where the fun lies in a film like this.
MacBobby
When I was 17, I was kind of fascinated by this kind of (typically french) movies. The absence of action in the story telling would reveal some hidden gem, some kind of unknown, deep, mysterious truth, about life and all the unexpected things that could happen. Like meeting someone one evening and then spending the night without knowing anything about each other, without even exchanging a few sentences. Yeah that would appear to be exciting, revolutionary, unusual, unconventional. Now, 36 years later, I've had a few strange encounters in my life (like anybody else, I guess), but then... so what? Nothing to make a fuss about, and certainly not a movie. These moments weren't any deeper or more significant than other events that proved to be far more ecstatic or painful. The absence of any meaningful dialog in a script doesn't make a movie more special or poetic by itself. These long close shots on the actor's eyes don't lead anywhere if the author has no intention, no other purpose but to please himself/herself. After I watched the whole movie, I was left with a feeling of emptiness, that is, the author's emptiness. This film is about nothing, but it tries to conceal that behind smart camera movements, little action and no story. It has nothing to say, but would make us believe it's nothingness reveals something about life. Well it doesn't.
bkossy
The traffic jam sequence alone stands as an amazing and lyrical study of the rhythms of stop and start driving. The two lovers are so anchored in the magnetism of the present. This movie is a homage to human nature, and sexual attraction consummated. Also, I absolutely love that the film accepts and cherishes the moment as the lovers do. It's very French.
kd58543
I understand how a number of people would find this movie difficult to enjoy. There are parts where you are unsure if they are real or if its the lead female fantasizing. Not much appears to happen unless you think about what you are seeing.The cinematography of this film is beautiful. There is a clear color palette to the key shots. Also so much information is given from the actor's and reactions. There is very little dialogue. The camera is used as a character in the film. It shows us the claustrophobic state that the lead female is feeling because a major change in her life. She is changing from a young woman to a domestic woman.
The other comment refers to the female's beauty. Films control so much of our identity of beauty that we've forgotten that ordinary people exist. Also that someone might find an ordinary person to be attractive.
AD
