Steve Pulaski Early in Mark Wexler's documentary, How To Live Forever, he shows us a crude drawing of a roller-coaster that has the many stages of life on it. It goes "Diapers, Disneyland, rock and roll, masturbation, sex, marriage, career, colonoscopy, retirement, seafood buffet, "ow, my back," drool, confusion, and diapers." He states he used to look on at the roller-coaster and laugh, but sadly, life itself has caught up with him, and day by day he finds these simple statements becoming more and more true to life.Wexler is 52, the son of famed cinematographer Haskell, appears to be physically fit, packs in enough knowledge and interest in the subject of a long life and mortality to make a very compelling documentary on the issue, and sets out to interview numerous elderly Television icons and centenarians all across the world. Throughout his journey, we are great with effervescent souls of all ages, one of them being the oldest living human, at 115. We get an inside long at the "Ms. Senior America" pageant where to be eligible to compete, you have to be sixty or older. We get interviews with Suzanne Sommers (who states the seven dwarfs of meta-pause are itchy, bitchy, sleepy, sweaty, bloated, forgetful, and all-dried-up), Ray Bradbury, and fitness guru Jack LaLanne who, even in his later years, is quick, spunky, and intelligently astute.One of the film's highest points is when we are taught the surprising lifestyle of the Okinawan people. It is not surprising if they hit the age of 100, because they have a nutrient filled diet, they are active because it's the right thing to do, not because they want to lose weight, and have very little stress because of calming activities, such as gardening, fishing, and dancing. One of them is animator Tyrus Wong, who flies kites of beauty and complexity and dives in with a net, underwater, in an attempt to catch fish. He is 98 years old, by the way. He's a loner, but so graceful, cheery, and calm that it is almost as if life never got the best of him.Then of course, we encounter the mascot of the film; Buster Martin, a 101 year old chain-smoking, beer drinking Brit, who claims to never drink tea, water, or anything other than a mug of the good stuff. He is an avid marathon runner, whose training program consists of five beers and five cigarettes, and hastily tells Wexler "I ain't like you normal people." In April of 2011, Martin died at the alleged age of 104.One of the last people we meet is 100 year old Elanor Wasson, who speaks with such gratitude and knowledge it truly is remarkable. An outspoken Atheist, Wasson believes the Earth revolves around karmic revenge, the law of love, and freewill and free-choice. "God didn't let it happen. We let it happen by making bad choices." I couldn't agree more.How To Live Forever is a wholly entertaining documentary, looking at many fields of the subject of mortality such as anti-aging medicines, the subject of living past 100 (at one point, humans were only expected to live to be around 23), certain life-changing dietary efforts, and a plethora of charismatic people who have beaten the odds, many of them providing piercingly accurate insight and intelligence about the world around us.NOTE: The film was released theatrically in 2009, and has just been released to DVD in 2012. During these three years, it has come to my attention that Ray Bradbury, Buster Martin, Eleanor Wasson, and Jack LaLanne have all passed away. It's almost as if they were featured in the film to give their opinions on their age and the appointed issues, and then passed away.Starring: Mark Wexler, Buster Martin, Jack LaLanne, Eleanor Wasson, Ray Bradbury, John Robbins, Tyrus Wong, and Suzanne Sommers. Directed by: Mark Wexler.

Lynda Marin From director Mark Wexler I expected funny and entertaining and quirky. "How to Live Forever" is so much more than that. From the very first scene, in which Wexler goes to visit Edna Parker, the oldest living person at 115, we are aware that the dark, devolution of aging will subtend whatever else the film promises to offer on the longevity front. Edna appears beyond this world, her tiny frame wrapped in a gauzy robe and propped in her wheelchair. Her sunken eyes remain expressionless as the cheery nursing home staff loudly announces Wexler's visit. She is unmoved by his friendly display of interest in her. We can't help but feel the discomfort of their disconnect. What is actually happening here? Might it be nothing more than voyeurism? Right when discomfort gets to be the main character, the scene shifts. Over and over the film proceeds this way, cutting from one speaker to another just after we begin to squirm, or laugh, or sink, or cry.You can't just watch "How to Live Forever" because the very topic requires participation. Wexler transparently models our assumptions, defenses, and uncertainties about the unassailable fact of our own demise. We can keep a distance perhaps when he's being gingerly hoisted into a casket by a "body scoop" demonstrated at a Las Vegas morticians' trade show (he's a corpse with a little smile), but his furtive measurement of midriff flab in a fast bathroom scene, or his earnest queries at a San Francisco Brain Gym lend a disarming intimacy to the wealth of attitudes and info the film presents us.Inevitably we are drawn in by the diversity and richness of the film's speakers—each is presented with a ticker counting up his/her age—and their particular cultural and historical contexts. I hope to remember forever the story of Jeanne Calment, the French woman who took up fencing at 85, long before she died at 122, and the film's poster boy, Buster Martin, who at 101 is doing the London marathon, smoking, drinking, and making hit rock band recordings, and especially Eleanor Wasson, my favorite, who at age 100 beautifully articulates her lifelong work for peace in the context of such diverse accomplishments as flying ferry ships in World War II and writing a book entitled "Twenty Eight Thousand Martinis," based on her personal practice of drinking one martini a day. Of course there are lots of luminaries here too, and they each offer a provocative angle—John Robbins, Marianne Williamson, Jack LaLanne (my other favorite), Suzanne Somers, Ray Bradbury—as do people on the street who respond to the question "If there was a pill to live for 500 years, would you take it?" As for the philosophical questions the film raises--Is the quest for longevity just 21st century narcissism? Will nanobots interacting with humans neurologically deliver us to the theater of radical life extension? Will the creation of the ageless society dwarf the age of the computer? to name just a few—"How to Live Forever" is full and fast paced enough to give us a sense of the possibilities, if not the answers. For this reason I suspect I'll be drawn to watch this film many more times. An added pleasure is the soundtrack, which is beautifully matched to the sequences, never overly obvious but always nuanced and compelling. And finally the haunting credit art, by Wexler's mother, Marian, is especially poignant. But you'll have to see the film to find out why.

marlenebr13 When I first heard that it was a documentary about aging I was a little hesitant. Surprisingly, I enjoyed the film A LOT. "How to Live Forever" completely opened up my eyes to something that I never really put much thought into. Mark Wexler did an awesome job with the flow of the film and the interviews that he selected. In the beginning of the film, I thought it would conquer the question on how you can live forever. Wexler took us through a variety of interesting diets, exercises and life styles and traveled all around the world, but there was not a clear answer in the end. Not only was it entertaining to watch with the many fascinating interviewees but it was also educational as well. I found it inspiring to see adults in their 80's and 90's so happy. I'm not as afraid about aging as I was before…especially if I can tap dance like Dolores Bates can at 81 years old.

gdt07 I personally really enjoyed this documentary. I feel like people that have disliked it have missed the actual message of the movie. I don't think its supposed to answer our questions about how to actually live forever, as much as its supposed to answer our questions about the best ways to live. If we figure out how to live right (mentally, emotionally, spiritually, and physically) and living to the fullest by doing the things we love, we may end up figuring out how to live as long as we can. I think he tries to show us that if we lead happy lives, our lives will thank us with extra time and longevity. He does an excellent job at combining both the non physical things we can do (i.e. spiritually, emotionally) with the physical things like nutrition and cosmetic. Although handling a touchy subject he manages a smooth unfolding with lighthearted humor.