Live and Let Die

Live and Let Die

1973 "Bond is back. Back in action. Back with excitement."
Live and Let Die
Live and Let Die

Live and Let Die

6.7 | 2h1m | PG | en | Adventure

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

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6.7 | 2h1m | PG | en | Adventure , Action , Thriller | More Info
Released: June. 27,1973 | Released Producted By: EON Productions , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: https://www.mgm.com/movies/live-and-let-die
Synopsis

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

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Cast

Roger Moore , Yaphet Kotto , Jane Seymour

Director

Stephen Hendrickson

Producted By

EON Productions ,

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Reviews

piratemanboy The best movie I saw of Bond with Roger Moore at the helm.Bond has to stop a Black drug dealer, who works with voodoo and witchcraft. An interesting and far better proposal than to blow up the world with nuclear weapons. The action scenes are electrifying enough and well assembled. The element of humor is here, and it is placed almost perfectly.If you talk about Jane Seymour, what a beautiful woman, with a cleavage to make a woman very envy. The crocodile scene is one of the best in movie history.The villain is one of the best I've ever see in the bond franchise,a villain that had a great desire to kill innocent people. A villain who deals with drugs and disgraces the lives of many. And still working with voodoo and witchcraft, could not exist anything better. Excellent and cohesive proposal. I highly recommend it.
Maynard Handley This is a truly amazing movie to watch in the year of Trump, and compare to the year it was made, 1973 so 43 years ago. I can't imagine that everyone involved had an explicit political message; rather they were just channeling the times. But damn, what times they were channeling. Every stereotype of "the other" you can imagine is here, and proudly displayed. Black men do, in fact, form a single organized cabal. They are intent on poisoning "us" all. They want to steal and deflower "our" women. They believe in strange savage cults and engage in ghastly rituals. Hell, in the last mass ritual scene I half expected the boiling pot to come out and a cannibalism trope to join everything else we'd seen so far. It's a weird weird mix --- think James Bond meets the Protocols of the Elders of Zion, with the word Jew find-and-replaced with Black. You have to see it to believe it.Oh, and of course the usual Bond formula is well established by now. We have the gadgets, the multiple different types of chases and fights, the underground lair, the stupid evil genius who cannot shut up about his evil plans and never just shoots his enemy the moment he see him. We even have the first prototype of that canonical Roger Moore James Bond villain, Jaws!If you're going to see just one early Bond movie, make it this one; if for no other reason than to see how much has changed (and how much hasn't) over forty+ years.
Filipe Neto Directed by Guy Hamilton and with a script by Tom Mankiewicz, this is the eighth film in the franchise and keeps Harry Saltzman and Albert Broccoli as producers. In this film, the first in which Roger Moore embodies the British spy, franchise tries to survive at two powerful factors of danger: the departure of Sean Connery after several years giving life to 007, and the unstoppable evolution of the world, with the seventies bringing a radical change in the audience. Thus, producers and screenwriter tried to attract new audiences, in particular the black public, attracted not only by black actors but also for some locations. Another subject that the film will address, and that was on the agenda during these times, are drugs and trafficking.In this film, the British agent will fight an American drug baron but gets lost in the black neighborhood of Harlem, where he cannot pass unnoticed and almost finds himself in danger. The track eventually leads Bond to Louisiana, where the persecution of bandits brings us the hilarious Sheriff J. W. Pepper, who worked not only as a film comic element but also as a severe criticism against the conservatism of white society in the southern states. We must remind ourselves that this movie was released at a time when American society was in deep transformation, largely thanks to the struggle of black society for respect, equality and civil rights, which were denied until then, particularly, in the South. The film then heads to the Caribbean, to an island that was probably inspired by Haiti and where the audience is faced with superstitions and beliefs as voodoo or magic.In these film, Roger Moore proved that could hold his role, and the agent could survive Sean Connery. In fact, he even manages to be much more English, while maintaining the habit of never losing his composure whatever the situation. The villains were in charge of Yaphet Kotto and Julius Harris, the latter in the role of Tee Hee, the man with the metal arm. Geoffrey Holder embodies the Baron Samedi, Haitian voodoo character who enters this film. The bond-girl was Jane Seymour, the role of the tarot reader Solitaire.For many people, "Live and Let Die" is one of the oddest films in the franchise because of the amount of unusual elements featuring: "blaxploitation", magic, voodoo, superstition, drugs. And these people aren't without reason. Today, this film is strange and doesn't leave many memories, like many films of the seventies. There are even those who think that is the worst movie of the franchise. Perhaps. But it helped to keep Bond alive and adapted him to a new era. For posterity stays the good performance of the elegant and humorous Roger Moore and the introduction song, written by Paul McCartney and who would receive, years later, a new life through the cover of Guns N'Roses.
KineticSeoul This won't be a classic like few previous Bond films with Sean Connery as the lead. But it does have it's moments and it has quite a bit of upgraded action sequences. Sure, some parts are still quite cheesy but it wasn't all that campy either this time around. This is a pretty decent outing for Roger Moore as the new James Bond for the new era. I think Roger Moore is quite a likable guy and it's not all that surprising why the producers wanted to keep him as Bond for such a long period. I mean Roger was like 45 when it took on the role of the International Men of Mystery. I even liked the opening and the opening theme song song for this installment. However Moore just didn't convince me as James Bond, he was a pacifist after all. He played Bond as this giddy normal guy than a cold super spy. He is watchable but just didn't convince me as Bond. I did like the setting though, which takes place in Louisiana, especially the New Orleans area. And Caribbean island while dealing with some supernatural stuff with some sort of voodoo chanting and dancing thrown into the mix. The plot isn't difficult to follow though and it has quite a bit of action sequences that entertains. I will say some parts just comes off a bit odd, I will even go as far as to call it weird during certain points in this movie, but it's coherent enough to make it work. It's like watching Scooby-Doo, except it's a James Bond Adventure. Overall this is a decent Bond film and a decent outing for Roger Moore. 7/10