Smallclone100
Funny, touching and tragic film about the oppression of women in an archaic patriarchal society. I wanted to really like this film for 2 reasons: It has the cinematographer from 'Embrace of the Serpent' and it was produced by Ffilm Cymru Wales, where I'm from. But the tone dragged it down a little. It was very funny in places, and I felt a little guilty for laughing as the subject content was a little disturbing. That made the film very odd. While odd isn't bad, it just meant it was harder to work out. It's a comedy tragedy in that respect, which is very difficult to do. The film obviously looked amazing though with David Gallego as DoP but just didn't click all the way through.
The Movie Diorama
At the time of this review, this film attained the elusive 100% rating on Rotten Tomatoes, so naturally expectations were exceedingly high. Did Nyoni's feature debut fulfil my thirst for perfection? Not quite. An incident occurs in a remote Zambian village which leaves the villagers to believe that a young girl is a witch, consequently resulting in her being sent to a witches' camp. Contemporary, captivating and surprisingly comical, it's an indie flick that certainly meshes several dichotomies within a tonally inconsistent narrative. Illustrating the modernisation of Zambia but retaining the superstitious and traditional views of an ancient world. The segregation of (typically) older women into camps positioned outside of society is certainly a bleak perspective into the apparent sexism that arises within various cultures. Male characters certainly have more power and authority over females who are seemingly attached to strands of ribbon as if resembling prisoners. It's an intriguing and illusory picture that convincingly enables Nyoni to showcase both her artistry and viewpoint. Enigmatic long takes, a commanding central performance from Mulubwa and gorgeous cinematography by Gallego, there's various aspects to adore in what is a technically flawless film. The utilisation of Vivaldi's composed classical music juxtaposes the chaotic traditions that are being upheld within this community, plus...I love me some Vivaldi. It's unfortunate that I found this film slightly tedious to watch, and that's mainly down to the narrative. The clashing of dark deadpan humour and surreal dramatic perspectives did not blend well for me. It was a disorientating experience fuelled by ambiguity and vivid imagery that just wasn't fully comprehensible. It does occasionally lean towards style over substance. Although, this is still impressive work from Nyoni considering it's her feature debut. A promising career is ahead of her, yet it just wasn't able to cast a spell on me completely.
trpuk1968
I'm disappointed there aren't more reviews on this superb little film, considering it's the work of a first time director who shows impressive talent and promise.
The good: excellent camera work which uses the parched landscape of rural Zambia to great effect, reinforcing the interior lives of the characters and moving the story forwards.
The little girl is superb in the role, one of the greatest performances I've seen from a child actor in a long time, she conveys everything without speaking, simply from her expression or body language. Incredible.
Plenty to read into the film, the three friends I went with had plenty to say about it afterwards and we all agreed the themes it explored apply to every human culture, not just an African one. the same behaviours and ways people delude themselves or accept ridiculous beliefs because they want to belong, the way human societies find someone to scapegoat and project on to that person all of the groups ills, all this is depressingly familiar.
My only criticism is this is again a film of Afro pessimism, there's precious few films from the continent making it on to cinema screens, the only ones I can think of recently are Felicite, Johnny Mad Dog. Both somewhat gloomy subject matter. it would be nice to see some films that offered a different perspective. Having lived and worked in Africa I know there's a lot more to the continent than child witches, child soldiers, FGM, HIV epidemics, diseases, starvation corrupt leaders and so on...
People get on in much the way they do anywhere, making the best of what little they have...
edwardjones-23192
I am Not a Witch is a hilarious and harrowing tale from one of the finest new voices.I am Not a Witch is the debut film from Zambian-born director Rungano Nyoni. It tells the story of a young girl, Shula, accused of witchcraft after a trivial mishap. The phenomenon in Zambia relates not to a cackling Shakespearean witch, but a relatively innocuous kind. These witches change the weather, read minds, and would fly away if untethered. Purportedly. It is a ludicrous social construction used by selfish men to oppress women. Although the subject matter is alarming, the narrative mostly filters through the comedy of its absurdity. The humour is at times reminiscent of Sacha Baron Cohen's movies or Monty Python. It's probably the grandiose confidence of foolish characters. There is a moment where the whole judicial system is reduced to Shula's guess.But a deeper meaning flutters behind the comedy, like the platform behind a racing train. Seen only in the flashes of space between the carriages. This movie certainly has a dark side. And the unexpected appearance of the cold reality almost grated against the lighthearted side. The dark truth appears every now and then like a needle scratched off a record. This is by no means a bad thing. It makes the glimpses of truth all the more impactful after you inevitably lose yourself in the comedy again. The reality behind the movie is no more forgiving once the credits roll, because it ends on one final needle scratch, and leaves you to digest the movie, and its relation to our modern world. There are obvious parallels between the African political system, or lack thereof, and the Trump Administration and post-truth media.The deep truth underlying this movie needs to be heard.The cinematography of I am Not a Witch is also excellent. The shots are very minimalist, giving a sense of realism and intimacy with the narrative, and there are dashes of creative flair, with lingering shots during the realist scenes.Review from Student Pages: https://www.studentpages.biz/i-am-not-witch-review/
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