nicu_morozan Its sad when you know that you are a man, and you see what this man did and you feel shame for what he did, and because you know that other people after seeing this movie will look at you, as you were looking at him when you saw what he did, and felt shame and anger. That woman was really special and strong and an real example for all of the human being, its a rare thing nowadays. Its sad when you realize that in our days they are not promoting this king of relationship, they just want you to do everything with anyone at anytime when its possible. I feel really bad that I was born in this time when its very hard to find your soulmate.

hbhahbhuhkha In my opinion, this is one of the most emotionally profound Hollywood movies I've seen in years. I watched it few years ago and I still think about it, almost every time I am doing my research for what to watch next. It is a very neat representation of love and infidelity. The triangular connection between emotions, rationality and irrationality is shown in a most simple way. Watching this movie, I felt like I'm watching a European or Iranian cinema. I especially appreciated how the movie ended, telling us that its ending is not as important as the question this movie proclaimed: Emotional or physical infidelity, which one is worse?

mariastav01 Last Night: I liked it because it is so realistic. It shows what exactly would have happened in real life. Most movies don't do that and it's a little annoying sometimes. I mean there are times that we need to be realistic and movies like that do the job in a great way. Keira Knightley and Sam Worthington are both excellent actors. Their performance was amazing. I don't feel the same though about Eva Mendes. Although I love her, I didn't enjoyed her in this movie. She seemed a little bit too emotionless. In general, though, all actors were great. Massy Tadjedin is both a good writer and director and she did a very good job with this movie.

p-stepien The life of a happily married British couple living in New York complicates itself, when freelance journalist Joanna (Keira Knightley) observes building sexual tension between her husband, realtor Michael (Sam Worthington) and project co-worker Laura (Eva Mendes) at a business dinner. Fret with worry Joanna confronts Michael afterwards, fearing infidelity, whilst being certain of her spouse's physical attraction to the beautiful co-employee. After seemingly defusing the issue, Michael leaves on a business trip with Laura, while Joanna meets up with her former French lover Alex (Guillaume Canet), thus testing the limits of their relationship and the feelings between them.Massy Tadjedin's debut feature delves into the subject matter of infidelity, thankfully avoiding the pitfalls of bunny-cooker revenge drama, but unfortunately falling foul to the temptation of mundanity. Albeit well-scripted, well-acted the whole movie drags due to the severe issues of disinterest. Nothing in the characters or the story pulls away from your everyday love affair, casting questions as to the point of filming a realistic portrayal of something as common as unfaithfulness. Motivations are banal, while the phases of breaking the barrriers are well known and probably lived through by the majority of the viewers. Failing to see the point of the movie in general significantly lowers interest in whatever positives may lurk inside, even more so that the cast hardly inspires.Keira Knightley, self-perpetuating significant questions regarding anorexic tendencies, has brief moments of beauty, apart from that functions as a poster warning against eating disorders lacking any charm (irregardless of whether there is any truth to the matter). This at least brings about little doubt as why Sam Worthington's character would have fallen for the decidly more meaty Eva Mendes. However having something to grab seemed insufficient given how uninteresting Laura is, even more so with the forced quirk of her being afraid of making her own decisions. The male cast do a significantly better job, but still fall into the shadows of an uninspired story. Somewhere within this lurked various eternal relationship issues and questions, more or less discussed or hinted throughout, but the total lack of distinguishing script features make them fall into obscurity. The turmoil of marriage is nicely reflected with the temptation, however on a very base unstructured level. Potentially the biggest point of interest: infidelity of body vs infidelity of heart is essentially cut off with the end credits (however with a scene realised with true gusto), all in all delivering a movie that is as common as the subject matter it portrays.Preferred viewing is "Closer", a much more wide reaching and memorable take on the question. More direct and engaging.