Half a Chance

Half a Chance

1998 ""
Half a Chance
Half a Chance

Half a Chance

5.8 | 1h50m | en | Adventure

Alice Tomaso gets out of jail, and goes looking for Léo and Julien, one of whom, it appears, is her father. On the way, she steals the wrong car - one belonging to the Russian mafia, and arrives at her destination with a gang of thugs out looking for her and the car.

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5.8 | 1h50m | en | Adventure , Action , Comedy | More Info
Released: March. 25,1998 | Released Producted By: TF1 Films Production , Les Films Christian Fechner Country: France Budget: 0 Revenue: 0 Official Website:
Synopsis

Alice Tomaso gets out of jail, and goes looking for Léo and Julien, one of whom, it appears, is her father. On the way, she steals the wrong car - one belonging to the Russian mafia, and arrives at her destination with a gang of thugs out looking for her and the car.

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Cast

Jean-Paul Belmondo , Alain Delon , Vanessa Paradis

Director

Ivan Maussion

Producted By

TF1 Films Production , Les Films Christian Fechner

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Reviews

gridoon2018 The long-awaited (since "Borsalino" in 1970, I think) reunion of two of the greatest and most popular French film stars ever, Alain Delon and Jean Paul Belmondo, is a slick but disappointing action comedy. It is mildly amusing when it focuses on these two and their relationship with the daughter they never knew they had, but the secondary crime plot makes very little sense for at least the first 40 minutes, and the villainous Russian mobsters look and (over)act like refugees from a straight-to-video Steven Seagal movie. Delon and Belmondo are still fun to watch, and they have to be commended for still pulling off some hard and risky stunts at their age; as for Vanessa Paradis, she is fresh and sexy. But if you're looking for this type of "Americanized" French cinematic entertainment, the "Taxi" series (especially Part 2) does it better. ** out of 4.
msbsegal I have seen this great movie at least 3 times and enjoyed it even more the third time. Of course I saw it in French and for sure it is nothing like a translation. You can feel it throughout the movie how much fun Delon and Belmondo have in playing together, they are enjoying themselves, they have a day of it. What more can you say of the greatest stars of the French cinema for the last 50 years, I have seen almost all of their separate and joint movies, like "Borsalino": but in Borsalino you did not have the same feeling of complicity, which transpires here. All "the most this" and "most that" are pale in comparison to the pleasure you have at seeing them doing what they do best : throwing grenades and pulling the casino down...Vanessa Paradis is new to me, and gave a good show. Some of her scenes with the two lead men are quite moving. I have come to enjoy Eric Defosse, whom we saw as Carella in the "Frank Riva" series. I like him he will go far. This a film to enjoy and laugh..
taylor9885 You look at the birthdates and you shake your head. Belmondo at 65, Delon at 62--who can take them seriously as action heroes? Even Sean Connery had the sense to retire as Bond before he got too many grey hairs.Oh, there are some nice effects--good to see French producers shelling out for explosions and so forth, but this is a poor effort. Only thing to admire is Vanessa Paradis: her toothy grin and enthusiasm are growing on me, but see her in the far-better La Fille sur le pont.
gts-3 A downright oddity, in fact two movies in one. The first being a comedy about two possible fathers coming to terms with the idea of being a parent. The second a tough as nails russian-mafia-flic, harsh, brutal and not for the faint of heart. Logically the two don´t melt into one and the cross cutting of the two story lines in the film´s early stages only stresses the fact.But, on the other hand, who cares about a story or its coherence or its lack of respectively? This is a reunion movie and since it´s Alain Delon who is reunited with Jean-Paul Belmondo ("Borsalino" anyone?)all you can ask for is nonchalant banter in between casual shootouts. And that´s what you get. That´s in fact all you get. And that´s why the film well overstays its welcome.The only reason for distinguished director Patrice Leconte to do this may have been to share a credit with not one but two living legends of the French cinema. And though Belmondo and Delon may having had fun they´re way to old for this kind of physical exercise. We will be giving standing ovations in case any of the three (stars and director) would decide to do a serious crime flic or a "serious" comedy. As for "Une chance pour deux", it isn´t neither.