MartinHafer "Liane, Jungle Goddess" is a slight film but one that pubescent boys would generally love. This is because in this Tarzan knockoff, the queen of the jungle is a good looking teenage girl from runs around topless (and wearing little else) during the first portion of the film. It's the sort of film that they simply couldn't have made in the US at the time due to censorship laws and I wasn't surprised that it was a German film (dubbed into English).When the film begins, you see the usual stock footage of Africa--for the most part. It is less grainy and looks good, but it's also random--with Toucans (a South and Central American bird) and natives with blowguns (they use them in the Pacific and South America) in Africa! This sort of thing isn't that unusual in a 1940s and 50s jungle epic--and as I mentioned above, the quality of the footage is pretty good otherwise.A group of explorers learn that there is a white teen living in the jungle amongst 'those savages', so they kidnap her and take her back to civilization. A problem arises, however, when an unscrupulous man contemplates harming Liane because she might be the heir to a family fortune--and he's counting on having this money for himself. For this sort of movie, "Liane" is actually pretty good. While it's not a must-see or even a very good movie, it's a mildly enjoyable B-movie that has slipped into the public domain (and can be downloaded from the link on IMDb). My only serious reservation is that the actress playing Liane was only 16 and I worry that pervs might watch the film for all the wrong reasons. 12-18 year-old pervs are welcome...old creepy guys watching it are not!By the way, I was really surprised when one of the characters was referred to as 'Mr. Goehring'. Considering it was made only a little over a decade after the war, I certainly was not expecting to hear this name in a German film!

simnia-1 I first learned of this film in the 1980s while looking through hundreds of random movie stills for sale in a movie memorabilia store in Hollywood. One of those stills was of a young lady with a cute Hayley Mills type face, a lady labeled as Marion Michael, squatting down in her jungle outfit while performing a dance, her long blonde hair covering her breasts. "She's gorgeous!," I thought, "Who is she?" I later looked up the movie title mentioned on the still, along with her name, and tried to obtain the movie but it simply wasn't available back then. (I did find a few more stills of her and of this movie, however.) It wasn't until 2014 that I was finally able to see the movie on YouTube, and I wasn't disappointed.The movie left me with a good feeling, the same kind of homey jungle feeling I used to get as a kid when seeing Tarzan family movies from the '30s, and I thought about the movie the rest of the day. Admittedly it's clearly a B movie with a predictable, trite plot, and shallow, stereotypical characters, but the combination of several elements made it work well, in my opinion: a beautiful young lady in scanty clothing, pretty (California) jungle scenery, cool jungle drums, wildlife footage, a '50s style family movie feeling, amusing character foibles, downplayed violence, and a happy ending. There is a lot of atmosphere: a treehouse, a toucan, a cute lion cub, tikis, natives attacking with blowguns, several topless black tribal women with jiggling breasts as they beat on drums or dance, some fragments of spoken Swahili, etc. It has the look and feel of Adventureland in Disneyland, with jungle tents, a bicycle-powered generator for a Morse code radio, British pith helmets, rifles with scopes, palm-thatched native huts adorned with antlers, etc. I think it would be a great film for boys who are Tarzan fans if only parents weren't so prudish about breasts. Kudos to Germany for being less prudish than Americans regarding the human body, then and now: Marion Michael must've been only 16 or 17 when this was filmed.Some minor oddball weaknesses... The footage was oddly sped up in some places, especially to make it look as if Liane could climb a tree faster. (Old Tarzan films did the same thing, however.) Liane's treehouse is in a disappointingly barren tree with all its limbs cut off. The cranes-alligator-snake scene sequence was used in both the beginning and end, in absolutely identical footage (would it have been that difficult to at least show those same animals a few seconds later?). Toucans such as the toco toucan shown perched in the tree near the beginning aren't found on the African continent, only in tropical America. The pronunciations of Liane, Jacqueline, and Vodos/Wodos shifted constantly throughout the film.Some miscellaneous observations... Liane still looks great in shorts, abbreviated blouse, and swimsuit while living in civilization. It's clear by the plant species--pampas grass, Washingtonia palms, Canary Island Date Palms--that most of the jungle scenes were shot outdoors in some Southern California studio set, but I felt that added to the feel rather than detracted from it, since California vegetation is denser and more picturesque than African veldt vegetation, and it captured the feel of those great old Hollywood jungle sets of the 1930s. Most likely the native tribe (described as Vodos/Wodos) with its dances, drums, and food preparation wasn't authentic, but if not, it certainly looked very authentic to me. Nowadays it looks funny to see men and women lighting up stinky cigarettes right next to each other during romantic scenes, but this was made in the 1950s, and we've matured a lot since then, except that some of us men still prefer "pretty little bubbleheads," all the same!If you liked this film, films with a similar character you should check out are: "Sheena" (1984), "Tarzan and His Mate" (1934), "Little Indian, Big City" (1994), "Jungle 2 Jungle" (1997).

dlee2012 "Liane, Jungle Goddess" is a simple German Tarzan clone. Clearly aimed at the Saturday matinée market, it remains a worthwhile family film.It is a straightforward adventure story and was obviously made quite cheaply. There are few twists in the plot and there is a distinct lack of artistry in the storytelling and direction but it remains quite watchable after sixty years.The story tells of how white girl is found living amidst an African tribe and is rehabilitated to her family. As is so often the case in these stories, it emerges she is the granddaughter of a wealthy tycoon so, fairytale-like, she is set to inherit a fortune unless a jealous antagonist's plot is successful.The African tribes-people are initially treated as a marginalised "other" and have no voice in the initial stages of the film. It is only when one of them travels back to Germany with Liane does he gain a voice and he is shown to be an honourable protector. Nevertheless, throughout the black people are shown to be subservient to the white girl who leads them which is interesting given the film was made in a German still coming to terms with the horrific racial policies of its recent past.The early colour in the film is badly faded now. The sets are limited but emphasise the contrast between the rich western world and the jungle life but it condemns neither. Implicitly, though, there is the feeling the white girl belongs with the white people and that a return to civilisation is a better place for her.The initial mystery of Liane's origins is staged in a very rudimentary way, as is the plot at the end. More fun is seeing how she adapts to life in Hamburg and uses her jungle knowledge on her family estate.Marion Michael's acting is passable in a brave performance. Some other reviewers have raised the question of the nudity in the film. It is completely non-sexual in nature so conservative parents need have no concern. Indeed, there is no offensive material in this film at all, apart from possibly the representations of race mentioned above.Overall, this is a very workmanlike film and, on one level, it is sad to see how the German film industry had declined since the heady days of Fritz Land and the Weimar Republic. On the other hand, in its simplicity and wholesomeness, the film is clearly trying to capture something of innocence, an innocence that had been lost in the horrors of the Third Reich. Marion Michael herself was a refugee from Königsberg, evacuated as a child as her city was annihilated around her, so the fact that she was able to survive that absolutely horrific situation and find success in the film industry by personifying a character displaced yet holding onto a hopeful innocence, perhaps gave the German populace and, indeed, all of us a hope for humanity that the civilian victims of war may survive and overcome the trauma to create something so good and so wholesome.

ptb-8 LIANE JUNGLE GODDESS was released for the school holidays in Sydney Australia in January 1959 and rated G: as in FOR GENERAL EXHIBITION.. haha..it played for 3 weeks in the glorious starry ceiling CAPITOL theatre all 2337 seats, now the home of THE LION KING on stage. The ads for the first two weeks escaped press censorship and had the dear 17 babe NUDE on a rope, obviously swinging from tree to tree. Were'nt we liberated and having a laugh all those years ago. A later ad featured Liane, same pose, and in a drawn on polka dot bikini which means somebody complained. but who cares, by then the kids were back at school and The Capitol was running a double of...wait for it.. THE MUGGER + THE SNORKEL..... a molesters double that ran one ghastly week. Those were the days.....