Michael_Elliott Ghost Patrol (1936) ** (out of 4)Airplanes begin falling from the sky so a Depertment of Justice worker (Tim McCoy) begins to investigate. Before long he uncovers a group of people using a death ray machine to bring the planes down.GHOST PATROL often gets credited for being in the Western genre that mixes in horror elements. There aren't any ghosts on display and the film really isn't horror but it does fall into the science fiction field as the story itself is rather ambitious or at least a lot more interesting than you typical "C" Western from this era.The film actually borrows heavily from the previous year's film AIR HAWKS from Columbia, which was about a mad scientist (Edward Van Sloan) using a ray to bring down planes. The setting here is obviously that of a Western but the story makes for a quick hour and there's no doubt that the story is interesting enough to keep you entertained.McCoy certainly has no problem playing the hero and makes it look quite easy.

JohnHowardReid Multi-talented Wyndham Gittens wrote some good scripts, but this is not one of them. Mind you, it does show promise here and there. We like the scene when our heroine positions herself on a rock and gives her face a thorough dusting, but after this wonderful introduction, she has little else of interest to say or do. The rest of the players also seem to be struggling to make something out of a movie that was so conspicuously filmed on the cheap. The introductory scenes with the plane are so obviously lensed against a process screen, they carry no weight at all. The good old process screen also comes into its own in other scenes including a long time-waster when our hero picks up our heroine in his wagon. Neither the director nor his producer make any attempts whatever to disguise these blatant meanwhile-back-in-the-studio or time-for-some-more-stock-footage effects. Oddly, Tim McCoy seems to be unfazed by all these cheap stunts. He just keeps on enunciating his lines, no matter how corny or overly fulsome they are. He also just goes on wearing his over-sized hat, although it too looks way out of place. The other players seem unperturbed by the whole ridiculous plot. Only Lloyd Ingraham has the grace to look more than a trifle embarrassed from time to time. But I must admit it's good to see Jimmy Burtis in a decent-sized role for once. The picture is almost worth seeing just for his clowning alone. And I strongly suspect that our director, his producer-brother and maybe other members of the behind-the-camera crew make up the numbers in the airplane-to-the-rescue at the climax. They all look surprisingly ill-at-ease and they sure don't act like extras from Central Casting. They don't look like G-men either, but that, as I say, is another story.

Paularoc I actually like Westerns set in contemporary times and find the added science fiction elements kinda interesting. While I consider Tim McCoy to be a somewhat lackluster personality, this outing was good enough that I watched it to the end. When movies include newspaper shots, I always quickly scan adjoining articles just for the fun of it. I was thus intrigued when the kidnapped scientist Professor Brant's daughter compares two newspaper articles, the articles were on screen for so long, that it was possible to scan other article headlines, one of which had the title "100,000 Chinese live in trees after flood." Just out of curiosity, I did a quick search and learned that there was indeed a major flood of the Yangtze River in 1935. There were a number of major floods in China in the early 30s so it's not unlikely that sadly someone was having a bit of fun with the "living in trees" business. The best thing about watching this movie was then being able to understand how funny the review of the movie by Spuzzlightyear was – I shall long remember "Will McCoy ever aim his gun"?

tedg The previous year saw the "Phantom Empire" serial. Though it is all but forgotten now, it had a profound effect on movies. It mixed cowboys, radium, planes, scientists. It also had an underground civilization. In short order, studios produced a slew of cowboy science fiction movies, many with titles that copied "phantom" in some way. Most omitted the underground part.This is one of them, and not particularly bad by the standards of the time. It ends with our cowboy hero and the presumably beautiful and plucky daughter of the just-saved scientist. She doesn't know who he is and says "can you give me your name," which he turns into a proposal.I watched it only to see the effect of "Phantom." Otherwise, it isn't much of interest.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.