MartinHafer If you are able to bear the oppressively grim nature of this documentary, you will get probably the best account of the stupid and wasteful Gallipoli offensive of WWI. The Mel Gibson film "Gallipoli" is also quite good but never really captures the level of wretchedness and waste you get in this Jeremy Iron-narrated documentary. But, I am warning you....if you are depressed the picture will only make it worse, as the battle was so long, wasteful and oppressive!To make the film, they used a lot of film footage and photos from the battle--much like you'd see in many of the Ken Burns documentaries. And, like the Burns films (such as "The Civil War") you learn about the impact on the men involved by hearing their letters begin read. All in all, a great tribute to a lot of brave men...foolishly wasted in a hair-brained battle doomed to failure. By the way, I generally use captions when I watch films. I am slightly hard of hearing but have used them for years since I have a deaf family member. I mention this because there is a problem with the captioning. First, it doesn't exactly match what's being said--it's more a summary. Second, the captions OFTEN came before the narration actually occurred. Both make it tough to watch this one if you can hear....so you might want to turn off the captions.

jrootsey In my opinion, the movie is an excellent example of the realities of war and a tribute to the soldiers of all nations who fought and bled into the soil Gallipoli. The lack of violence in no way detracted from the magnitude of the tale in hand. It is honest, true and brave, just like the men that fought and died at the Hellespont. The lack of brutal depictions of violence are just and proper. Those men suffered enough for freedom, liberty and the right to self determination in a free and better world. They never wished to ever see such scene's again.That is the legacy of the event of Gallipoli. To suffer scene's of gratuitous pyro-technics and blood and gore is best not shown for the maintenance of proper respect for the combatants of this crucible of nationhood.This film glories in the magnificence of men fighting for their lives,with honour, courage, dignity and irrepressible spirit and humour in the face of appalling adversity. This film is not interested in making a spectacle for fools to cheer over. The brutal outcomes that occoured from these personal combats of these men is not a thing that those that survived ever wished to see on a screen for entertainment. They saw enough of that at the time, and would much rather have never seen it at first, and never wished to review such scenes again on a screen in the name of "entertainment". The brutal horrors of the actualities of the vicious combat fought at Gallipoli were scenes that haunted their waking and sleeping hours for the rest of their natural days. It was the painful internal scars they, the men of all those nations who fought, carried inside to their graves. They all fought,and many died in the face of it all and somehow they, those mighty hearted men, managed to laugh in the teeth of constant dread death because they would'nt insult their mates by not being prepared to die game beside them. That's Australasian for brave, game is, but it applied to all combatants to a greater or lesser degree, but word from the boy's that fought was that Johhny Turk was as game, that is as brave, as you would ever wish for a soldier to be.ANZAC's and Turks were fighting to establish their place on the world stage, and from 25/04/15 onwards, their respective claims for equality in Nationhood were made known and undeniable to that world. The director has made a masterpiece that truly honours the spirit and memory of those soldiers and serves as a reminder to future generations of all ages, for children can be taken without fear of frightening them for the sake of visual "horror" and it's morbid and pointless appeal. And children should attend this movie so as to learn what happened at that sacred shore before they were born. So that they can remember. For it is the nature of men, that they soon forget.

ACFG There is an interesting split in the voting for this movie (at the moment at least). Those who go expecting a documentary are impressed, or at least not disappointed. I anticipate that those giving the film 1 out of 10 are those who expected a war movie or a re-enaction of the invasion of Gallipoli.So - if you want to see actors, gunfire and gore, this film will not suit you. If you want to see an independent documentary about Gallipoli, without bias towards any one side (the only enemy in these events was the War itself) then you'll come away both impressed and sobered. I found it a very moving film, and even quite liked Captain Guy Nightingale by the end.

cern We went to the cinema expecting a biggish budget release and got an art-house movie. The movie was projected digitally onto about two thirds of the screen real estate with sloping edges classic of digital projection, and had a limited stereo soundtrack which was wasted on the cinema experience.The content of the film was the same old historical content we have all seen before, but heavily sanitized to prevent the audience being sick. Live action scenes what little of them there were, were re-used constantly in classic documentary style, which became annoying after a while.I was somewhat amazed that only 4 people turned up to watch it, guess the rest knew something we didn't.I suspect the producers made the film to recognize the ninetieth anniversary of Gallipoli. I have to question whether they should have bothered.Seven out of Ten for trying, and out of respect for the ANZAC's.