carnivalofsouls The most unusual entry in the AFT series was no doubt one of the least successful. Though it attempted to make the source material more cinematic through the use of flashy visuals and edits (think a somnambulistic Ken Russell circa Tommy and Listzomania), this only helped to date a production that, considering the music at its centre, had no right to be dated. Jacques Brel was a brilliant French songwriter and while his music found its way into the English and American pop charts thanks to various bastardizations (stand up Rod McKuen and Terry Jacks), his acerbic lyrical style and gallows humour were always lost in the translation. The intention of the off-Broadway musical was to no doubt make amends for this and to introduce an English-speaking audience to some of the finest songs ever written, yet the power of the songs, no matter how great they are, are reliant on the three performers, who, at least in this incarnation, are simply not up to scratch. While Elly Stone's shrill voice does not help matters, the worst culprit is Mort Shuman.Shuman, a legendary Brill Building songwriter, was responsible for the English translation of Brel's songs and many will know that these translations were scattered across Scott Walker's astonishing first four solo albums of the late sixties. And herein lays Shuman's greatest misstep, as he, coincidentally or not, takes on the task of covering the same songs as Walker. Yet not only does Shuman lack Walker's powerful voice, he also manages to deliver the tunes in a misguided and frequently irritating fashion. Compare his pitiful rendition of Mathilde to the version on Walker's debut, and one will see how crucial the delivery of Brel's songs are to their power, Walker brilliantly straddles an intense line between ecstasy and despair, as compared to Shuman, who lifelessly pouts his way through the song.Only Joe Masiell's voice seems suited to the material and though many of his scenes are highlights, the undoubted triumph is Brel's haunted, French rendition of If You Go Away, where in a single, deeply moving take, the great man himself, approaching his death in 1978, tears a hole in the film that it has no chance of recovering from. If there is a single reason to view the film, it is for this, otherwise one is recommended to save your cash and purchase Brel's own recordings or the compilation Scott Walker Sings Jacques Brel.

blitzknitz While this is not the best presentation of Jacques Brel's songs, for those who have access to nothing better it will have to suffice. Best is go directly to Brel CDs and DVDs and enjoy him in French. Next best is to attend an excellent theatrical production such as Jacques Brel is Alive an Well" directed by Gordon Greenberg at the Zipper Theatre in New York which opened March 2006. It even outdoes the original 1968 production, retaining the European flavor of the songs, and pleases even the French.After that, there's this sometimes silly, confusing and dated movie with Mort Shuman, American songwriter, who together with Eric Blau did the adaptations of the songs for this show. His performance is worth seeing, especially of Jacky.But the most interesting thing about this show for a hardcore Brel fan like myself is the appearance of Jacques in February of 1974. After this film was made Jacques learned navigation, bought his yacht the Askoy, and took off for a round -the -world -yachting trip. He was no longer living in Paris. By October of the same year he received his lung cancer diagnosis . He was no longer "well".So this movie, which opens with him in audience puffing on a cigarette, confronted by an Addams family type ghoulish character is Jacques last film appearance and somehow premonitory. His glorious performance of Ne Me Quitte Pas is worth the price of the DVD.

cbe0525 I saw this film in 1975 as part of the AFI series at UCLA. Walking into the theatre, I had no idea what to expect and had never heard of Jacques Brel before. I became a huge Jacques Brel fan that evening and have enjoyed his music for the last 27 years. This film is a delightful cabaret of music video before it even existed. Ellie Stone's torch singing performance, in particular, made me a fan for life. The rest of the cast was equally dynamic; I can still hear "Next" being sung inside my head. Brel's work is touching, political, brilliant. This film was available on video for a very short time in the early 80's. How I wish I had purchased it then as it is no longer available. I would love to see this film over and over again.

musicwad I love this film because I loved the music... Jacques Brel is a talented songwriter... he writes with much emotion and feeling. I wish this film was available on Video or broadcasted again on television. I have not seen it for over a decade.Hopefully, it will be revived soon or made available to the public...As long as someone listens to his music... Jacques Brel is still Alive and Well and Living in Paris.