ebossert This is basically a compilation of killings by murderous spirits with enigmatic motives, which means that the entire film consists of horror sequences. The storytelling structure begins with the last segment (#10) and progresses backwards (to #1 and Prologue), but the stories and characters have little to no development so the setup seems like a gimmick.The score and sound effects are excellent and are the strongest positive of this movie, even using some chanting at times. The use of blurred images for ghosts is also effective. In some cases the entities will appear very subtly in the background, which is an impressive technique. The segments themselves range from mediocre to very good – Chapter 5 being the best with a really cool staircase scene. Atmosphere is dark and thick throughout. Yes, the onryo ghost girl is used at times (as well as the croaking noises from The Grudge), but this much maligned debut film from director Koji Shiraishi is better than its reputation suggests.

Boba_Fett1138 Seriously, this movie features an incredibly flawed concept, that is besides is also being incredibly simple and formulaic. Basically all this movie does it telling the same story over and over again, in 10 different chapters, involving different characters.This is basically what happens in every chapter; person hears a noise, person checks it out, person sees a ghost, person dies. Really, this is what happens every time! And was every story supposed to be related? I don't know, or perhaps I should rather say; I just couldn't care about it and the movie didn't make enough effort to make this clear enough. It for some odd reason also gets told in refers order. So the movie starts at chapter 10 and ends at 1, with a prologue and an epilogue to it as well. Why? Just because they could I guess, since this approach doesn't really add anything to the overall movie.From a movie featuring different chapters, with different stories and characters in them, you would expect some more variety but 3 chapters in makes you realize that this movie is going to do absolutely nothing original and will keep on repeating itself, till it's finally over. Guess everybody can make a movie that way. It doesn't require any originality or true effort.Besides, every chapter is just a few minutes short. How is its tension supposed to get buildup that way? How are we supposed to care for characters we only see a few minutes? It all fails at it because of the reason that most chapters are such incredibly short ones. One is even about 30 seconds long, which perhaps was the weirdest moment of the movie. And because of it that the movie is basically the same thing over and over again, it totally looses its power. It ruins the tension and almost completely destroys its horror because you already know what is going to happen in each chapter. Perhaps lovers of Japanese horror can still mildly enjoy it. I mean, it's some very typical stuff all and in all honesty it's not the worst thing you could watch.Totally lacks originality and keeps on repeating itself! There are still far more worse movies to watch out there but there is no reason either why you should ever go watch this one.5/10http://bobafett1138.blogspot.com/

HorrorFan78 This film has been accused of plagiarism, which is absolutely the case. Overlong, unambitious, and frankly scare-less, this hodgepodge amalgamation of some of the more recognizable moments in other J-Horror flicks is basically a waste of time, albeit 75 minutes. Lifting far too obviously from the Ju-On series, and even tipping its hat to Kairo and Ringu, "Ju-Rei" is a cheap knock off. Unreasonably long periods of absolute inaction help stretch this to a (barely) feature-length runtime, including an infuriating THREE MINUTE sequence of a young woman hiding under a blanket. The camera opens scenes five to ten seconds before the action begins, and holds on them long after the action and actors have moved on to the next set piece. A single and mildly effective single shot of a darkened stair case in a child's school provides the film with one memorable and nicely done moment, but that's just not enough by far. Downright awful production value and a story as thin as a single strand of long black hair fill in the rest of the short runtime. If you're a fan of Asian horror, skip it. If you're not a fan, this could turn you off to the whole thing. Dreck.

Danny_G13 Chronically unoriginal and derivative Japanese horror could practically be guilty of plagiarism.Ju-Rei (The Uncanny) is yet another in the conveyor belt of Oriental horror movies which lept on the Ring bandwagon of 1998. The vast majority of them have benefited from the fact that Eastern horror is still a relative unknown here in the west, and the tricks used in Asian film-making are still fairly new here too.Indeed, fairly similar films like Dark Water and The Grudge have been blessed by the fact that they're still something of a novelty in this part of the word, because otherwise we'd see right through them much in the same way that teen slasher after teen slasher from Hollywood gets tiresome and repetitive.However, there comes a time when even *novelty* becomes contrived, and Ju-Rei is a superb illustration of this.The Uncanny (God knows what the name means) is a ghost story (Surprise surprise) where a shadowy female figure (*feigned shock*) appears and people die as a result (Where have we seen *that* before?).So, no prizes for a fresh and interesting story line. However, the one direction the plot has taken to elevate it above its peers is the story's told in reverse. We start at Chapter 10, then work our way back to 1. Sure, Memento did this already, but nonetheless it's new for Japanese horror, to my knowledge.The direction, though, lets this film down big time. Sure, the plot and narrative are totally unoriginal, but this could be countered by decent direction. Unfortunately, the mechanics of the movie are simply dire. Too often scenes' camera work is forcing the viewer, as opposed to the viewer feeling free. Good direction is subtle and when a scare or chill is threatening, it doesn't force you into submission. This should be a voluntary response, meaning you'll get more out of the upcoming shock. Add to this the number of times where something is laboured at a snail's pace, or a camera shot is held for a stupidly long period of time and you begin to get the feeling this one's being directed by an amateur.Indeed, the budget appears to be substantially low, with some pretty poor attempts at acting compounding it. Being an English speaker I cannot obviously detect the subtlety of Japanese, but I can tell that the portrayals are universally struggled and decidedly unnatural.As for the shocks, well there is one moment which I actually failed to see coming, so I got a little kick out of it, but otherwise this movie was a blatant copy of everything else which has been before.This was a Japanese horror by the numbers.Avoidable.