JohnHowardReid Executive producer: Alan Ladd. A Jaguar Production. Copyright 1960 by Jaguar Films. Released through Warner Bros. No New York opening. U.S. release: March 1960. U.K. release: May 1960. Australian release: 25 August 1960. Running times: 93 minutes (Aust), 91 minutes (USA), 88 minutes (UK). NOTES: Location scenes filmed in Northern California. Film debuts of rock star Frankie Avalon, and Alan Ladd's daughter Alana. COMMENT: Disregarding Ladd's jaded appearance, Guns of the Timberland is pretty much a typical Ladd vehicle. This time our hero sees the error of his logging ways and comes down firmly on the side of the environmentalists. This action is not only the catalyst for Romance (in the person of Jeanne Crain, looking very beautiful here) but Conflict with his longtime partner and friend, forcefully yet sympathetically played here by Gilbert Roland. A fair amount of action ensues, culminating in a rip-roaring forest fire.A surprise was my belated discovery that the film was supposed to be set in 1895. I thought it was more or less contemporary. There's no period flavor about the movie at all. The costumes, the props, the furnishings could pass for backwoods modern. Mr. Avalon even has a couple of songs that certainly do not jive with 1895!In addition to Mr. Roland and Miss Crain, it's always good to see Lyle Bettger. Producer Ladd doubtless cast him in the movie because of his small size, but he's big enough to run rings around Alan in the acting department. His role is comparatively small and not exactly characteristic (he's one of the goodies this time), but with his distinctive voice and forceful manner, he's a guy you remember long after Ladd's more routine dramatics have faded from memory. The director is at his best in the action spots. These are suspensefully staged. Production values also benefit from extensive location lensing. I love the conclusion on the logging train when Ladd's companions snatch up Miss Crain and the ensemble steams off into the distance to a rousing chorus of "Cry Timber". This is the sort of stuff that director Webb does best -- including of course that frighteningly realistic forest fire in which both Ladd and Roland seem to be doing their own death-defying stunts. They're both braver men than I am, that's for sure!

Robert J. Maxwell Conflict between newly arrived team of reckless loggers, led by Ladd, and the peaceful folk of the town, led by Craine, whose livelihoods will be ruined if the loggers remove the trees and the top soil that animates the town's economy.It's routine without being bad. Most of the characters are fleshed out, some capable of moral growth, except Paul Anka maybe, who plumb can't act. Unexpected developments: good old reliable bad guy, Lyle Boettiger, turns out to be on the side of the angles, and reckless testosterone-ridden Gilbert Roland is a traitor to the evolving cause. What makes it sad is that Ladd was still soldiering on in these uninteresting vehicles. I like Ladd. He was GOOD in "Shane", so much so that it's difficult imagining someone else in the role. He was doing liquor and barbiturates at this point, and his features were sufficiently puffed that when he was forced to smile, his round cheeks and prominent incisors evoked a chipmonk.

Matthew_Capitano Dud logging story about a land developer who meets the usual resistance from uncooperative locals.Alan Ladd shows up looking gayer than usual, Jeanne Crain resembles a porn actress, and Frankie Avalon-- Frankie Avalon?! What the hell is he doing in this movie? Don't tell me he's gonna sing... yep, he does. I was afraid of that. Gilbert Roland is on hand to offer some of his patented charisma, but it's all for nothing because this film sucks.Devoid of atmosphere with amateurish mistakes like opening the film with a chorus singing a song which would be more at home in a fairy tale about Snow White. This movie falls flat... TIM-BER!!!

Nazi_Fighter_David Alan Ladd is cast as Jim Hadley, who, with his crew of lumberjacks, is looking for a new forest to cut... But Hadley and crew soon find that they will have to fight for their next load of wood...The residents of the valley town of Deep Wells, led by Laura Riley (Jeanne Crain), realize that without the natural protection provided by the surrounding woodlands, their ranches and homes would be buried by mudslides during the first heavy rains...The interests of the inhabitants to drive out the intruders start with their refusal to give horses or supplies of any kind, and increases to blow out the logging road...Although the obligatory spark of romance lights up between Hadley and Riley (as the lady rancher is called), the two remain at cross purposes. The efforts of the townspeople to force the intruders to move on begin with denials of horses and supplies and escalate to the dynamiting of the logging road...Hadley, bracing himself for a fight, still insists on legal means to reach the lumber. But his hotheaded partner, Monty (Gilber Roland) favors a more direct approach...The fast friendship between the two loggers is strained to the breaking point when Monty decides to open the road by the method that closed it: dynamite... The film, set against some spectacular scenery, and climaxed by a forest fire, remains a routine and simple outdoor melodrama... Frankie Avalon's musical numbers are among the more ludicrous moments in an already sorry film... As Avalon's love interest, Alana Ladd is cute but makes no great impression as an actress...