MartinHafer
This slice of life film is set in a boarding house in a neighborhood in London just before WWII. Sprinkled throughout the home and the film are a wide variety of strange and interesting characters. So why do I only give the film a 5? Well, despite some clever writing and characters, the movie hinges on one character--a young idiot car thief (Richard Attenborough) who accidentally kills a lady. He clearly might not have meant to kill her but he was responsible for her death and he is no angel. Yet, inexplicably, the last portion of the film is all about a petition to obtain clemency for him. My feelings about this big portion of the film is who cares?! Had he been more likable or innocent, then it would have worked. As it is, the film is seeking empathy for someone simply not deserving it...and it weakens the entire film as a result. Not a terrible film and it is interesting, but ultimately it fails due to so much in the movie resting on this criminal case.
Malcolm Parker
An interesting narrative voyage, which truly defies a neat categorisation. The film points us in several different directions, but is constructed chiefly around the lives of Mr and Mrs Josser and their daughter Doris who live in the ground floor of No 10 Dulcimer Street in London in 1938 -39. Retiring after many years of loyal service at the same company, Mr Josser is looking forward to settling down with his wife in a small cottage in the country. With war on the horizon, convention might dictate that this would become a primary theme, however, like life, this film isn't like that - war does come, but to these ordinary folk, it's only a small part of the scenery. Instead we are given a wonderful tapestry of richly played intertwined vignettes. Some humorous, some dramatic but all of which serve to draw us in. Mr Josser and his family are often incidental to the main point of focus, but isn't that often just how life is!
miloc
This odd little comedy/drama from Sidney Gilliat doesn't really hold a lot of water, but does hold a fair amount of charm, as the motley occupants of a London boarding house rally in support of one of their own, a young would-be spiv arrested for murder. As the youth in question Attenborough is pop-eyed, guilt-wracked and hapless, eerily resembling a young Peter Lorre-- we feel sorry for him, though we may not empathize much. But the film's emotional shadings come from the older actors like Wylie Watson, Fay Compton, and Joyce Carey (no, not the novelist), who stand by the boy simply because they know it's the right thing to do.The plot's barely there, but there's a lovely eccentric atmosphere to it all, and also a juicy supporting bit for the great Alastair Sim. Hilariously morose, with a strange and seedy profession, his Mr. Squales would provide inspiration some seven years later for Alec Guinness's great turn in The Ladykillers, down to the overbite and the lank, terrible hair. Sim was a few years away yet from being the UK's most popular film star; he was the weirdest and most watchable of screen idols. He walks away with the film.
bagg10ns
I admit I was confused as I watched this film, was it a crime story, a black comedy, a political statement? But as the film went on, I realized it is so much more than that. It is about the people who live on Dulcimer Street on the brink of WWII. It is about a misguided, stupid, teenage boy, who loves his mother, a young girl about to become a woman, a man at the end of a dead end career who always thinks of others and has inner happiness. A rogue con man, a hungry middle age woman, an aging agitator, a policeman trapped by his superiors. All the different blends of true people of England, who come together against all odds to fight a battle already one. This is a film that captures the true spirit of being English. And that is what this film is about.
AD
