dougdoepke For a number of reasons I was prepared to dislike this movie. But in fact I found it a pleasant diversion and at times even charming, especially the little "getting acquainted" stroll down New York streets. Crooner LaRosa steps into his acting role in surprisingly skillful fashion and in other circumstances might have had a successful lightweight career. But I don't think his early appeal ever really recovered from accusations that he had dodged service in the Korean War or from his highly publicized run-in with TV impresario Arthur Godfrey. Bubbly Phyllis Newman adds a lot of personality and charm. Too bad, in my little book, that she made a career on TV instead of in movies where that sparkle could have been spotlighted. Also, Conrad Janis makes an effective, smooth-talking show business agent and foil for LaRosa. In fact, I learned quite a bit about the business side of the old record industry from the intelligent, non-sappy screenplay. To me, the musical acts are a matter of taste, but the revue does give later generations a chance to catch Danny & the Juniors' chart-topping rendition of "At the Hop", a true R&R classic. Yes indeed, R&R did pretty much replace ballads among teens and kill off popular TV shows like Your Hit Parade, a traditional Saturday evening staple. But it did revitalize a record industry clearly in need of new direction. Off hand, I can't recall a single popular ballad singer who made a successful transition to R&R, as LaRosa's character is trying to do here, but I could be wrong. Anyway, the movie remains an entertaining little window into a period when popular music was undergoing wrenchingly revolutionary change.

edagnew Other reviewers have discussed the music in detail. I would only like to say that there is great swing dancing in this movie. Especially the couple in the center of the screen. Some of their moves were astounding. From today's viewpoint it is ironic that some of the best examples of swing dancing on film is in these late 1950's rock in roll movies. At that time, however, many people thought rock was a new version of swing. About four years later rock went off in another direction, eliminating the saxophone and partner dancing. This, of course, eventually led to a rebellion against rock from 1995 to the present by many people who like to dance with a partner.

jcinefan Before rock stars went on huge concert tours and before teenagers had enough disposable income to attend such spectacles, Hollywood tried to offer recording stars exposure through cheap movies. LET'S ROCK is typical of the genre--the central idea (that mellow crooner Julius LaRosa could become a rock star) is ludicrous and the acting by LaRosa and Phyllis Newman close to amateur standards. But there are a couple of hits--Danny and The Juniors doing "At the Hop" is the highlight. Every time LaRosa tries to sing, you might as well fast forward. "Rock Around the Clock" remains the best of a bad lot.

Michael O'Keefe This should be titled "Try to Rock" or "Where is the Rock?". Julius LaRosa is a ballad singer whose record sales are slumping due to his stubborn dislike of the new sound. His manager(Conrad Janis) and song writing girlfriend(Phyllis Newman) do their best to convince him to try singing rock 'n' roll.The other performers are not great examples of the art form, because they too are not really rocking. Artists Paul Anka and Della Reese are pretty tame. DJ Wink Martindale comes across lame trying to swing out. Roy Hamilton's upbeat blues was marvelous. Danny & the Juniors and the Royal Teens are on target as a sign of the times.Note: Sure, Elvis is in the Army, but rock 'n' roll did not dry up and disappear. This could have been a whole lot better.