mark.waltz There is a hysterical scene towards the end of the movie where the simian comes across a fake band of chimpanzees on display at a carnival. The sweet look on his face reminded me of the content two-headed gorilla eating a banana in "The Thing With Two Heads" and the scene in "Escape From the Planet of the Apes" when Kim Hunter goes shopping. Why is it that these mostly gentle giants are always titillated by a beautiful lady? Whether or not its Fay Wray, Terry Moore or Jessica Lange, that always happens. Here, it is future Oscar winner Anne Bancroft, looking absolutely gorgeous as a trapeze artist in a carnival run by Raymond Burr where murder is afoot. Pre-Perry Mason, Burr was usually typecast as a villain ("Rear Window"), but here, he seems to be fairly decent. Then comes in Cameron Mitchell (looking hysterically embarrassed with a bad yellowish blonde hair dye job!) who is to add some luster to Bancroft's trapeze act (swinging over the ape) by catching her for some added thrills to the audience. That is when the murders begin. In 3-D, this film must have been something. The opening scene with the ape swinging towards the scared spectators is even chilling in 2-D. The result of the film is a nice Thriller/Mystery that is a lot of fun, gorgeously filmed in breathtaking color (a filmmaking technique much missed!) and the chance to see one of our best actresses during the time she was much misused by the studio that didn't see her potential.

Typing_away I had heard about "Gorilla at Large" for years, but avoided watching it because of the campy title and brief clips I had seen, usually of the gorilla swinging on a vine. Recently, this movie was broadcast on Fox Movie Channel. On a whim, I recorded it with my PVR and watched it the next day. To my surprise, I found "Gorilla at Large" to be an entertaining movie. It's not a monster film at all, or even a jungle themed movie. Rather, it's a crime/detective story that keeps you guessing. "Gorilla" has a very good cast and interesting story. A young Lee Marvin has an amusing role as a policeman. The sexy Anne Bancroft is the main star....although some might claim it is the gorilla.

Chung Mo Just saw the new print of this maligned fun house of a production. First of all if you can't see this in real projected 3-D, I suggest skipping it. The color 3-D photography is excellent and the crew only pulls off the typical stick-it-in-the-camera 3-D hijinks a few times. The opening sequence of Raymond Burr walking through the carnival is some of the most effective 3-D photography I have ever seen.The story...yipes! It's campy and weird in an Ed Wood sort of way but it seems that the entire cast and crew were in on the joke. Lee Marvin and Lee J. Cobb both time their performances in a very strange but funny way. Anne Bancroft vamps up a storm in some scenes and Raymond Burr plods thru his role. The gorilla suit is funny too. Good movie? No! Fun? Yes!The second half drags at points and the 3-D photography loses a little steam here. I wouldn't want to sit through this movie in 2-D at this point. Who knows if this is ever going to be projected again, but if it is and you enjoy 50's kitsch make it a priority. The screening I was at, during the intermission, projected 1950's era 3-D nudie slides by...HAROLD LLOYD, the silent film comedian! Unfortunately, I don't think that will ever happen again.

telegonus This semi-indie murder mystery from the fifties has a little bit of something for everyone. For one thing, it has an amazing cast: Anne Bancroft, Cameron Mitchell, Lee Cobb, Lee Marvin and Raymond Burr. It captures perfectly the tail-end of the amusement park era that was drawing to a close at this time due to television and Disneyland. Men dress in garish suits in this one, and smoke cigars, and there is, as always seemed to be the case with films with a circus or carnival setting, the air of an alternate reality just around the corner, in a sideshow or a funhouse. This picture was an oddity even when it was new, feeling at times more like an episode of Superman than a movie. The gorilla looks exactly like what it is, a man in a gorilla suit, yet somehow this is acceptable, the way painted backdrops in silent movies are acceptable. If the big ape were presented realistically it would throw the whole film off. Method actors Mitchell and Cobb deliver fine B movie performances that give no hints that they were in fact classically trained, not to mention that they had once played together as father and son in the original Broadway production of Death Of a Salesman. Miss Bancroft was a babe, yet restrains her natural talent to give the sort of Suzanne Pleshette performance her part demands. Raymond Burr, still a few years away from Perry Mason, draws on his natural and inscrutable saturninity. His occasional moments of smiling and bonhomie remind me a little of Peter Lorre at his most forlorn, as he comes off like a grim, serious man trying awfully hard to be a good sport, which in turn makes him a perfect red herring. Lee Marvin plays a dumb cop named Shaughnessy, a good indication of the cleverness of the script.Yet the movie works on its own terms. The color is well above average for this basically small-scale picture. Director Harmon Jones was a seasoned Hollywood veteran and knew how to slow down the action to create a sense of place, whether a policeman's office, a pier, a trailer or the ersatz jungle set, complete with trapeze. This sort of stylized, non-realistic movie was, like amusement parks, going out of fashion at the time it was made, and yet it has its virtues, notably a commitment to artifice rather than a representation of the real world, which freed the imaginations of the men behind the camera, allowing them to make little experiments with color, space and lighting. The movie is much better than camp. It's more like Edward Hopper Goes To the Circus.