Invasion of the Star Creatures

Invasion of the Star Creatures

1962 "Beautiful... Deadly... In their Veins the Blood of Monsters!"
Invasion of the Star Creatures
Invasion of the Star Creatures

Invasion of the Star Creatures

3.1 | 1h10m | en | Comedy

Beautiful alien Amazonian women plan to conquer the world using an army of vegetable monsters. Dim-witted privates Philbrick and Penn bumble into a cave in search of atomic activity but collide instead with fierce carrot-topped tree mutants and their leaders, the 7-foot space sirens Prof. Tanga and Dr. Puna. This lavishly low-budget sci-fi romp has the bodacious aliens planning to overrun Earth with their vege-men army, but first they want the G.I.s to explain the meaning of love.

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3.1 | 1h10m | en | Comedy , Science Fiction | More Info
Released: May. 03,1962 | Released Producted By: Alta Vista Productions , American International Pictures Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Beautiful alien Amazonian women plan to conquer the world using an army of vegetable monsters. Dim-witted privates Philbrick and Penn bumble into a cave in search of atomic activity but collide instead with fierce carrot-topped tree mutants and their leaders, the 7-foot space sirens Prof. Tanga and Dr. Puna. This lavishly low-budget sci-fi romp has the bodacious aliens planning to overrun Earth with their vege-men army, but first they want the G.I.s to explain the meaning of love.

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Cast

Frank Ray Perilli

Director

Basil Bradbury

Producted By

Alta Vista Productions , American International Pictures

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Reviews

oscar-35 *Spoiler/plot- 1962, In the 1950's on a assignment from a local missile site 'Nicholson Mesa'; two dimwitted soldiers are sent to investigate a mysterious crater and cave. They stumble upon a scary plant-like creature. They follow the Vege-Monster creature into the cave and find a buried spacecraft. The two large beautiful women aliens capture the army men to study them. The men are told that the invaders are from outer space and are here to take over the Earth. Soon, the men use their small wits to fool the alien female vixens with speaking of 'love' matters between the species and think they might have a way to save the planet Earth. The fate of this planet rests in the hands of two soldier rejects.*Special Stars- Bob Ball, Frankie Ray *Theme-The American soldier can solve any problem, anyway.*Trivia/location/goofs- This film looks like an offshoot of a burlesque routine. The two main beauties are clearly stage strippers and the two soldiers act like burlesque comics of the 40's era. Even the sight gags and line are pure 'vintage' stage material. Look for some famous and over-used actor's impressions from the two lead actors/soldiers. The lighting continuity noticeably and humorously changes during the special effect jump cuts in the colonel's office and the cave scenes. This film was supposed to jump-start the acting careers of the two lead comedians, but didn't. The fat man thug pulled out of the car and knocked out in the Commander Connors dream sequence is the film's director/actor, Bruno VeSota. The cave location is the venerable Bronson Caves in Gower Park, Hollywood. The Vege-men are made of burlap bags, ping-pong balls, and black tights and they look like that on screen.*Emotion- An enjoyable but rather zany hold over romp from the burlesque days and stripper shows of the WW2 period. 'Retro' enjoyment at it's best or worst for campy fun and titillation.
Scarecrow-88 Slapsticky sci-fi spoof regarding bumbling, inept Army Private yahoos and their shenanigans involving tall, long-legged femalien bombshells in tight, skimpy space outfits whose race plans to conquer Earth so they can colonize. A star vehicle for Robert Ball and Frankie Ray seems like a way for introducing them as a comedy team. Since I have no knowledge of them until watching this movie, they must've not succeeded. Dimestore f/x and sets are more appropriate here because it plays(strains?) strictly for laughs(..imagine 1920's special effects and costumes in the vein of the Flash Gordon serials). Not a lick of sincerity as this solely aims to please, with plenty of sex jokes(tame as tame can be). An ongoing joke has various characters discussing their Space Commander Conners Secret Decoder rings and rank, becoming rather laborious after repeated trips to the well. Wait until you get a load of the "vegimen"(creatures grown from plants by the femaliens)costumes. There are attempts by Ball and Ray to seek assistance to stop the femaliens(Gloria Victor and Dolores Reed, two towering beauties who have to bend down when they eventually experiment with kissing Earth men to understand such an unusual custom)from their superior officer and Native Americans(!)in the hopes to preventing the space ship from blasting off to the home planet to inform of Earth's easy habitability. How one approaches this comedy is a tolerance for the film's brand of comedy, the zany antics of Ball and Ray. A lot of the film is shot at and around Bronson Caves. In the spirit of Abbot & Costello and The Three Stooges, but not quite successful, despite the efforts of a cast doing their best with mediocre material.
Steyr808 Gloria Victor and Dolores Reed in space girl costumes.I love 50 sci fi, I even love cheesy 50s sci fi, but this film is really, really bad. And not in a MST3K kinda way.Virtually unwatchable as a couple of bozos do their best "hip cat" impression of Abott & Costello.Chessecake can usually save cheesy sci fi, such as in "Cat Women On The Moon" but it can't in this case. This film requires a mute button and fast forward feature.That said, I could watch Gloria and Dolores walk around the space ship for about an hour or so.
scorseseisgod-1 The hilarious trailer for this amateurish, ultra-low budget blend of comedy and Sci-fi became a cornerstone of my VHS library since USA Network's "Night Flight" first aired it back in the early 80's. "Look at these great big beautiful babes," says the, drooling, over-modulating 60's narrator. A revulsive Leo Gorcey wannabe puts the moves on a cute "galaxy gal" at least a foot taller than he is so his head is always at breast-level. All this and a hand-painted long shot of Cape Canaveral to boot! After ninety-seconds I was sold and had to track down a copy; this looked worse than as bad as they get. Rule of order - whenever a preview narrator feels the need to tell us that, "the laughs come fast and free," bet the opposite.The script was written by Roger Corman regular Jonathan Haze. It's original title, "Monsters from Nicholson Mesa," was aimed at poking fun at American International honcho James H. Nicholson. Haze, best remembered as Seymour Krelboyne in "Little Shop of Horrors," intended the script as a showcase for he and fellow Corman stalwart Dick Miller. Instead, we get two comics that make Ted Danson and Howie Mandel look like Laurel and Hardy. Frankie Ray (Penn) is all eyebrows, macho Brooklynese and lame one-liners. No one ads an extra syllable to the word "bay-be-ee" quite like Frankie does! His partner Robert Ball (Philbrick) is a nasal, infantile pansy. Get the potential for comedic contrast? Some stock footage and the trailer's narrator set the place at Fort Nicholson, the World's center for atomic research. We hear talk of "the world's greatest scientists working together" and "Our first line of defense" only to cute-cut to a couple of "hand-picked" expert yardbirds that can't even handle a garden hose. If you didn't already take a hint from the (Wow!) placed next to two bimbo's names in the credits, this is the level of humor you can anticipate over the next hour.The staging is mortifying. Stop the camera, move it 45-degrees to the right and restart the actors from where they left off. You want laughs? Stuck a guy in a garbage can, make sure the "No Smoking" sign blinds the audience, light up a cigar, toss it in the trash after you spot an officer coming and wait for the howls. A pacifist soldier weeps over killing a rattlesnake. Stupefying impressions of Warner Bros.' gangsters. Toy rayguns with dime store funnels jammed in the barrels. Not one original joke or concept and even worse, the filmmakers still can't figure out an acceptable way to present them.While the duo goldbricks, their platoon explores a cave containing a race of extra-terrestrial tree people; stiff, burlap-clad, button-eyed extras acting scary with outstretched arms. They direct the boys to a spaceship commanded by two Amazon playmates, Prof. Tanga (Gloria Victor, Wow!) and her assistant Dr. Puna (Dolores Reed Wow! Wow!). They hail from the non-existent but real sounding planet Chalar in the Belfar star system. For ten years the galaxy gals have been on earth perfecting a race of Vegemen that they grow in soil brought from their planet. The boys treat their abduction as if it were a first date. These Naugahyde-bikini cuties are out of this world! The looming Dr. Puna begs to be taught the language of love Philbrick-style. (Instead of re- recording Cyrano Penn's romantic play-by-play, you can hear him echoing just off-camera.) His kiss Wows! the Wow!Wow! and, using a cigarette lighter as a compass (don't ask), they make their escape. Borrowing from a cowboy film, they start a paper-mache boulder avalanche that fails to stop the oncoming "Spacetro Nuts." The "broads" call them off and Capt. Awol, a character I had hoped we were done with, is brought back into play. I suppose the filmmakers thought were playing around with genre when all of a sudden a group of Indians arrive on horseback. This allows room for plenty of "kemosabe" and "peace pipe" jokes to pad the scant running time.After catching a buzz, the boys return to the ship. Philbrick saves the world by accidentally launching the spaceship. Puna's (Poon?) hots for the earth-man convinces Tanga to, "in the interest of science," kiss Penn. "Stand by for a charge, Bay-bee-ee!" Equating love with slavery, the dames return to earth, become suburban housefraus and wave at stock footage while their beaus are honored. A gypsy violin plays as the foursome drive off in a '57 Thuderbird with "The End" written on the spare.A couple of short retardates cracking wise with busty babes. This sub-Neanderthal material doesn't even have the makings of a funny Playboy cartoon. It was released a few month's prior to the Kennedy assassination. Oswald not only killed JFK, his timing forever punctured the Rat Pack ethos and put a dent in Hefner's swingin' sixties philosophy. The compositions are even more offensive than the blatant sexism. Even letterboxed there's enough room to park another feature at the top of the frame. At best, a relic from another era.