tim Nowieslska
I was impressed with Tompkinson in the lead role and think he carried the film almost single- handedly, although I would also give a special mention to the Acting Chief of police character. It was a shame he didn't have more scenes because he and Tompkinson worked well together.I found the script overly clichéd. Also, it felt like it was missing half an hour's worth of introduction -the allusions of histories between the characters was far too esoteric, to the point that I hardly cared and just had to accept that 'something happened'. Not that it's necessarily a bad thing, but the production had more of the feel of a play rather than a film. If I were to dwell on the nine-foot man's second appearance (those of you who have seen it will know what I'm referring to) then I'd probably knock off another star.
Critical Eye UK
Except it isn't. And it never was. Life up north in the 1970s -- and especially, England's Northeast -- was nothing like the monochrome wasteland presented here. Nor was policing like this, either, despite the protestations of those connected with this low-rent low-budget outing.Absent its premise, therefore, of hard men in hard times in hard places, "Harrigan" is no more than a straight-to-video made-for-TV affair, its simplicities of plot and characterisation conveyed via clichés so stupefyingly banal that one positively yearns for the raw energy of yesteryear's Caine and Hodges in the same part of the world at the same time as this."Harrigan" doesn't convince at any level. Stephen Tompkinson has already had a stab at playing a TV policeman -- the leaden "DCI Banks" -- and failed utterly in that role, so why he's here essaying the same kind of grim teeth-gritted stoicism all over again is baffling.About the only thing that does ring true is the way "Harrigan" -- too close to Don Siegel's "Madigan" for my liking, though it's doubtful anyone involved in this British production will even have heard of that superb US police procedural -- seems to have been shot on a budget typical of a 1970s British TV show.But that doesn't redeem anything. Unrelentingly drab, dismal, and derivative of a thousand B-Movies that have gone before -- including Westerns as well as copper operas -- "Harrigan" is yet another example, were such needed, of how small-scale British movie making is today incapable of working the crime genre in the way that films like "Violent Playground" and "Never Let Go" did, half a century and more ago.Still, at least there's some originality in the write-in campaign that seems to be underway where this comment thread is concerned -- a case for investigation by Detective Harrigan, perhaps? Or IMDb itself . .
davidfurlotte
One of the main criteria that I judge movies by is how they motivate or don't motivate me to go check out more about them and this movie definitely motivated me.I grew up through the 70's and I was surprised when the movie stated in the beginning that Britain was going through a period of strife with a 3 day work week and blackouts because they were rationing power. Now mind you, I was in High School and needless to say World News was not at the top of my list of things to keep informed about but I was shocked that I had somehow missed that bit of recent history.In any case, onto the movie. I loved the acting, the grittiness of the characters and the downright humanity of it all. I didn't feel like I was watching a movie as much as I was watching a story being told about real people and real events. Kudos to everyone who had a part in this from the best boy up to the Executive Producer.If you want to watch a good movie made on what would today be considered a shoestring budget, you need to watch "Harrigan"
rob
This film is one of the best films I have seen this year. The lead actor Stephen Tompkinson plays the role of Harrigan superbly, with some really gritty, dark scenes that convey the deprivation in the north east during the industrial decline of the early 1970's. Overall the storyline captured the withdrawal of the upper police ranks from the crime hot-spots to their comfy desk jobs leaving the old hands to sort the underworld and petty criminals out. The direction and cinema-topography portray Newcastle honestly, the production is in many ways more befitting of a Hollywood blockbuster that a low budget British independent film. The director, Vince Woods, is definitely one to watch for the future and I look forward to hopefully seeing more output from him. Congratulations should also go to the screenplay writer, who's experiences I can imagine have been drawn upon in this film.
AD
