drjgardner This is the first American film about the North Africa campaign and the last film Henry Fonda made before reporting for the war. In fact he had tried to report earlier but studio head Zanuck had him deferred until this film was made."The Immortal Sergeant" tells the oft-told tale of a group of soldiers at risk trying to survive. The first version I can recall was "the Lost Patrol" a 1929 British silent film remade in 1934 by John Ford. Those films were based on the 1927 novel "Patrol" and the basic theme has been repeated since (e.g., 'The Thirteen", "Sahara", "Last of the Comanches", "Kokoda").This 1943 film is an American propaganda film using the British fighting in Africa for the setting. Though this is obviously a studio film, the camera work is pretty good and some of the action sequences look good.The cast is rich with 40s stars like Henry Fonda, Thomas Mitchell, Maureen O'Hara, and Reginald Gardiner. But they are merely going through the motions and there is nothing here you haven't seen before.My favorite WW 2 fighting films made between 1942 and 1944 include "Wake Island" (1942), "Bataan" (1943) which also had Mitchell, "The Fighting Sullivans" (1944), "Flying Tigers" (1942), "Guadalcanal Diary" (1943), "The North Star" (1943), "The Rats of Tobruk" (1944), and "Thirty Seconds Over Tokyo" (1944).There are a plethora of non-fighting WW 2 films that are worthy of mention – "Casablanca" (1942), "Lifeboat" (1944), "Hangmen Also Die" (1943), and "Five Graves to Cairo" (1943).

MartinHafer "Immortal Sergeant" was apparently not one of Henry Fonda's favorite film roles. I am not sure why "The Big Street" wasn't his least favorite (it was god-awful, believe me) but he disliked it. And, I might add, my wife wasn't super-fond a this film as we watched it. However, I really thought it was pretty good...though I do wonder if the main character played by Fonda might have been schizophrenic--that's because throughout the film he keeps hearing the voice of his sergeant--even though the guy is dead!The film is a WWII propaganda film. Because of this, it's main thrust is NOT realism but to bolster folks' support of the war effort. I cut the film a bit of slack, as it was 1943 and keeping up morale was a major concern. What I didn't like was the casting of Fonda, as he was supposed to be a Brit--and seemed about as British as John Wayne or Hattie McDaniel! In this sense, I could see why he didn't like playing this role--but the plot is pretty good and more than makes up for this.The sergeant in the title is played by Thomas Mitchell--and he's very good in this role. This guy is a career soldier and seems indestructible to his men--and he is adored by them. However, although he seems to have all the answers, his corporal (Fonda) seems quite different--unsure of himself and not at all the soldier Mitchell is. But, when the sergeant is killed and Fonda is left in charge of a small group of men in the North African desert, he's given a chance to show his mettle.In many ways, this film is a lot like the film "Sahara"--though "Sahara" is a much more enjoyable (and less realistic) film. Both are set in the same locale and are about a small group of soldiers overcoming greater numbers of enemy soldiers. But the casting and script just weren't quite as good here--though the film STILL is enjoyable and did what the studio wanted it to do. I also appreciate how the men in this film were NOT indestructible--many died even though you KNEW how it all had to end. Not brilliant but quite entertaining.

bkoganbing In his memoirs Henry Fonda hated this film above all others that he did in his career. That's taking in quite a bit of territory because Fonda did some dreadful stuff in the seventies like Tentaccoli with a giant octopus. A lot of this was done for the money and Fonda with five wives certainly had much expenses in alimony.But Immortal Sergeant held a place dear in his heart because of the head of 20th Century Fox, Darryl F. Zanuck. Back in 1940 in order to get the part of Tom Joad, Fonda made a faustian deal with Zanuck signing his only studio contract. The studio cast him in what he considered junk. The good films he made in that four year stretch were on loan out, to Paramount for The Lady Eve, to Warner Brothers for The Male Animal, to RKO for The Big Street. He was not fond of what Fox cast him in for the most part because he got what was left after Tyrone Power and Don Ameche rejected it.Anyway come 1943 Fonda had two objectives, to make The Oxbow Incident because he knew that would be a classic and to enlist in World War II as pal Jimmy Stewart did. He prevailed on Zanuck to do The Oxbow Incident and it was a cheaply made western, classic though it was because it was shot completely on the sound stage. Then Zanuck cajoled, begged, and pleaded with him to make this one more film which he said was a great propaganda piece one that would tear the hearts of the movie going public and rally the homefront and be an inspiration to the fighting troops.When Immortal Sergeant proved somewhat less than that, Fonda felt hoodwinked and gritted his teeth and finished the film. He tried in fact to enlist to get out of it and Zanuck had so much pull in Washington, DC, Fonda kept getting his enlistment postponed.It was one angry Henry Fonda who finished The Immortal Sergeant and then went to war. His experience with this film made him bound and determined to get out of his contract one way or another. Ultimately he left Hollywood in 1948 when he got a great Broadway role in Mister Roberts. Fonda didn't return to Hollywood until 1955 and then to make the screen version of Mister Roberts.But that's getting away from Immortal Sergeant. Without Henry Fonda's rather colored viewpoint of the situation let me say it's not the worst World War II flag waver the studios put out. As is usual Henry Fonda is a Canadian to explain his non-British speech who has enlisted in the British army and is serving in North Africa. He's a young man with a lot of angst and when his patrol's sergeant is killed, Fonda has to summon something from within to bring the men back to their lines.Thomas Mitchell is the sergeant and Maureen O'Hara is Fonda's girl back home and both do a creditable job. For the rest of his life Fonda would foam at the mention of Immortal Sergeant. Being the professional he was, he did a good job in the film.But Immortal Sergeant hardly belongs in the same company as The Oxbow Incident and Mister Roberts in the works of Henry Fonda.

pcronin SPOILER This movie is lauded for its realistic battle scenes of soldiers suffering during wartime. Henry Fonda is Colin Spence, a well meaning Canadian gent; Benedict(Reg Gardiner)a brash British bloke, his nemesis. They are schoolmate writers in love with the same beautiful woman, Valentine(Maureen O'Hara). They attended school together but while Benedict was privileged, Colin was humble. It has been the same in life, where Benedict has enjoyed fame and fortune and Colin has known only failure. After seeing a French acquaintance herded to prison camp during the nazi occupation, Colin decides to enlist. There he meets his Immortal Sergeant(Thomas Mitchell), a frankly admittedly self flawed man who runs his small quirky outfit with instinct and wit, leading them on long traverses through hot desert seeming with no end but resulting in nazi casualties and while he gets killed provides for his men and gives them hope to carry on. They discover a nazi outpost and raid it for some much needed supplies. They then surround the camp and do a good job of killing the men. Three of them survive, and two of them including Cpl Colin Spence are now declared heroes. While recovering in hospital, a journalist reporter comes to interview Col. Unbeknownst to both of them, it is Reg. Col had just got a telegram from Valentine, and he tells Bene to wire her his intent to marry her. Reg says no way, but Col now has backbone and says you better. Reg does it and Maureen is now here to wait for her Lieutenant a the station upon his return home. Another happy end!