maureenbuchan Somber ,but a good study of a woman who managed via her wry view to achieve success in a man comedic world ... Though the darkness we saw a flower bloom . Her jokes were off but this was an era when cruss was fash ..I must confesses the outrangesness certainly did raise a laugh ... This was a period piece . My comments would not be complete without mention if the excellent soundtrack ..

anthony WILLS Hugely entertaining while I watched it but I think it helps if you experienced the back-to-back streets and working men's clubs in the '70s, as I did when I was living in Leeds. I was however able to pick plenty of holes in it after the credits rolled. We weren't told what the abusive father and husband did for a living (perhaps they signed on at the job centre?), the larking about in the pub with her husband seemed a bit unlikely, her confessional sequences in the spotlight were a clumsy device, there was no follow-up to the old comic committing suicide in the toilets, we had to assume that she did so well in the clubs that she was able to buy a flashy car and a country house, the mother episodes were a bit superfluous and it did start to drag towards the end. But the performances were excellent: Maxine Peake deserves a BAFTA and the little girl who played her as a child was also terrific. Also every detail from hairstyles to dress to wallpaper was spot on. The talent show auditions were hilarious and worth the price of admission alone. Don't be too hard on it, it's a thoroughly British film with an Original Screenplay and I think it's an utter disgrace that only three cinemas in London are showing it.

PipAndSqueak Funny Cow is the insulting name given to the young woman who dreams of becoming a stand-up comedienne. She is funny and funny-peculiar. Not surprising as she has an alcoholic, neglectful and depressed mother and a foul mouthed and physically abusive father. The odd thing is that, even at a young age, Funny Cow knows her family situation is not normal. She learns effective methods to disarm the violence meted out against her - and it is the first thing she asks of the old comedian she tries to emulate. How do you rise up over the abuse? This is indeed a very interesting question and one we see Funny Cow address. However, she is still too funny-peculiar for the average person to learn much...but perhaps they should try. All the actresses playing Funny Cow at her various ages manage to merge seamlessly. Well cast, well directed and some fine acting. Only one person threatens to upstage these ladies and that is Diane Morgan whose exposure in the lead role of Cunk on Britain makes us want to see more of her here. No, it's not a funny film but, it does have some lovely one-liners. Just enough humour to compensate for the very sad tales this film depicts.

joey_d_49 How tired I am of seeing films showing how grim tis up North... Funny Cow is a story about a woman who's had a troubled time with the men in her life, namely her Father and Partner. It's a set up that's been told a thousand times before, though the premise of this version is that it supposedly leads our protagonist to comedy. The main thing missing from this story however was just that..comedy. Funny Cow shows she can crack a cheap laugh at points in the film, mainly one liners, and doesn't actually pluck up the courage to take the stage until the end of the film. Needless to say, she goes onto perform as if she's had plenty of experience and has the whole place roaring with laughter... zzz.The film was the most depressing film I've seen in a very long time. One dimensional characters, all with similar vices in alcoholism and addiction. Performances were stereotypical and obvious on the whole. The scenes of violence were tactless, we know it happens but do you have to be so blatant with it?! Not sure why Stephen Graham decided to sign on for this one. He's in two scenes as two characters, and the scene in which he is playing her Father is just ridiculous, seems to me a bad choice for an actor so often likable regardless of his morals. Paddy Considine also out of his range here, playing an upper class yuppy, very characiturish and unbelievable, a rare mistep for Considine.Peake does an OK job, but again not particularly likeable, and sometimes her choices seemed over the top and obvious. There is a smugness to her which I find hard to overlook.I really didn't find anything in the film worth taking home with me, in fact I felt angered when leaving because it truly felt like a story that doesn't need to be shown on film. If these are the sorts of films representing British Cinema, then no wonder people are staying home watching Netflix. Avoid.