Goliath and the Vampires

Goliath and the Vampires

1961 "SEE The Virgin Harem of the Vampire God!"
Goliath and the Vampires
Goliath and the Vampires

Goliath and the Vampires

5.6 | 1h32m | NR | en | Adventure

Maciste's village is attacked by pirates. The women, including Maciste's fiancee Guja, are carried off to Salmanak, where dwells the lair of the blood drinking Kobrak. Maciste vows to rescue them.

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5.6 | 1h32m | NR | en | Adventure , Fantasy , Horror | More Info
Released: April. 01,1964 | Released Producted By: Società Ambrosiana Cinematografica (SAC) , Country: Italy Budget: 0 Revenue: 0 Official Website:
Synopsis

Maciste's village is attacked by pirates. The women, including Maciste's fiancee Guja, are carried off to Salmanak, where dwells the lair of the blood drinking Kobrak. Maciste vows to rescue them.

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Cast

Gordon Scott , Leonora Ruffo , Jacques Sernas

Director

Gianni Polidori

Producted By

Società Ambrosiana Cinematografica (SAC) ,

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Reviews

Leofwine_draca This peplum adventure has much to recommend it. Although occasionally veering into cheesy and trite territory, for the main part it's a tightly-plotted, fast-moving story with interesting characters, great villains, and lots of intrigue. The special effects are not particularly elaborate (red smoke is used to signal the entrance of the vampire) but used strikingly and to good effect. Things kick off with one of those amusing interludes designed to show just how strong and heroic our heroes are - here, Maciste jumps into the sea from a cliff to rescue a drowning child.The plot quickly sets things in motion, with exciting scenes of a village being pillaged and burnt to the ground. From then on it's one exciting situation after the next, as Maciste chases the pirates and finds an unknown opponent pulling strings behind the scenes. For the first half, the action is mainly court intrigue, with Maciste getting thrown into prison and proving his might by literally ripping the place apart with his bare hands. After a number of minor characters have been murdered, Maciste finds himself wandering in the desert with his beloved - that is, until a sudden sandstorm drives them into an underground cavern and they meet a race of blue-skinned men. Then the fun really begins! The blue-skinned soldiers turn out to be good blokes, so Maciste goes with them to the vampire's stronghold in the mountains in search of a vital ingredient for a potion. This potion has the ability to restore the faces of the zombified slaves, which is lucky considering that Maciste's girlfriend soon gets zombified too! In short, there's a massacre in the forest, Maciste is captured and taken to what looks like Hell; he escapes and then is followed by the vampire which takes the form of... Maciste! The scene is set for a final battle where we see the unique sight of Gordon Scott fighting...himself! This is well handled actually and a clever moment, done long before split-screen technology - here, clever editing makes us believe the two actors are one and the same.It's clear from the start that this ISN'T a kiddie film... there are some moments of very strong horror involved (the zombie corpses, the darkly-lit forest massacre). Things get quite gory considering the time this was made as well, with arrows being shot into eyes and people speared to death. My favourite scene has to be the "pole torture" moment where an unfortunate prisoner is made to climb up a greased pole while being whipped - suffice to say he loses his grip and slides onto some nasty-looking spikes below, leaving him a bloody mess! Gordon Scott, who previously essayed the role of Tarzan in a series of films in the late '50s, is very charismatic as Maciste and makes a good, solid hero. He's also very athletic in some scenes and you can believe the heroic acts he pulls off. It makes a change to have a muscular star actually acting, too. There are two female leads - the good one, and the bad. The good one is all sweetness and innocence, therefore rather boring; the villainess is quite hissable. The rest of the actors are all fine and good use is made of some exotic-looking scenery and costumes - I especially liked the kingdom of blue-skinned men! The action comes thick and fast and this film has one of the best prolonged sequences I've ever witnessed : Maciste fights off about a hundred guards and soldiers during a massive bust-up in a town centre, where he leaps off buildings, demolishes shacks, and uses giant poles to smack his enemies in the gob. So, if you're looking for a film which has women in chains; a strongman demolishing rooms and buildings; brief gore, torture by bell ringing; black-skinned pirates; and lots, lots more, then this is it! A marvellous classic, to be enjoyed time and again.
dinky-4 Introducing non-traditional elements into the standard sword-and-sandal formula can be risky. The results often collapse into confusion and absurdity. Here, however, the merging of horror-movie with mythic- strongman motifs results in a "peplum" which stands a notch or two above its competitors. There are, of course, the standard but always-welcome virtues: a lively brawl in a town square and again in a tavern, a hoochy-koochy dance number inside the Sultan's palace, a beefcake-bondage scene in which our sweaty, bare-chested hero struggles with a wooden yoke bound across his brawny shoulders and outstretched arms, etc. Then there are the spooky, supernatural vampire elements -- not as hokey as you'd fear -- and a memorable fight which pits our hero against none other than his clone. Thrown in for good measure is an ear-drum torture scene carried out inside a giant bell which conjures up memories of similar moments in MGM's "The Mask of Fu Manchu" and Rory Calhoun's "Colossus of Rhodes." Finally, a word of approval must be given to this movie's refusal to use the boy, Ciro, for the comic relief usually provided by those annoying Italian midgets.There are, not surprisingly, weaknesses. Leonora Ruffo isn't given much to do as the heroine and, as a result, seems pale, lifeless, and forgettable, especially when compared to the vibrant, dark-haired "bad girl," Gianna Maria Canale. Secondly, the role of the Sultan is so poorly developed that the political situation inside Salmanak remains needlessly muddled. What's more, not enough is done with the character played by Jacques Sernas -- somewhat surprising considering Sernas' star-power.Assets clearly outweigh detriments, however, and towering over everything is the impressive figure of Gordon Scott, an underrated screen presence who was somehow more than just a glorious physique.
dbborroughs This is a late night trash-o-rama joy. Its about a vampire that steals woman and Goliath who goes to get them back. This is one of those so goofy its great movies that hooks you and makes you watch all the way to then when you realize that its made no sense what so ever but which you've enjoyed more than some of the good for you films people gush over. Its got weird monsters, good fights, great pacing, decent sets and a bunch of Blue Men that make me wonder if the Blue Man Group ever saw this movie. If you're in the mood for silly fun give it a shot.
gridoon Bizarre plot, hokey dialogue, primitive effects, tame action scenes. Believe me, you'll be anxious for this movie to end long before it finally does. Strictly for women who want to admire Gordon Scott's impressive physique; they'll get an extra bonus in the end, when the villainous monster takes his form and he gets to fight himself (!) in the movie's only memorable sequence. (*1/2)