Like the Clouds, Like the Wind

Like the Clouds, Like the Wind

1990 ""
Like the Clouds, Like the Wind
Like the Clouds, Like the Wind

Like the Clouds, Like the Wind

6.5 | 1h19m | en | Animation

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

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6.5 | 1h19m | en | Animation , Comedy , History | More Info
Released: March. 21,1990 | Released Producted By: Pierrot , YOMIKO Advertising Country: Japan Budget: 0 Revenue: 0 Official Website:
Synopsis

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

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Cast

Atsuko Takahata , Ikuko Tani , Yosuke Akimoto

Director

Yuji Ikeda

Producted By

Pierrot , YOMIKO Advertising

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Reviews

victor-serge During the 'dull, meandering' scenes people have mentioned, the film was laying out its politics, which I thought were great. This is the only anime I've seen where characters say it's natural for a man to love a man, or a woman to love a woman. And there's whole lot of cross-dressing and gender-bending going on, which Ginga treats as completely normal. I think this is a great anime for kids, which will counter some of the rigid masculine & feminine gender stereotypes so prevalent in most anime movies.There's also an interesting treatment of power politics. It's saying political power isn't worth it for its own sake, and it will destroy all who try to achieve it. So, although it's a film about a battle for the dynasty, it's a variation on the old "power corrupts" maxim. Which is, I think, another very positive message.
kep.bucket For three quarters of an hour, the story gradually develops towards a pivotal point of some sort. Although it is overburdened with scenes that just seem to be intended to dull the viewer and lure him away from the actual plot, there is something happening. It is not much and it certainly is not obvious. The combination of palace impressions and story-driving scenes do not add any depth or insight to the whole cast of characters. In fact, they keep them sterile as there is no character development at all. Everybody just remains spinning and centered around their own cliché and role - the cute, kinda headstrong girl; the fighting überwoman, the snobby aristocrat. The male lead does not seem to have any distinction at all, he is a shallow presence, which, actually, doesn't even matter as he is only there because the storyboard required him to - it seemed like he was on vacation and got caught up. When the point comes of turning the corner in terms of what happening, the movie first snaps completely blank for a couple of minutes and then becomes ridiculous. It solves - or better, dissolves - itself with a by-the-book Deus Ex Machina, more clichés and some of the most crude plot devices and choices I have ever seen. It's history, alright. First the movie's a drama though it's supposed to be comedic, and then it turns into a farce. The protagonists do what they are expected to do, and there are no surprises. The first set of somewhat serious antagonists however gets replaced by a couple that literally was just bored. Maybe that was some kind of nod towards the audience.This movie does not get any bonus from me for underlying philosophical meaning (since there is none) nor for its technical realization. The animation and editing is fair and so's the sound mixing; but it is by no means outstanding or even above the average Japanese productions of the late 1980's. In fact, the visual treats seem static, un-inspired and un-original.Worst of all - it totally fails to entertain, even if you don't bother with characters and all that stuff. There's too little going on here, and the rest is corny at best. Get a real Ghibli instead, have a feast with it and keep your fingers off this one.
leokitty-2 Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court.Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.
emasterslake I finally saw this movie for the first time ever. And it's an interesting work of anime.The story revolves in Ancient China when the Emperor died, his son becomes emperor and must seek candidates to be his wife also known as the Emperor's "Seihi".Word spread throughout the country putting attention to all the women who are interested in being the Emperor's wife. Ginga, a enthusiastic village girl wants to earn the Seihi title and live an easy life.Mano of the Eunuchs approved Ginga because she has a good figure. Only problem is she doesn't act much like a well behave lady. Mano tells her that in order for her to be the Emperor's wife she must have manners like a lady. So she attends the school with the other candidates who also want to be the Emperor's wife.They don't know what he looks like, so that way they'd study hard enough to see him face to face. But would a girl like Ginga be able to accomplish the title of "Seihi" greater than anything else? This movie is mistaken for a Ghibli movie because the character designs are similar to Katsuya Kondou's work who was involved in Miyazaki's works. And Ginga is considered to be the Chinese version of Kiki from Kiki's Delivery Service. The sad thing is this title isn't well known to international countries. And very few people know it exists.Probably because the story has little character development on the extra characters. And it's a TV movie that aired in Japan of 1990. It may not be close to being as perfect as a Miyazaki movie. But it does have some good moments to it including some humor and and well done animation.It's hard to know when there'll ever be a US release for it, but it can be viewed by Fansubs for the time being. I recommend it to those who like anime influenced on the Chinese culture, cause it has a basic historical events throughout the story.