gridoon2018
A lot of people are comparing the little-known today comedy team of Wally Brown and Alan Carney with the much more famous Bud Abbott and Lou Costello, and I can see the resemblance, though one crucial difference is that their relationship is never physically abusive; their put-downs to each other are frequent but strictly verbal. Brown and Carney may not be comedic geniuses, but they are quite funny in their own right. And they are surrounded by a strong supporting cast: Anne Jeffreys is a smarter-than-average female sidekick, while Lionel Atwill and Bela Lugosi make a great villainous team (I wish the identity of "The Cobra" hadn't been revealed so early, though). These two wisely play it straight - even when Atwill disguises himself as an old lady in a wheelchair! ** out of 4.
tmpj
This poor excuse for a movie really ought to be ashamed of itself. The two comedians in the principal roles are about as funny as a ruptured spleen, and Atwill and Lugosi probably scared each other more than they scared the intrepid audiences who dared sit through this film. RKO sets a new low for itself. It's released some pretty shabby B-flix during its time, but this one stands out because it brings all of the trappings of a cheap, hastily done celluloid nightmare that you might expect from one of the poverty row studios...PRC, Tiffany, Mascot...you name it. "The Cobra" has struck again, leaving its murderous imprint upon the already burdened psyche of the city. The two "radio detectives" have a show that re-constructs what they call 'the crime of the week'. But the ne'er do well heroes along with Anne Jeffreys do so well that they step on the toes of the villains and they do not like it. It then becomes a matter of having to get rid of them because they feel it is only a matter of time before their villainy will be discovered along with their true identities. It was a ridiculous, tired plot...even then in the 40s. It may have been a good vehicle for better actors...but that is not the case here. It is so bad..nothing can save it. If...as I have read...this is remake of a Jack Oakie vehicle from the 30s, this is one time when RKO should have just let sleeping dogs lie...and this film is really a DOG ! I cannot and do not recommend it. Even though I love old flix, this one is a time waster.
Craig Burkhart
This script seems like it was written for Abbott and Costello, but turned down. We have a low-rent comedy team here pretending to know something about a murderer. We also have menacing performances by Atwill and Lugosi. Finally, we have Anne Jeffrys as the lovely lady. It is funny in parts, but never really menacing. If you're not expecting much, it might be a pleasant surprise. If you do expect a decent film, well, you might very well be disappointed. It's a harmless enough way to spend an hour or so, especially if you're a Lugosi fan. I'm not sure it's for everybody, though. It isn't dull, but it isn't exactly entertaining, either.
the_mysteriousx
First some background - this was Lionel Atwill's final film. He shot half a serial "Lost City of the Jungle" after this and then passed away. This was Lugosi's final studio film other than "Abbott and Costello Meet Frankenstein". This was also, I believe, their 7th teaming together. Usually red herrings, or one good and one evil, this is the only real film they did together when they were both the bad guys from beginning to end (also Ghost of Frankenstein).That all being said, this is really a comedy from a weak team of comics Brown and Carney. The comedy is not terrible and is on par with the lesser Abbott and Costellos from the period. The best part is watching Atwill play the master criminal, "The Cobra", with Lugosi as his dedicated sidekick, Stone.It was really great to see the both of them ham it up. They have some great moments toying with the comics, Atwill in particular jawing one of them on to shoot through his robe to embellish the accolades for catching him. Lugosi gets to be just as menacing throwing knives and chloroforming the nosy female lead, and well, being Lugosi.It's a fun little flick that's definitely worth the 61 minutes for any fans of either Atwill and Lugosi. Being a fan of both, it was great to see them work together for the bad of mankind, which is what they always did best.
AD
