blumdeluxe
"Go-Get 'Em, Haines" is one of the classical early crime movies. In black and white, it tells us the story of a newspaper agent, who accidentally enters an ocean liner and becomes witness of a murder, he afterwards tries to solve.The film includes all the elements you's expect from such a title. You have the lead character as a hero, who is both smart and eloquent. You have different characters with a motive, that make it hard to guess, who the actual murderer is. And of course you have the love story between the reporter and a beautiful young lady, that finds its climax in a kiss and a marriage. You even have the humorous sidekick, who is, as always, more disturbing than funny. On one hand you could thus say, that this is a rather standardized movie, on the other hand it still has an interesting plot and doesn't do any grave mistakes.All in all I had fun watching this title. It is surely not a masterpiece or anything alike but it is a nice little story, depicted in a well-known way. If you like those early crime movies, this could be a thing for you.
MartinHafer
Long before he became famous as the cowboy 'Hopalong Cassidy', William Boyd was a star during the late silent and early talkie periods. By about 1936, his prospects had diminished a bit and by the mid-30s he was mostly making B-movies for smaller studios--in this case Winchester. Now this does not mean they were bad films--just lower budgeted ones that had relatively simple plots because the films were barely an hour long. Of all the B genres, the murder mystery movies were among the most popular. Now "Go Get 'Em, Haines" does not begin as a murder mystery. The reporter, Haines (Boyd) is following a tycoon aboard a cruise ship looking for a story but soon a murder occurs and who better to solve it other than our handsome hero (well, actually, the POLICE would be a good bet...but you rarely see them called in initially in such films).Overall, "Go Get 'Em, Haines" is about what you'd expect--a mildly entertaining film where the leading man does a very good job. This isn't surprising, as Cassidy had already made quite a few films and had a nice, natural manner in his acting. Not a great film by any stretch, but not bad and a decent time-passer.By the way, I complain a lot about the prints on Alpha Video's DVDs. However, I must admit that this one is pretty good--clean and worth seeing.
winner55
This should only be a genre-film "6 of 10" stars, but I've given it an extra star on the basis of William Boyd's performance. Although Boyd always entertained as Hopalong Cassidy, His eventual identification with that role alone essentially tunneled him out of any notice as the highly talented naturalistic actor that he was. He really shines in this film as a headstrong but clever reporter trying to discover why there would be two different murders of the same man.The rest of the film is typical of "Poverty Row" efforts of the time,although above average in its pacing - and once the mystery kicks in, it is surprisingly effective, playing with and against audience expectations in a way that leaves the discovery of who-done-it a surprise.As to the narrative that leads up to the mystery - it's breezy and not without its entertainment value. I admit considerable continuity lapses, but th pacing rushes us past them, so I won't complain.Most reviews I've seen complain of the musical number in the middle of the film, but anyone who knows the comic song tradition that came out of Vaudeville like "Second Hand Rose" or "Harrigan") will recognize it as a novelty song, and rather a charming one at that.But at any rate, at only about a hour's run, it's worth it to see Boyd in grand form as someone other than the cowboy savant, Hopalong.
dbborroughs
This film has one of the very very rare roles where William Boyd wasn't Hopalong Cassidy once he started in that role. Here Boyd plays a reporter who is told to get the scoop on a millionaire who's utility company is tanking, taking with it the fortunes of many small time investors. Arriving at the rich man's house he sees someone that looks like his man sneaking out a back door. Giving chase he follows him to the docks and on to a ship heading for Europe. Soon things become complicated as murders on board on on land occur.This is a nifty fast moving thriller. Boyd wanders through the film as if he owns the place and its clear why he was a big star. its also clear that had he been able to do something other than Hopalong he might have been even bigger (would that have been possible?). The mystery itself is a bit convoluted and I'm not sure the film plays fair (I blindly guessed the killer before we had even met all of the suspects) but its no matter since whats of interest here is the interplay between Boyd and the rest of the cast and the ship board setting. If there is any weakness its the musical number that takes place as part of a shipboard entertainment, it's not that its bad, it just that its filler. Worth a look.
AD
