f-50093 I always like the move of Gérard Depardieu who is really a good actor. He is always sincere in his movie, that's the reason it moves me. No matter he acts a bad man or good man. Gérard Depardieu plays well the part of Alana Gaash as a middle-age man who shows great tolerance for his wife and even the couple love life. The thing I didn't think of is the environment of Isreal which shall not be that bad in my imagine. It shall be more beautiful. And both the actor and actress act like normal people which gives no "show" factors. All in all, I like it.

Alexander Werner "Hello Goodbye" is a movie about a well-to-do and established French family of assimilated Jews. Alain Gaash is Jewish but not circumcised, and married to Gisèle, who converted to Judaism in order to marry him. His mother is no less ignorant about Judaism.When their son decides to marry a Christian woman in a Church, the family loses the last piece of their Jewish identity - the progeny of their son will not be Jewish.Tired of commercialism and looking to find new meaning of life, the couple decides to emigrate to Israel. Gisèle needs to crash the car given to her by Alain to show the seriousness of her intentions.The movie shows quite well Israeli environment. Skilled crooks co-exist together with kind and generous families, ready to share with the newcomers the scarce goods they have themselves. The line of people bringing to Gaashes various household items is a very touching moment.Gisèle finds someone who calls himself a "Rabbi" - may be a rare case of a Reform Rabbi, or, more likely, just a fake. This "Rabbi", while throwing high theological concepts to a newcomer who is not ready to comprehend them is just a show-off, who goes for mixed dancing forbidden by the Jewish law, smokes weed and doesn't mind having an affair with a married woman, which is prohibited even stricter. But Gisèle intuitively understands that the "Rabbi" is a joke and does not fall for him.Another important episode in Alain's life is a circumcision. Many adults coming to Israel undertake it. The movies erroneously claims that no anesthesia is allowed during the procedure.Alain finds a job as a car washer, rather than a doctor. This change affected so many immigrants to Israel. There are stories of cleaning ladies in the Knesset saving lives due to their training as doctors, and security guards solve famous Math tasks, earning various prizes and awards. Alain goes through that route as well.Without re-telling the whole movie, the final scene is devoted to the dilemma: to stay in Israel with inferior job on inferior pay under inferior circumstances, or to return to France and to regain the prosperity and familiar conditions.At the end, Alain and Gisèle decide to stay in Israel, like many others. What keeps them there, the warmth of many Israelis, the built-in optimism so explicitly felt in the country, a hope for a better future or the instinctive love Jews may feel for The Land of Israel - we may only guess. But they stay.This movie is not a French comedy, and neither it is a thriller. It is a movie where serious philosophical picture is hidden behind tiny comedies and dramas. I think the movie is grossly under-rated. Enjoy it!

film_ophile My take on this film is that it is a very funny tongue-in-cheek farce that also asks some serious questions about identity. Finding humor in both those Jews who obsess over Jewish identity and those that are coverts to Judaism who also obsess over Judaism, I laughed continually through the film's first half. As you would hope w/ pros Ardant and Depardieu, the acting is spot on.Very believable until things start to go over the top soon after they reach Israel. It slows down after that and rambles quite a bit, and the ending is a cop-out,but I am very grateful for the laughs. Actually if one looks seriously at the film, it addresses some very valid questions about the role of religion,race, nationality and community in one's identity, particularly as one grows older.

sh_bronstein "Hello Goodbye" is a movie about a wealthy middle-aged French couple that suddenly experiences a storm of difficulties. Alain Gaash is Jewish and his family is surprised and somewhat taken aback when his son decides to marry a Christian woman in a church. Alain's wife Gisèle had converted to Judaism in order to marry him, but she realizes suddenly that his family still sees her as non-Jewish. Alain's Jewish friends don't see him as Jewish enough because he isn't circumcised, and the couple ends up having a late identity crisis. The main focus of the film though, is not so much on the search of Jewish identity, but on Gisèle's search for meaning: she was a housewife for years, who gave up her career to support her husband and raise their son. Now that the son has left home, her life is empty. She does all sorts of crazy things, like destroying her expensive car, and convincing her husband to move to Israel, where they had no secure income or even a home. Gisèle seeks the "help" of a very suspicious drug-using "Rabbi" and falls for his good looks and "wisdom". Alain suspects that their bad love-life is due to the fact that he is not circumcised, even if they had had problems in this area before their identity crisis, so he gets a circumcision. This of course, changes nothing. In any case, the couple barely has anything to do with each other: Gisèle finds out where Alain is working by chance, Alain finds out by accident that Gisèle didn't tell him their furniture was thrown into the Meditarranean on the way to Israel... At some point, not only do the main characters lose contact with each other, the film loses all contact with it's audience. The ending is so ridiculous and shmalzig it's unbearable. My recommendation: Skip it.