moonspinner55 Nebbish teenager, with squabbling parents and a megalomaniacal older brother, is mentored by a professor at Now College to stop being invisible and become the star of his own life. Hot property Brian De Palma filmed this low-budget movie alongside his filmmaking students at Sarah Lawrence College, perhaps in an attempt to reconnect with his roots as an independent maker of revue comedies (if true, the film could surely use Robert De Niro and Allen Garfield to give it a lift). There's no wit or sting in the writing (credited to six people, working from De Palma's original treatment)--it's all just a lark, a flagging, in-jokey experiment. It might have been easier to watch had the exteriors not been so dark and the interiors so muddy; the picture is a visual insult. Nancy Allen is a plus as a tootsie who gets to know her rabbit, and Pino Donaggio contributed an eclectic score. * from ****

PimpinAinttEasy Dear Pino Donaggio,your great score was wasted on this awful home video film. Brian De Palma returns to his late 60s roots of making inventive socially conscious films. But the film is mostly boring rather than inventive or socially conscious. Your brilliant and freewheeling score is played throughout the film even when the music does not suit the scene at all. A young man who is "an extra in his own life" is encouraged by an acting coach - the Maestro (Kirk Douglas) to film scenes from his own life and the antics of his dysfunctional family. The family consists of his intellectual alpha-male brother and his beautiful fiancée (Karen Allen), womanizing doctor dad and suspicious mother. Shot on 16 mm, the film is completely unfunny and has none of the clever dialog, interesting characters or social commentary of De Palma's great late 60s output. There is a racist and morally repugnant police officer whose character, like the rest of the film is completely uninspired. Your score and the lovely Karen Allen helped me get through the film, Pino. Home Movies is to De Palma's Greetings what Raising Cain would be to Sisters.Best Regards, Pimpin.(5/10)

bkoganbing After two highly successful commercial ventures in Carrie and The Fury, Brian DePalma apparently decided he needed a little fun and frolic. So Home Movies was made using the talents of a lot of people who appeared in DePalma projects. Home movies is like a film casserole where a lot of his film students got to step to the plate and take their best shot. Roughly speaking the film centers around Keith Gordon the younger brother of Gerrit Graham. They are the sons of Vincent Gardenia a philandering doctor and Mary Davenport his clueless wife. Graham is set to marry former hooker Nancy Allen. He's rather full of himself and also a latently gay individual. But he's the eldest and chosen one and Gordon is the nerdy younger brother who spends his time filming some of the private moments of the family, a little cinema verite for his film professor Kirk Douglas.Watching Home Movies I got the impression I was not being let in on an inside joke. And I rather resented the situation.It all seemed like a colossal waste of time for all involved. The name players must have owed DePalma big time to appear here.

Kat Miss Brian DePalma's "Home Movies" is a genuinely strange film. It is hard to believe that DePalma made this. It doesn't have the superb technical credits that you come to expect from him. It doesn't have a logical story (for DePalma that is). And it doesn't have the big budgets DePalma's films are accustomed to ("Sisters" has a budget of 500,000 bucks; this film was made on a few thousand)What it does have is a goofy charm that most Hollywood comedies lack these days. The story is nonsense, but that's a good thing in this case. And the low budget is appropriate because it suits the story. Most of the cast are from other DePalma films, of which I'll let you know.The film stars Kirk Douglas ("The Fury")as The Maestro (the video title), a teacher who films his life constantly. He attempts to have his prize pupil Keith Gordon ("Dressed to Kill")do the same, but he has problems of his own. The object of his affection is Nancy Allen ("Dressed to Kill", "Carrie", "Blow Out"), a hooker who has too many vices for her own good. The problem? She is attached to Gordon's brother (wonderfully played by Gerrit Graham, who appeared in most of DePalma's early films and just about stole "Soup for One"), who is a nut.All this is established within the first 25 minutes or so and the film's success depends on all of the surprises DePalma sets up, so I won't reveal any more. Some people might be turned off of "Home Movies" possibly due to the content, but more probably due to the visual style. Today's audiences are accustomed to gloss and if they don't get it, they protest. If you are one of those people, I just want to say three words: SHAME ON YOU!!!!!!!! How dare you criticize a film just because it doesn't look glossy like Hollywood product does? "Pi", a film I admired highly, had the same dilemma. Made on a shoestring budget, the film's grittiness helped it more than hurt it and the same goes for "Home Movies". DePalma shoots on 16mm and makes the film look like someone's home movies, which is appropriate since the Kirk Douglas character is constantly filming his own life (and others). Also, give DePalma credit for helping his students get a first credit (the film was made as a class project for Sarah Lawrence College). Robby Benson did a similar thing in 1990 with "Modern Love" and was heavily criticized, despite the fact that it was a good, strong film. "Home Movies" isn't as strong as his more accomplished thrillers, but it is a very entertaining movie that had me smiling most of the way. And how can you hate any movie that casts Gerrit Graham as a slimeball?*** out of 4 stars