Thaneevuth Jankrajang I was stunned. This film by Shion Sono stuns me. It is by no means a perfect film, nor it tries to be so, but it is one of the best manifestos of the Japanese psyche, which is revealed with honesty and sincerity. On the surface, I like everything Japan. Deep down, I find Japan and the Japanese to be so hopelessly trapped in its and their own social and economic creation, which is modern Japan. This film chronicles a few lives, and still it tells a universal story of what feels like to be a Japanese today. Japan is a world's notable story of rags-to-riches, and it is even more notable, and revealing, as it seems to reverse the fortune at the stagnation of self development today. It is still too soon to name Japan's story of the riches-back-to-rags nature. But the emergence of China and South Korea and Taiwan and the once third-world Asia puts Japan at a paranoid of getting a lot closer and faster to the rank of rags. I find the boy Sumida in several Japanese friends of mine. Their unspeakable pains and sorrows are much more understood now. Japan has created itself, especially after the second world war, into a society depending on other people's perception and judgment. The Japanese then are left to struggle with the realities of their own, sometimes most degrading and inhuman, and continuing to protect the great image of worldly success and of loyal conformity to the society at large. This great contrast proves too much for a human being. There go suicides, vicious killings, and other unnamed psychopathic episodes as a tragic result. This film makes us wonder which will win: hopelessness or hopefulness. It ends with one winning just an inch over the other. I believe this sad film wants to convey the desperation of Japan and the Japanese at this time. It does well. I recommend this Shion Sono film for everyone who cares more than just about yourself, and I wish Japan well in every way. Dear Japan, you have killed your own father, the old and traditional Japan, and been trying to live with the leftover, being the modernised Japan. Tall order it indeed is, but you are not as short as before. There is a future.

billcr12 Himizu uses the tsunami which destroyed Fukushima in Japan, as a backdrop, to tell the tragic story of two fourteen year old kids, Sumida and Keiko, who are classmates at school where they are trying to survive both the storms aftermath, and extremely indifferent parents. Sumida is abandoned by a drunken father and a mother of questionable morals, and Keiko suffers from an equally poor family life. It should be kismet, but, trust me, it is anything but, as we watch many bad things happen to good people for two hours and ten minutes. The lead actor and actress are tremendous, but the story meanders at times and becomes a bit tiring by the end. The message seems to be one of survival at any cost, and I recommend Himizu based on the two excellent main actor and actress.

syd_barret65 For those who have watched Ki-Duk Kim's Address Unknown, wild animals, bad guy or others, this Himizu could fit in that series of films. Personally, as I just mentioned, I find this movie highly influenced by Ki-Duk Kim's style in the first hour and then by Fyodor Dostoyevsky's classic novel: Crime and Punishment in the second hour, with the girl encouraging the boy to turn himself in. This mixture between the korean director and the classic Russian novel makes a superb drama that can please both sono & Kim's fans. I also find Sono away from his classic films such as Suicide Club, Noriko's Dinner Table, Coldfish, Strange Circus, etc. In Himizu there's the tendency to a drama more than a bizarre film like the classic ones of this director, yet a superb one.

8thSin The earthquake that struck Northeast Japan in March 2011 forever changed the lives of millions, and we all knew it would eventually be reflected in Japanese films. I just didn't expect it to happen so quickly, much less by Sono Shion of all directors making such an inspirational film that encourages the Japanese youth to never give up. "Himizu" was an adaptation of the manga, but Sono Shion had reportedly reworked the script after the earthquake.The title "Himizu" is a mole species in Japan. The movie is set in a boat rental shack by the lake, and the protagonist was repeatedly covered in mud due to external forces, yet stands up each time. I think in addition to the gloomy darkness seen from a person's perspective, the title also reflects Sono's message that one should advance forward no matter how muddy and hopeless the outlook may be.The first third of this film portrays the despair facing today's youth using extreme examples: Having the perception that they are in the way of their parents' happiness; having an "ordinary life" as a goal rather than having a big dream due to the disappointing job market; and the urge to release anger by physical violence, even murder or suicide. The story paints a bleak picture of today's youth with a touch of quirky comedy while introducing the main characters.The Shion-esque bizarre plot twist goes on full throttle in the second third as the film as characters succumb to their dark desires and go on a rampage, from theft, "Death Note"-like vigilante justice, and finally murder. There is quite a bit of art house scenes and corny WTF lines tossed around. This may make "Himizu" a difficult watch for some, but I thought it really depicted the deranged minds kids may have, and adds the Sono Shion flavor to this movie.The final third is where the drama occurs, and all the loose ends tied up. It shows that even today, there is kindness around you by the "last supper" scene. Followed by the epiphany of what it means to be a "responsible adult". Finally topped off by a cheer to Japanese citizen to never give up and dream big. The presentation was incredibly powerful, and it left me in tears. "Himizu" begins and ends with a jog. The final scene could not have been any more dramatic and inspirational.Repetitive use of Mozart's "Requiem" in this movie was especially memorable. The same passage was played in many occasions throughout the film. While it sounded like jovial comedic support at first, it appeared to raise a sense of urgency in the "second third" as the story progressed, before fully turning into a sombre yet peaceful requiem in the end. Such powerful use of BGM is pretty rare from my experience.Casting for this movie is incredible. The lead couple Sometani Shouta and Nikaidou Fumi delivered performances worthy of their newcomers award at the 68th Venice International Festival. Nikaidou Fumi as the stalker girl Chazawa especially stood out, resembling Miyazaki Aoi in every aspect, from her cute looks, the ability to handle quirky comedy, to dramatic performance (she shed tear in 6 different scenes in this film by my count). She's definitely the actress to watch out for. Kubozuka Yousuke, who also appeared in TIFF's "Monsters Club" (2011), was actually given the opportunity to shine. Remainder of the cast seemed to be directly taken out of Sono's "Cold Fish" (2010). Many directors reuse their "favorite actors", but it was really fitting in this case since their chemistry was excellent. The strengths of each actor were definitely drawn out to the fullest by the director."Himizu" is a powerful film that has everything you might expect from a Japanese flick: Quirky comedy, angst, despair, yakuza, violence, horror, search for self identity, bitter-sweet adolescence, romance, drama, inspiration, and the art house treatment. Not only is it entertaining, it also manages to be provocative and deep.It's a shame that some foreign film critics didn't seem to understand that the reference to 2011 earthquake was not meant to drive the plot nor intended to be the reason these characters are in despair. It's a movie that screams "You are one and only flower in the world" (Sekai ni Hitotsu dake no Hana), as the title of the popular boy band group SMAP's song referenced in this film, which is often used to inspire people in Japan when they're feeling down. This movie is meant to call out a clear-cut message for the devastated Japan to never give up, that one should dare to dream, and that there's hope. It delivered.I thoroughly enjoyed this film, and it easily ranks in my all-time top 5 list of Japanese films. Highly recommended for Sono Shion fans and non- fans alike.