Kirpianuscus nothing to say about this film than it is an admirable work. not for a specific fact but for the inspired tone . and, sure, for Piotr Adamczyk in the lead role. for me, it remains one of most admirable religious films of the last decades. because it has the virtue to give more than adaptation of a well known biography. but a delicate drawing of the man who defines one of the essential symbols of XX century. the war, the life in the Comunist Poland, the writer and the actor and the theologian, his fight for the defense of Church rights, his relations with the closer people, his fundamental choice are presented in the most inspired manner. in many scenes, it seems be one of the drawings of the masters of Rennaisance. because it is not only the image of a man. but the sketch of a world who live, in profound sense, in him.

denis888 This is a very good film, or, mini series, of almost 3 hours duration. The historical background of Krakow occupation and Jews' sufferings is shown very well, and the Nazi atrocities are not muted or bypassed here. The main role is played by Pyotr Adamczyk and he did a great job as a the young Karol, and then a mature cardinal, and then, a Pope. There are some weaker parts, though. Of course, such a long story requires a longer film, which could make it almost impossible, but to press into so much in a 3 hour spell is a bit hastened. Then, there are certainly some weaker parts of some actors and come on, there are some obvious caricature-quality Communist figures shown almost like clowns or mere idiots. Saying that, I must admit, that this film is 1000 times better than the 2006 sequel, which is a real bore. This one is vivid, brisk, dynamic and often very very elegant work. Great film, yes, but still, for John Paul II's fans

Armand story of a man. or, only, picture of a century half. a delicate way to present facts and grow - up of a symbol. and tender art to suggest borders of things heart. a film like a chocolate cup. or green tea. or winter morning. a film like an autumn evening and like ball of childhood remains. sure, it may be a kind of Halmark productions. but it is more. a speech, out of polish temptations about care for others and force of values. a testimony as homage. a map of a life in which gesture is seed to better way to transform existences. Piotr Adamczyk does good work in this really difficult role. because his character is collection of precise nuances. so, his mission is a kind of game with fire. the key of success - honesty. desire to present a way of ordinary man in dark times , not silhouette of a great hero. and mission is accomplished. with deep success.

Marcin Kukuczka Soon after the death of the beloved Pope John Paul II, the movie by Giacomo Battiato was released on the Italian TV in two parts. Poland, however, was the exception. The distributors decided to release the movie in cinemas on June, the 17th. Battiato's film has been enthusiastically accepted by the majority of viewers, not only as the biographical work, but as a profound insight into the times which Karol Wojtyla experienced. Although it contains some simplifications and changes, the movie, based on the book by Gianfranco Svidercorschi, aims at emphasizing the phenomenon of Wojtyla's personality together with the times he grew in rather than presenting sheer biographical facts.CONTENT: Krakow, September 1939, the German army invade the city under the leadership of Nazi general Hans Frank (Matt Craven). From the beginning, their politics is destructive towards everything that is Polish, the culture and the whole Polish Nation. The attack of hatred and destruction is directed towards elites of Polish universities, particularly, Professors at Jagiellonian University, and the Church. Young Karol experiences these events very cruelly, the suffering of his Nation is his suffering. His plans to study Polish philology and literature, to become an actor are ruined, his dearest friends (including the Jewish Family Kluger) are taken to Holocaust or killed on the way. The world seems to have turned into sheer bestial madness. But Karol's escape are books and prayer. With some of his friends, including Hania (Malgorzata Bela), they decide to retain the Polish culture meeting secretly and cultivating their love to the theater. They strengthen their faith that the only cure for the hatred in the world is love. It is then that Karol decides to be a priest and serve God. He goes to the seminar after which he serves his First Holy Mass on November, the 2nd, 1946. But the cruel experience of WWII does not end. After WWII, Poland experiences another pressure of the totalitarian reign, this time it is communism, illusively directed towards the goodness of people and openly against the Church. Karol as a young priest, later bishop and cardinal, never gives up defending human rights, heading for the real goodness of the society, and consoling people, sowing hope whenever possible. The movie shows two most important events: Poznan (1956) and Nowa Huta (1977). This experience which started with the trials of his Nation leads him to Rome, to the memorable 16th of October 1978 when the whole world hears the news: Habemus Papam... Cardinalem Wojtyla (the archive final shot of the movie).CHARACTERS: There are very interesting characters showed in Battiato's film. It is noble prof. Wojcik (Kenneth Welsh) who does not lose faith in free Poland. He represents the real power - the power of thought that is a better weapon than any other. The most memorable scene concerning this character is when prof Wojcik speaks to Frank: "Can't you see there is no longer any life in you?!" Another well developed character is Adam (Ken Duken), who is first a spy against Wojtyla, but later realizes what the truth is: the one that is offered by the communists or the one by the Catholic Church? The accurate representation of some fictitious characters in KAROL appears to be similar as in another movie about Karol Wojtyla, FROM A FAR COUNTRY (1981) by Krzysztof Zanussi.CAST AND MUSIC: The movie, except for the wonderful content and characters that it entails, is well made artistically. The cast that are in the movie give fine performances. Piotr Adamczyk is a perfect choice for Karol Wojtyla, he deeply feels the role trying to make the portrayal as authentic as possible. Moreover, he looks pretty similar. Raoul Bova as priest Tomasz Zaleski gives his most memorable performance in the scene of his visit to general Frank. His speech about the Jewish children makes an effect in the viewer and is, indeed, very well played. Except for other cast, I particularly liked the performances of: Matt Craven as Frank - he seems to portray a man deprived of any human feelings; a famous Bulgarian actor, Hristo Shopov who portrays a fanatic cruel communist Julian Kordek; and the fictitious role of Hania performed by a beautiful model, Malgosia Bela. As far as the crew is concerned, it is significant to mention famous Ennio Morricone who wrote music to this film.MESSAGE: If someone asked me what this film is trying to convey, I would probably answer that its message is identical with what Karol Wojtyla was saying throughout his life - Cure everything through love and forgiveness. It is a very Christian message that John Paul II learned from Christ and the Immaculate Heart of Virgin Mary during his whole life. It is especially noticeable in the moment when he speaks to the young people: of course you are free to take the gun and fight them (the communists), but I advise you to promote the civilization of love. That is also the thing that he said to the youth during the Jubilee of 2000: "I see in you, dear young friends, the protectors of the Third Morning" In spite of some minor mistakes of this movie (some important people are skipped, including archbishop Adam Stefan Sapieha), it is worth seeing to get to know the magnificent person that John Paul II was, how he grew to sanctity (that is how a lot of people see him now).This movie will lead you to precious reflections on your life, similarly like almost each word said by the dear late Holy Father John Paul II. At the end of my long review, I will quote the words of archbishop Stanislav Dziwisz, John Paul II's lifelong friend and companion. These words came to my mind throughout the whole movie:"John Paul the Second! Thank you that you were with us! John Paul the Great! Thank you that you are with us! John Paul the Saint! Pray for us!"