vert001 IT HAD TO BE YOU is an imaginative fantasy/comedy, but by 1947 the era of screwball was pretty much finished. Its comedy is real but forced, not least in the hyperactive performance given by Ginger Rogers, almost as if she didn't have confidence that the material could play without a serious push. But fantasy requires a lighter touch than it got from Rogers in this movie. Cornel Wilde's performance isn't exactly understated either, but it remains controlled and effective, and surprisingly, he seems to have had more of a flair for farce than he had for the adventure flicks that filled his career.His George McKesson is certainly an unusual character. Something of a guardian angel for Ginger's Vicki, George appears not as a disembodied spirit but as a physical man, and in the image of her subconscious 'true love' who turns out to be a fireman, also played by Wilde. This is an angel who doesn't know exactly why he's been sent to earth (beyond helping Victoria, of course), and has to discover the secret right along with her. He isn't much of a help in this regard, merely serving as an embarrassment to her as he comes between Vicki and her latest false fiancée. Ultimately, George would seem to be more of a plot device than anything else, but that's fair enough, the movie has no pretension to being anything more than an amusement, and it amuses tolerably well.Did Wilde ever have another chance to do comedy? If not, it's a pity. As for Ginger, IT HAD TO BE YOU is something of a milestone in her career. This is the last time she played a character noticeably younger than her actual age (a common occurrence up to this point. MONKEY BUSINESS is kinda, sorta an exception). 1948 would be the first year since 1928 in which she would not make any films at all (an unfortunate contract signed with a fledgling studio would be the cause of that delay). When she returned in THE BARKLEYS OF BROADWAY she played a mature wife, and it would be mature characters for the rest of her career. And it would be a different Hollywood. The Classic Period was already slipping away, and it slipped away a lot faster for its aging female figures, particularly those who weren't the type to play human grotesques. Maybe that's the reason she seemed so uncharacteristically frantic in IT HAD TO BE YOU. She sensed that time was beginning to run out. Happily, she would have a long and graceful denouement.

batesvl I reviewed this around the Valentine's month for 2011. Notice it was coming on wee hours of the morning and set recorder to do so. I had never seen the movie – didn't know it existed, yet found it interesting after reviewing the recording. There was something about the write-up that made me think it would be interesting. I was thinking of Runaway Bride - but only thing they shares is that the bride did runaway. After that, the movies are different as it has fantasy and reality both in the plot. I think we need a tip for watching and enjoying the movie: The tip is to not to try to guess where the movie is going but relax and know it does have a happy ending. Enjoy how you get there.I did some Google's and research for what inspired the song to the title of the move: It Had to be You. I found it was inspired by song writer Gus Kahn's wife Grace. Also there is a movie slightly about their life story together in: I'll See You in My Dreams" Interesting points – Both of the movies were done after the death of Gus Kahn who passed in 1941. There are some interesting/clean dreams in the movie that add to the story.In It had to be You, I think they put some of Ginger Roger's life attributes in the movie - she fished and did sculpting/art though she never sold the art and kept for herself. Cornel Wilde was an acrobatic and plays dual role of both the as he calls himself in the movie Hot Indian and a fireman. Not sure if he did his own stunts, yet it sort of looked that way. He plays both roles differently too: the Indian is more outgoing and the fireman is a little reserved. I read Cornel's online biography and it seems he liked to see how he would play a character and he may have given those to interpretations/mindsets for the roles.After you get over where was the movie going and trying guess ahead based on prior movies you may have seen: the movie becomes interesting the way it came together. The ending appears as if they are out of time and need to end it. Even the music suggests such; but it's OK - as it's a happy ending!

ksf-2 Starring Ginger Rogers. - "It Had to be You" opens with Victoria Stafford (Rogers) ditching numerous grooms at the altar. (and don't you just LOVE that veil and halo getup when she ALMOST marries Atherton Huntley??) Mom is played by silly but knowledgeable Spring Buyington. (It HAD to be either her or Billie Burke.) The groom's dad suggests that Victoria go off and decide whether she is really ready to be married to his son. Of course, there is a dream sequence which starts to get downright silly, and that takes the film in a weird direction, involving psychological issues. Then more dreams, involving long hallways, a Native American, (the dashing Cornel Wilde) swimming. Misunderstandings. Got a little weird for me, but I guess if you don't look too closely, you can just go along for the ride. This was one of Ginger's comedies, like Stage Door, Monkey Business. The 2000 film version seems to be kind of a remake of this film, but has a different plot direction.

PudgyPandaMan Warning to guys - you will probably hate this movie. But I think most women, judging from the user comments, will love it. This is a quintessential chick flick. It shouldn't be taken too seriously as it is a fantasy piece. You will have to suspend your sense of reality to enjoy this. But that's the point.At the heart of this story is the idea that we all have one true love we are destined to be with. Call it Fate, Destiny, or even God-ordained - but it's the notion that forces will conspire to put us in touch with our one and only soul-mate.This movie reminds me of another one of my favorite contemporary movies, Serendipity(2001), in the sense of being destined to find our soul-mate (although it is not a fantasy piece). I think guys probably find the fantasy, imaginary friend notion of IHTBY a little too corny for their tastes. But if you like a good, cheesy romance story, then you should like this picture.I've notice several reviewers criticize Rogers for her little girl, squeaky voice. But I think in this role, it enhances the story. If you look at it from the idea that she is like a little girl who has never really grown up - but is somewhat frozen in time to back when she was 6 years old, when she first meets her "soul-mate". I know this is a stretch, but that is how I interpreted it and it worked for me.I love the sets and costumes in this movie. It makes for a visual feast. Rogers' gowns are unbelievably gorgeous, especially the wedding gown at the very end. But even her dressing gowns were quite elaborate, adding to the notion of just how wealthy her family is. I find it hard to believe women actually wore these - they look incredibly uncomfortable! If the beautiful mansion set with the incredible staircase looks familiar, you may recognize it from Holiday (1938), the George Cukor film starring Katherine Hepburn and Cary Grant. That staircase is just amazing - the most beautiful I have ever seen.There is one thing I did find hard to swallow, and I didn't notice it until Rogers and Wilde are in the car and he finally decides to marry her. How did he not notice the huge, honking diamond engagement ring on her finger and not know she was already engaged? Also, look closely at Wilde's left ring finger in this scene as well. He looks like he is wearing a ring on that finger that is being disguised so as to not be noticeable. What is that about?