Honey

Honey

2013 ""
Honey
Honey

Honey

6.8 | 1h36m | en | Drama

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

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6.8 | 1h36m | en | Drama | More Info
Released: May. 01,2013 | Released Producted By: RAI , Les Films des Tournelles Country: Italy Budget: 0 Revenue: 0 Official Website:
Synopsis

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

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Cast

Jasmine Trinca , Carlo Cecchi , Libero De Rienzo

Director

Gergely Pohárnok

Producted By

RAI , Les Films des Tournelles

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Reviews

pc95 (spoilers) I thoroughly enjoyed "Miele" (aka Honey), an Italian gem of a movie on an important subject matter, assisted Suicide. Handled improperly or without touch a filmmaker could botch a movie about such a divisive matter, but the talented actress Valeria Golino in her directorial debut creates an excellent, introspective piece. Central to making this work is her lead actress Jasmine Trinca turning in a complex, soft, but a bit dark character of Irene. Irene is mesmerizing, not so much due to beauty, but more so due to her questioning. This is one of the better movies I've seen this year; Golino wisely decides not to pull some punches. It is beautifully directed and acted. 8/10 and recommended.
Alex Deleon MIELE, ("Honey") Italy, 2013Directed by Valerian Golino: Starring Jasmine Trinca (Miele) and Carlo Cecchi (Grimaldi), Viewed at Jameson CINEFEST, Miskolc, Hungary, October 2013: The Italian film Miele had another unusual subject this week, Euthanasia, and a fascinating lead actress, I have never seen before but would like to see much more of after this. Jasmine Trinca is exceptionally beautiful, has a perfect face, globular eyes and slim body, and you simply cannot keep yours eyes off of her -- even dressed as she is in this film unglamorously in jeans, and with boyishly close cropped hair. MIELE is basically the story (third time this festival) of a relationship between a young woman and a much older man; Irene, 31, and Grimaldi (Carlo Cecchi) 74. The heroine, Irene, nick named "Miele" (honey) has an unusual job which requires her to take trips to Mexico to procure dog killer, Latuna, ostensibly a substance "to put down dogs", but actually a poison to put terminally ill patients out of their misery.The subject is Euthanasia, and the complicated psychology of people who want to end it all. Irene is an illegal suicide assistant and gives the applicants every chance to change their minds, but in the end it is Mr. Grimaldi, a 70 year old man in perfect health but simply tired of living, who will make her change her own mind about the grisly way she has chosen to make a living -- administering illegal drugs and poisons to people who want to die. A bit thin in story line but the hypnotically beautiful lead actress turns it into a compelling sit through; Jasmine Trinca, 31, was the actress playing Irene. The pic was directed by well known Italian actress Valeria Golino, her first turn behind the cameras, a most promising debut to say the least. Trinca, a leading light in Italian films since 2000, received the Italian Golden Globe "Nastro d'argento" best actress award this year for her work in "Miele" and the film itself was screened at Cannes in "Un certain regard" where it won a commendation by the Ecumenical jury, a body whose function is to show support for Good Christian values. One can easily see why since suicide is a mortal sin in the Catholic Church. Ten stars -- Jasmine Trinca will give you a reason to live another day!
film_ophile I agree completely with the 3 other reviews. I mostly wanted to rave about this actress, Jasmine Trinca. She is really SOMEthing! She is unusually beautiful and elfin, w/ her Audrey Hepburn haircut, but that attribute is never mentioned in the film, and all the attention is on her laser sharp focus on her mission: traveling, procuring,returning and overseeing her Mexican contraband used by terminally ill people in Italy who wish to end their lives. She takes everything VERY seriously, and it is quite something when she finally smiles, near the film's end. I know using 'girl' instead of woman is not PC, but in this case, she looks soooo young (like 17,even though she was actually twice that old !) That, and maybe her naiveté, made me think of her as a girl.The very unusual, complex and never explained relationship that develops w/ the 'grumpy old man' is the crux of the story, and the catalyst for change. For me, the film's ending depicted an act that was a true affirmation of Love, and I felt very satisfied by that.Film endings are rarely this successful. But you do have to figure it all out for yourself, because all the visual clues are there for you, but the dialogue never reveals most of what I picked up from watching it. Honey makes for a great conversation piece, about matters that really mean something in how we live our lives. A completely compelling and engrossing experience.
Orlando Somera Jasmine Trinca is Honey, a beautiful young woman enjoying the life of a free spirit, living alone in a beach front apartment in Italy. She seems to be without means but she is in contact with a hospital worker, a friend of hers, who pays her to assist dying patients in their death. She feels she's giving people relief but what she does is illegal.She's handled all the emotional issues until one of her rules is broken and she's suddenly at risk of losing her moral compass. The movie then chronicles her struggle to maintain through her unexpected friendship with one of her older clients, Carlo Cecchi in a wonderful supporting role.The movie is affecting and beautifully shot. The acting is mostly Trinca's responsibility and she carries it off so impressively that I couldn't help thinking how she's somewhat reminiscent of a cross between Keira Knightley and Winona Ryder but better than either. Ultimately what I liked best about this film is that it so convincingly matches or exceeds all other attempts to cover this sensitive topic I'm aware of.