God Loves Caviar

God Loves Caviar

2012 ""
God Loves Caviar
God Loves Caviar

God Loves Caviar

5.9 | 1h39m | en | Adventure

The true-life, stranger-than-fiction tale of eighteenth-century Greek pirate turned merchant Ioannis Varvakis, who rose from humble beginnings to become the head of one of the largest mercantile empires in Europe.

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5.9 | 1h39m | en | Adventure , History | More Info
Released: August. 04,2012 | Released Producted By: Alexandros Film , Stella Studio Country: Russia Budget: 0 Revenue: 0 Official Website:
Synopsis

The true-life, stranger-than-fiction tale of eighteenth-century Greek pirate turned merchant Ioannis Varvakis, who rose from humble beginnings to become the head of one of the largest mercantile empires in Europe.

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Cast

Sebastian Koch , Evgeniy Stychkin , Juan Diego Botto

Director

Aris Stavrou

Producted By

Alexandros Film , Stella Studio

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Reviews

lizy24 The pairing of incompetence, lack of any talent whatsoever, stupidity, bad writing, half-arsed directorial effort, mediocre to bad acting and a rather interesting historical topic produced this sorry excuse of a movie presented by the Greek media as some kind of event-flick or masterpiece. But Greek audiences are aware by now of the low standards of every film director (lol) Yannis Smaragdis ever cobbled together and are not and will not be fooled again by this charlatan who thinks that a few swinging drapes in front a window stand for high art. Smaragdi go home u imbecile and leave cinema to the younger generations who lately make movies with international success compared to you who tries to suck up to the press so your non-cinematic drivel looks like something worth peoples time & money. A low point in Greek cinema history. The lowest of the low.
olympicbird Against the criticism of hard nuclear people of art into the cinema theater's... This movies its a piece of art for the deepest meaning of freedom, of the real history, with excellent photography, scenario. For the cost of the creation of the movie.. you cant find nothing better into the cinema.. something else than to split the popcorn on to the floor. So.. this movie deserve congratulation for the result they create with that budget and the wonderful actors played they roles extremely nicely. I am wondering how people looking that movie depends the point of view. The point of history are annoying ? The point of the meaning are annoying? or the country are annoying.. Whatever the reason are.. I am a happy simple viewer without "special cinema knowledge" that brings me into an other era of real meanings of freedoms and life. Thanks for that.
JOHN JOHN The original matter is excellent , but the movie is bad. First of all the storyline, is not follow the historical events so the movie is not historical. The original story is much more interesting and complicated, but if the movie based exactly on history the production would be very expensive.Even thought the scenario is interesting.Is a low budget production, but some scenes looks completely unreal like to be filmed by not professionals. I think could be used old buildings instead of cheap graphics .Also, the film never shows why Varvakhs is a great benefactor for Greek and Russian people too. Better film than El Greco, but the producer should think seriously if he wants to make another historical movie without the proper funds.
evmorfia-papa GOD LOVES CAVIAR by Iannis Smaragdis The best film I have seen in the last 10 or so years. It is a film with a lot of Soul, something that has been forgotten by all the acerbic reviews of the so called "expert critics". Having a soul means to give, listen, envision, have a purpose, be willing and loving, follow the Path of one's soul wholeheartedly, believe in one's choices and open the door to the future; a future defined by the pureness of one's vision, not giving in to the fear that lurks behind the door of arrogance… The Soul is transcendence, an act of bravery… the Leader we all hide underneath. This film fulfills all of the above and then some… It speaks to viewers without preaching, demonstrates without coercing, it follows its own journey, without caring for the "rogue winds". Without words, it allows us to see our own soul, our own vision; it enables us to peek inside a forgotten corner within us, pinpointing to us a repressed dream, reminding us of our own soul's existence by the grace of transcendence that only the intangible inside us is capable of. I go no further, for there is a richness of topics one could discuss… We take pride in the man Smaragdis as well as in the artist… A great man can be a great artist. But one cannot be an artist without firstly being human