Byrdz The local public library had its winter "bag sale" with all the videos you can fit into a grocery bag for $4. I kind of overfilled the bag so gave them more. Included in the haul of 100 old VHS and newer DVD's for $10 was this little lost film. Sadly, it could / should have stayed lost.To give it the benefit of the doubt, the music and the singing was really good ! BUT... there was a thin and extremely stupid "plot" and what there was served only to hang the songs on. Several of the songs were not even sung all the way through. Snippets of Steve (sic) Foster.The film would have been much improved if it had deliberately been about the Christy Minstrels and not supposedly a biography of Stephen Foster. Most of the songs were performed by Ray Middleton as Christy. I was amazed to find that the film had been made in 1952 as it has a real 1930's look and feel to it. It had one of those awful minstrel shows with even Rex Allen in a Blackfaced cameo.Another one of those " give it a miss" films. Even if you find it for one thin dime !

bkoganbing Probably because the songs of Stephen C. Foster were in the public domain and therefore cost penny pinching Herbert J. Yates not a dime, Yates decided to do a minstrel show musical comedy with the life of Stephen C. Foster to hang the story on.The songs of Stephen Foster retain their beauty to this day, sad though that they do reflect the times they were written in. Since the famous minstrel star and entrepreneur E.P. Christy was the one who popularized Foster's work, to not have a minstrel show in the story would be historically way inaccurate.But this film isn't anything close to the story of Foster's life. For all the inaccuracies of that film, 20th Century Fox's Swanee River which starred Don Ameche as Foster and Al Jolson as E.P. Christy is far more accurate.The thin plot seems to be borrowed a bit from Bing Crosby's Mississippi where Bing is courting Gail Patrick, but it's really Joan Bennett who's crushing out on him. Here William Shirley as Foster is courting Muriel Lawrence, but it's really Eileen Christy as, guess who, Jeanie who's giving him the come hither glance. One thing I will say, the Foster songs are given magnificent vocal treatment. The women both sing well and Shirley most famous for his behind the camera vocalizing in Sleeping Beauty and My Fair Lady has a terrific tenor voice. Ray Middleton however, most famous as the original Frank Butler in Annie Get Your Gun, gives the best performance in the film as the egotistical E.P. Christy.The rest of the cast, acting wise, is pretty weak. The plot is razor thin and in 1952 there was no excuse for calling a young black kid, Chitlin. Rex Allen, Republic's last cowboy B picture star makes a guest appearance here in blackface as a minstrel and that sure didn't help his career in any way.I'd stick with the Ameche-Jolson version of the Stephen Collins Foster story.

kwahamot An interesting film, despite the slightly overblown sentimentality and romance. Great music and ballads. Disturbing slave-era imagery, and even more disturbing, but historically accurate black face performances in the portrayal of Christy's Minstrels.The one thing I would like to know is how accurate are the portrayals of E.P. Christy and Stephen Foster? Christy's Minstrels was a black face troupe, and their performances are among the more disquieting moments in the film...you want to enjoy the music...but can't due to the irreconcilable racist undertones.All in all it's an enjoyable film, but be cautioned that your kids might ask "why are those people wearing black paint?" an honest question and worthy of in-depth dialog to help "foster" respect for all people in upcoming generations.It feels like a film from the early thirties, surprisingly it's from '52. I bought it for the performance of "Beautiful Dreamer."

play78rpms No, this ain't "The Stephen Foster Story." That's in Bardstown, Ky, a place that Stephen Foster never saw in his short and tragic life. Foster's real life was tragic and depressing and might make an interesting "All That Jazz" style film. But this ain't it. This is a razzle dazzle musical comedy with the music of Foster as an added plus.This is the kind of musical film that used to be common but are now long gone. It's an attempt by Republic Picures producer Herbert J. Yates to cash in on the success of MGM's 1951 hit "Showboat" but with the lowest budget possible. In view of that the film manages to look much more lush than it really is. Of course the use of the Foster song catalog didn't cost Repbulic anything. Surprisingly the color quality of the print the DVD I viewed was mastered from held up surprisingly well considering the obvious neglect it was subject to.The production has the feel of the composer bio pics MGM used to churn out during this era. You could easily recast the film in your imagination with Metro contract players from that time.Director Alan Dwan obviously had the expertise to make a cheap programmer like this look better than its budget should have allowed. The pic is almost set bound with few exteriors and limited interiors. But Dwan keeps the pace moving at a brisk clip with the musical numbers occurring so rapidly you have little time to think about the silliness of the plot.The songs have been given arrangements more suited to the 1950s and are not the reverential treatments that might be expected. They are instead bright Hollywood musical comedy numbers. These numbers were staged by associates trained by Nick Castle (I guess Republic couldn't afford Mr. Castle himself) and are brisk and lively. There has obviously been an attempt to integrate some of the songs into the action but if some of the cues and other proceedings seem laughable, well go ahead and laugh. It's all in fun, so enjoy it for what it is. The cast perform competently and seem to be enjoying themselves which helps to make the film more enjoyable to the viewer. Of course Ray Middleton, the original Broadway Frank Butler opposite Ethel Merman in "Annie Get Your Gun" almost steals the proceedings with his bombastic performance.The film was of course made in a more politically incorrect era. But it is not much more incorrect than ...say.."Holiday Inn'.The film is a perversely delightful relic of a by gone era and well worth the dollar the DVD sells for in many areas.