Lethal Eviction

Lethal Eviction

2005 ""
Lethal Eviction
Lethal Eviction

Lethal Eviction

4.4 | 1h37m | R | en | Horror

A first time landlord purchases a run-down, rent-controlled apartment building in hopes of making a solid investment. Everything seems to be going smoothly until, one by one, the tenants begin to meet strange, untimely gruesome deaths.

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4.4 | 1h37m | R | en | Horror , Thriller | More Info
Released: March. 10,2005 | Released Producted By: Sidekick Entertainment , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A first time landlord purchases a run-down, rent-controlled apartment building in hopes of making a solid investment. Everything seems to be going smoothly until, one by one, the tenants begin to meet strange, untimely gruesome deaths.

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Cast

Judd Nelson , Jennifer Carpenter , Stacey Dash

Director

Carlos Osorio

Producted By

Sidekick Entertainment ,

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Reviews

jeffronthi Pros: We get a chance to see early Jennifer Carpenter at work, and it is very interesting to say the least. This movie is worth it for that reason alone. The actual script had potential, as far as the storyline goes, but no budget to speak of I imagine.Cons: Everything else. Oh, it's Judd Nelson alright, but it ain't vintage...I whole heartedly recommend this for Jennifer Carpenter, she has some serious chops. She's kinda hot in this movie, too, depending on what character she is playing.Get it, you have nothing better to do.
slayrrr666 "Lethal Eviction" is an underwhelming and dreadful slasher.**SPOILERS**Months after a tragic accident, Sarah Swinton, (Jennifer Carpenter) moves into a new apartment to keep an eye on her twin sister Tessie, (Jennifer Carpenter) who's having problems controlling her. When new owner Gus Winters, (James Avery) and his daughter Amanda, (Stacey Dash) take control of the building, the tenets begin to take the changes in as new rules are laid down. As the tenets get more used to each other, new tenet Bill Shepard, (Judd Nelson) moves in who has a history with Tessie, and soon the other tenets start to get killed off in brutal fashion. With more of the tenets disappearing, they start to discover a shocking secret about one of the tenets isn't who they've said to be and are the killer that's been lurking around the apartment.The Good News: This one here does manage to get in some good moments in when it tries to. This one's at its best when it details the stalking scenes in the end. The main chase at the end, where the three remaining tenets chase each over through several floors of the apartment. That it starts on the second one, goes through several rooms and then goes down to the basement for an extended chase down there as well. The action continues down there as well, with a great confrontation that really does a lot of good for the film. There's the obligatory stumble-across-the-victims routine, the fight with the killer and the revelation of the twist to the others who don't know it. That twist ending, while seen coming from a mile away and isn't that new, still manages to work over a few of the others out there and the characters manage to fall for it as well. There's even a few great deaths scenes, including one set on fire in a pool of paint thinner, another impaled on a mounted reindeer head's antlers, a stabbing in the neck with a butcher knife, drowning in a bathtub of water while the victim's paralyzed and more. All these elements are the only things going for it.The Bad News: This here is an incredibly underwhelming slasher with a lot going against it. One of the biggest problems is that it's sometimes hard to call this a slasher film. There's way too few a body count here than most would really allow, and that leaves a real dearth of kill scenes available here. The fact that they're spread so far out in the film is another thing to deal with. Because it stacks up the real deaths until the final third of the film and leaves nothing much before then to bump up the kills in the film. This is mainly due to the fact that most of the film is taken up using the story of the sisters and their relationship with each other. This takes up the majority of the second half of the movie and there's a few problems involved with it. The main one is that there's hardly any time in the film for any kills or deaths. This takes up a massive amount of time in the film and this is the biggest complaint about that. When it takes away from what the film's main agenda, which is to provide a lot of horror and scares, having the majority of the film devoted to doing something that's guaranteed not to deliver in those areas, and it really does stick out in the film. The other problem is that it sets up a twist that everyone can see coming due to the very nature of it being used. The very fact of including it in the film means that many know it will come into play, and it does, following through point-by-point exactly without fail, which is a real sad thing no matter what as there's absolutely no way that it will fool anyone. This is done pretty much according to how every version does it with no exception, and that doesn't give it any extra qualities. This, mainly, is the reason for the film's shortcomings.The Final Verdict: Mostly tied down for several big reasons, this is a really underwhelming and disappointing quasi-slasher. Only the most hardcore slasher fans are advised to check this one out, while it's big handicap will be the one that everyone really hammers it for.Rated R: Graphic Violence, Graphic Language and drug use
Scarecrow-88 The tenants of a decrepit apartment complex fall prey to a killer hidden slightly out of the camera frame with the viewer only getting a glimpse of hands and, at times, a shadowy figure in the darkness. The film's main focal point are "twins" Sarah and Tess who are staying in adjoining rooms but never seen together by anyone other than us(..and even that is through an oddly tilted mirror). Sarah is the quiet, kind, caring sister while Tess is a grungy, sad, volatile who was recently a member of a psychiatric facility. Amanda(Stacey Dash, who looks terrific), with assistance from dear old daddy, Gus(James Avery)is the new apartment manager who wishes to relieve herself of older tenants so that she can hike up the rent. Then there's Tess' former attending physician Dr. Sheppard(Judd Nelson)who has been having a recurring nightmare of his murder at the hands of his former patient. Shep will seek her out because he's afraid that Tess is still not mentally well and needs help. Soon a drug-pusher Sarah has a history with named Brian(Adam Huss), an old busybody, Elsa(Michael Learned), and two goofy friends of Brian's(Mark Shunock & Marshall Cook)are all potential victims. Sarah has a transvestite pal named Hector(Andy Martinez, Jr)& a new love-interest named Ian(Todd Babcock).Carpenter, in the leading "dual" roles, is pretty dreadful, Judd's had better hair days, the film lacks any suspense, is boring & cliché. Seek your entertainment elsewhere.
sammybsct I caught this film on Showtime - it's a tight little thriller with lots of twists and turns - some were obvious, others definitely were not. The plot revolves around a run-down apartment building where the tenants start meeting their makers after a new landlord buys the place. I loved Jennifer Carpenter's performance (I'd never seen her before), who had the tough job of playing two very different twin sisters, one of whom is completely psycho. Judd Nelson is also a nice surprise as a creepy psychiatrist who moves into the building. Most of the characters are interesting and the story moves quickly. The surprise ending is completely unexpected - I didn't see it coming at all. Definitely rent this film or catch it the next time it plays on cable. Well worth the 90 minute running time!