Living on Tokyo Time

Living on Tokyo Time

1987 "She came to America and found the three R's: Romance, Rejection, Rock 'n Roll"
Living on Tokyo Time
Living on Tokyo Time

Living on Tokyo Time

6.4 | 1h23m | en | Comedy

When her visa expires, a young Japanese immigrant in San Francisco agrees to marry a Japanese-American boy to avoid being deported back to Japan.

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6.4 | 1h23m | en | Comedy , Romance | More Info
Released: August. 14,1987 | Released Producted By: Farallon Films , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

When her visa expires, a young Japanese immigrant in San Francisco agrees to marry a Japanese-American boy to avoid being deported back to Japan.

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Cast

Amy Hill , Ken Narasaki

Director

Steven Okazaki

Producted By

Farallon Films ,

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Reviews

texwebs UPDATE (2 March 2016)Just received email from the film's director in response to my email of Feb. 29th where I had visited production company's web site asking about film and lamenting the fact it was not available on DVD. NEWS! The director told me that "out of the blue, MGM has released the movie on DVD" and it is now available on Amazon.com! After a decade or so of wanting a DVD of this film, my wish has been answered. Thanks MGM.This is a sweet, simple, funny low budget movie that is nearly impossible to find and as far as I can tell only on VHS. I have my third VHS copy. Can't remember what happened to first one. Second one I bought cheap at a flea market and had no sound. I have seen a used copy or two for sale on eBay and Amazon.I used this film in teaching Freshman Comp II at a community college in the early 90s for several reasons, but partly due to its low key humor that includes contrasting a real Japanese (a girl) with a Japanese- American wannabe rocker who eats cold cereal rather than sushi.It's a quiet movie with no sex, cursing, drugs etc. Just some interesting characters and a cute leading actress. The lead female character narrates the film in a sweet voice.
Pro Jury *** May contain spoilers. *** If LIVING ON TOKYO TIME were some bold experiment where real-life wanna-be actors were given film parts on the condition that they would be required to take a combination of powerful prescription anti-anxiety, anti-depression, and anti-psychotic medications (this is the classic psych ward combo that renders patients into drooling zombies) all during filming, then this movie would hold far more interest. Or, if the film production was another type of experiment where all of the actors were sleep deprived before and during filming, then TOKYO TIME could be more easily explained.As it is, this film is filled with lifeless, low-energy actors. In the scene where the new husband was sitting on the stairs talking with his sister, it appeared that he was having trouble keeping his eyes open. In almost every scene he speaks his lines sitting down with every part of his body motionless. From beginning to end, his facial expression is best described as "near sleep."Fret not about the actors speaking over each other's lines because these actors can barely finish droning out any lines of dialog. Everyone speaks with a depressing, monotone voice. No laughing. No yelling. No vigor. No one has energy enough to crack a smile. The result: complete and total boredom.And it does not help matters that the direction is simple and amateurish.Avoid this lifeless film at all costs. Better to watch GREENCARD which has a similar plot and has charm and energy. Or, for an unconventional Japanese romance story, check out THE LONG VACATION which has an ample amount of everything LIVING ON TOKYO TIME does not.
Mark-129 While "Living on Tokyo Time" is highlighted with fine performances from the two leads and a real sense of realism and desperation, the main feeling I took away from my viewing was depression. Dreams and hopes are shattered in the story and perhaps in the real world there are no happy endings, but, that's why we have movies.
chinaskee This is a realistic,comedic look at a marriage of convenience between a Japanese-American man and a Japanese woman.Director Steven Okazaki does a great job of showing the culture clash between the Japanese-born Kyoto and the born in America Ken.All the performances are uniformly good.Minako Ohashi as the Japanese emigre Kyoto,turns in a knowing performance.You feel her alienation and loneliness throughout.There are some fine supporting roles here,notably Kate Connell,and Mitzie Abe,as Ken's sister.Director Okazaki wraps everything up with an unexpected,realistic ending.