The Forsyte Saga

The Forsyte Saga

1967
The Forsyte Saga
The Forsyte Saga

The Forsyte Saga

8.5 | NR | en | Drama

The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.

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Seasons & Episodes

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EP26  Swan Song
Jul. 01,1967
Swan Song

The final episode of the series begins with an adulterous consummation, and ends in death. Jon succumbs to Fleur's seduction and immediately regrets his infidelity to his wife, Ann. It's apparent that Fleur will never give up, so Irene intercepts her at June's studio. Giving her a look at what the future will hold, she then drops a bombshell: Ann is pregnant with Jon's child. Soames advises a distraught Michael to stay the course, while Fleur must face the loss of Jon forever. A fire in Soames's picture gallery causes him a fatal injury, and as Fleur and Michael gingerly reconcile, Soames takes his final breath.

EP25  Portrait of Fleur
Jun. 24,1967
Portrait of Fleur

This moody episode illuminates Fleur’s restlessness, and Soames’s feelings of mortality. Looking toward the future, Soames installs young Butterfield in his law office to oversee Forsyte affairs, and alerts Fleur where he wishes to be buried. June’s current protege finishes a portrait of Ann, and begins separate pictures of Jon and Fleur. Holly asks Irene to settle with them, while Val deals with Stainford’s newest con, involving forgery.

EP24  Afternoon at Ascot
Jun. 17,1967
Afternoon at Ascot

June lobbies for Soames to commission a portrait of Fleur. Michael buries himself in social work, but cannot mask his anxiety regarding his marriage. Likewise, Ann fears she is no match for Jon’s first true love, Fleur. Stainford appears at Val’s, asking for a hand-out, and is seen lurking around Val’s prized racehorse. Fleur subtly manipulates circumstances to continually run into Jon, who has trouble resisting her coy advances.

EP23  Strike
Jun. 10,1967
Strike

Social fallout from the Ferrar case drives Fleur and Soames on a trip around the world. Michael joins them in Washington, DC, at the very moment when Irene, Jon, and Ann arrive. Soames narrowly averts a close encounter. Back in England, the General Strike of 1926 creates challenges and opportunities. Stainford, a down-and-out school chum of Val's, visits Winifred and pinches an antique snuffbox. Fleur runs a canteen for workers, as Jon and his family return to England for good. Michael seeks specifics about the family feud from June, while Fleur plans a chance meeting with Jon.

EP22  The Silver Spoon
Jun. 03,1967
The Silver Spoon

Michael and Fleur drift further apart as last ditch efforts to settle the libel case fail, and Ferrar vs. Mont is heard in court. The episode is dominated by the bruising cross-examination of Marjorie by Fleur’s attorney, who reveals the plaintiff’s true views on morality, views secretly shared by the Monts. A settlement is reached, but at great cost: Fleur and Michael are ostracized, while Marjorie becomes the victimized belle of the ball.

EP21  Action for Libel
May. 27,1967
Action for Libel

Marjorie Ferrar’s threats of libel action against Fleur are meant to extract money and a public apology, but Soames contrives to turn the tables and prove Marjorie guilty of immorality. American Francis Wilmot is torn between loyalty to Fleur and infatuation with Marjorie, who strings him along while secretly engaged to Sir Alexander McGowan, a hotheaded member of Parliament. Sir Alex heckles Michael’s maiden speech to the House introducing Fogartism, and a bathroom brawl follows. While Francis suffers with pneumonia, Fleur and Marjorie refuse to settle their differences.

EP20  A Silent Wooing
May. 20,1967
A Silent Wooing

The scene shifts briefly to the Carolinas, where Jon and Irene are guests of young Ann Wilmot and her brother Francis. A gentle romance blooms, and Jon marries Ann. Back in London, Michael is now a member of Parliament and is anxious to advance a new social program called Fogartism. Fleur busies herself throwing fashionable parties and entertaining the visiting Francis Wilmot. At one such affair, society flapper Marjorie Ferrar’s catty remarks about her hostess are overheard by Soames, who causes a scene by ejecting her from the house. The incident snowballs into a libel threat against Fleur.

EP19  No Retreat
May. 13,1967
No Retreat

Both Michael and Tony address issues of trust in their marriages. The Bickets leave the squalor of their London slum in favor of a new life in Australia. Elderson admits his larceny, then flees the country, leaving Soames and Bart facing charges at a contentious stock holders’ meeting. Holly makes a tentative move of friendship toward Fleur, who gives birth to a son, Kit.

EP18  Afternoon of a Dryad
Mar. 06,1967
Afternoon of a Dryad

As Michael is tortured by the thought that Fleur may be interested in Wilfred, he encounters June, who lets slip some family history: Fleur was on the rebound from her first great love when she married Michael. All negative thoughts are buried, however, when at long last, Fleur becomes pregnant. Elderson cans Butterfield for confiding in Soames, who feels guilty enough to secure a new job for Butterfield at Michael’s firm. Meanwhile, Victorine’s modeling has brought in enough money for the Bickets to immigrate to Australia, but not before Tony sees the nude portrait of his wife hanging in a gallery.

EP17  The White Monkey
Apr. 29,1967
The White Monkey

Wilfred confesses his love of Fleur to Michael, as Soames lobbies for a grandchild. The board of directors is slow to act, while Elderson’s subordinate Butterfield confirms Soames’s suspicions. Without her husband’s knowledge, Victorine Bicket agrees to pose nude for artist Aubrey Greene.

EP16  A Family Wedding
Apr. 22,1967
A Family Wedding

Jon and Irene relocate to Canada. On the rebound, Fleur marries Michael Mont, who assumes narration of the series. Two years and more pass, during which a new cast of characters arrives on the scene. Michael’s father Sir Lawrence (“Bart”) invites Soames to join the board of directors of an insurance company, where Soames is suspicious of the managing director, Elderson. Poor guttersnipe Bicket is sacked from his position at Michael’s publishing house, and is forced to sell balloons on the street to support his ailing wife, Victorine. Fleur flirts dangerously with Michael’s best friend, moody poet Wilfred Desert.

EP15  To Let
Apr. 15,1967
To Let

The annual cricket match between Eton and Harrow facilitates awkward encounters. Fleur scrambles to get Jon to the altar before he learns the truth behind the family feud. Before he dies, Jo finally tells Jon the entire story of his mother’s first marriage, her adultery, and her rape. Jon chooses Irene over Fleur, and they plan to move abroad, as Fleur, rejected and hurt, finds comfort from Michael Mont.

EP14  Conflict
Apr. 08,1967
Conflict

The elder Forsytes continue to hide the details of the family feud from Jon and Fleur. Michael Mont, the perky son of a baronet, courts Fleur and gains the respect of Soames, while Jo hides his ill health from Irene. Belgian profligate Profond discovers the truth behind the feud, courtesy of Forsyte cousin George. He begins an affair with Annette, and drops a bombshell on Fleur: her father was once married to Jon’s mother.

EP13  Encounter
Apr. 01,1967
Encounter

Twenty years have passed (the Great War slips by here) as the third generation of Forsytes takes center stage. Jon has grown into an earnest and naive young man who decides to train as a farmer at Holly and Val’s horse farm in Surrey. Fleur has become an impetuous, beautiful, thoroughly spoiled young woman. A chance meeting at June’s art gallery sets the stage for the relationship which will affect the remainder of the series. Fleur manipulates a visit to Holly and Val’s, where she and Jon become infatuated. Aware that a feud exists between their families, but ignorant of the specifics, they promise to hold onto their love forever.

EP12  Birth of a Forsyte
Feb. 25,1967
Birth of a Forsyte

Queen Victoria’s isn’t the only death in this episode which also includes births, marriages, and divorce. Young Jolly dies in South Africa, while his sister Holly and Val Dartie marry and decide to remain there. Soames’s divorce is granted, uncontested, and he hurries to marry Annette and sire a son. His cousin Jo beats him to the punch when he marries Irene, who gives birth to their own son, Jon. On James’s deathbed, Soames tells a bold lie to allow his father to die in peace. Annette’s pregnancy is a difficult one; she can have no more children. Soames is introduced to the newest Forsyte, his one and only child, Fleur.

EP11  In the Web
Mar. 18,1967
In the Web

Investigators shadowing Irene in Paris detect her growing affection for Jo, and gather enough evidence to proceed with Soames’s divorce. Val and Holly secretly become engaged, while Monty returns from Argentina, burnt out and broken. Against family advice, Winifred takes her wayward husband back. The Boer War galvanizes Uncle Timothy, and Val, Jolly, Holly, and June all head to South Africa to participate.

EP10  The Challenge
Mar. 11,1967
The Challenge

The South African Boer War creates anxiety for James, while Winifred and Soames attempt to extricate themselves from their marriages. Soames hires a private investigator to follow Irene, in hopes of gathering evidence for a divorce. Irene flees to Paris, where Jo joins her and begins to fall in love. Back home, Val and Holly continue their romance, despite Holly’s brother Jolly, who despises Val and challenges him to join him to fight in the Boer War. Soon Jo is summoned back to Robin Hill: Jolly is headed to South Africa.

EP9  In Chancery
Mar. 04,1967
In Chancery

Eight more years pass, during which Helene dies and June, now financially independent, strikes out on her own. Monty continues his profligate ways, stealing Winifred’s pearls and sailing for Buenos Aires with a Brazilian dancer. On the advice of her brother Soames, Winifred begins divorce proceedings, regretting that the scandal may affect her son Val, now at Oxford. Young Jo’s daughter, Holly, meets Val, and an attraction is sparked. Meanwhile, Soames meets Annette, a young French woman who would welcome a wealthy husband. Determined to remarry and have a son, Soames seeks out Irene, looking for grounds for divorce.

EP8  Indian Summer of a Forsyte
Feb. 25,1967
Indian Summer of a Forsyte

Distraught, destitute, and alone, Irene returns to Soames for one last night, then deserts him for good. Four years later, Jolyon and his family have settled into the house at Robin Hill. While the others are in Spain, Old Jo comes upon a melancholy Irene, sitting in the copse and remembering her love for Bosinney. A gentle friendship blooms between the old man and the fallen woman. Jolyon dies peacefully, but not before leaving a surprise in his will: a bequest for Irene.

EP7  Into the Dark
Feb. 18,1967
Into the Dark

A thick fog envelops London, masking tragedy. Irene waits to run away with Bosinney, who is driven to distraction when hearing the news of Irene's rape. The next day, the Forsyte men gather en masse to support Soames, as the case of Forsyte vs. Bosinney is heard in court. The defendant is nowhere to be found, and he loses the case. June begs Old Jo to save Bosinney by purchasing the house at Robin Hill, now finished but empty. Brothers Old Jo and James, and their sons Young Jo and Soames, gather at the morgue to identify a man who was run down by a carriage in the fog; it is Bosinney.

EP6  Decisions
Feb. 11,1967
Decisions

As the affair between Irene and Bosinney becomes more and more public, Soames threatens legal action against the architect regarding cost overruns at Robin Hill. June hides her confusion with stubborn allegiance to Bosinney, while, enraged and frustrated, Soames violently asserts his marital rights.

EP5  A Man of Property
Feb. 04,1967
A Man of Property

Winifred’s spendthrift husband Monty continues to rack up debts, while Soames has bigger marital problems. Attempting to improve his disastrous marriage, Soames engages Bosinney to build a mansion for Irene at Robin Hill, a country estate far removed from London. June suspects what Soames does not, that a powerful attraction exists between Irene and Bosinney. The attraction ignites a sexual liaison. Meanwhile, Old Jo surprises his son and Helene at their modest home, and attempts to mend the rift in the family. Young Jo astounds his relatives by attending the funeral of the eldest Forsyte, Aunt Ann.

EP4  Dinner at Swithin's
Jan. 28,1967
Dinner at Swithin's

Several years have passed, and the family is abuzz over the engagement of young June Forsyte to bohemian architect Phillip Bosinney. June’s best friend and confidante, Irene, endures an icy marriage to Soames, but sexual sparks fly when she and Bosinney meet. In the poorer part of town, Helene’s extreme guilt over keeping Jo from his daughter June is making her ill, while the estranged Old and Young Jo take tentative steps toward reconciliation.

EP3  The Pursuit of Happiness
Jan. 21,1967
The Pursuit of Happiness

Two sons are born. Winifred and her profligate husband Monty must appeal to her father James to ease Monty’s debts, as Winifred gives birth to her son, Val. The accidental death of Young Jo’s first wife allows Jo and Helene to legally marry. Helene gives birth to the third generation of Jolyon Forsytes, nicknamed Jolly, while Old Jo assumes parental authority over granddaughter June. Soames methodically and relentlessly pursues an unwilling Irene, who finally accepts his marriage proposal, but with one condition: that he release her from the marriage if they are not happy. Their wedding night sets the stage for despair ahead.

EP2  A Family Scandal
Jan. 14,1967
A Family Scandal

Young Jo’s decision to divorce his wife to live with Helene and their child shocks the family, and causes Old Jo to adjust his will in favor of his granddaughter June. Elsewhere, stuffy lawyer Soames Forsyte is enchanted with young but penniless Irene Herrin, whose ethereal beauty will be the catalyst for much of the series.

EP1  A Family Festival
Jan. 07,1967
A Family Festival

The elder generation of Forsytes gather at Uncle Timothy's to exchange gossip about two of the younger members of the family: James's daughter Winifred is engaged to the charming but financially questionable Montague Dartie, while Jolyon's married son, Jo, commits adultery with the Austrian governess, Helene. Old Jo overhears the gossip at Winifred's wedding, while Helene has bittersweet news for Young Jo: they are going to have a child.

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8.5 | NR | en | Drama | More Info
Released: 1967-01-07 | Released Producted By: BBC Television Centre , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/p00t62yc
Synopsis

The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.

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Cast

Eric Porter , Susan Hampshire , Nyree Dawn Porter

Director

Donald Wilson

Producted By

BBC Television Centre ,

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Reviews

didi-5 'The Forsyte Saga', made in 1967, and one of the last programmes to be filmed in black and white, is part of television legend. On its first showing in the UK it gripped the nation and even made a recorded impact on the National Grid (one which has been a benchmark ever since).Based on a series of books by John Galsworthy, and set over a period of more than 30 years, the tale follows a family of property, the Forsytes, and their trials and tribulations during the Victorian age, the Edwardian age, the First World War, the Great Strike of 1926, and other milestones. It covers new industry, the art world, the smart set, the world of politics and boardrooms, the legal profession, and the status of servants, all in a bottom-numbing 26 hours, should you watch it all in one go.Beautifully scripted and directed, and daring not just for its own time but in all television (with Soames rape of Irene), this finely cast drama lives up to its well-deserved reputation. Kenneth More as Jo and Eric Porter as Soames stand out in a cast who complement each other perfectly. There are no wrong notes and no weak moments throughout the saga.As regards Galsworthy's books, the writers do an admirable job of filling them out with appropriate dialogue and in setting the scene so perfectly you can almost imagine yourself in middle-class England when people still stood for the Queen and refused to serve a court notice on a woman. In the three generations of the central Forsyte branch (old Jolyon, Jo, and his sons Jolly and Jon) we see a changing world with changing priorities ... while in the relationship between Soames and Irene we get a chance to feel sympathy, empathy, and change our perspective as the series progresses.A wonderful series, presented on DVD in a beautiful transfer with lots of extras from the time (such as Cliff Michelmore on 'Talkback' and sections from 'Late Night Line Up').
behrens-4 In the early years of the last century, John Galsworthy wrote nine novels, divided into three trilogies. "The Man of Property," "In Chancery" and "To Let" formed the first trilogy, which he called "The Forsyte Saga." The second group, "The White Monkey," "The Silver Swan" and "Swan Song" formed "A Modern Comedy." Finally "Maid in Waiting," "Flowering Wilderness" and "One More River" made up the last group called "End of the Chapter."The first three books concentrated on the property-driven first generation Forsyte men, whose world was broken up by a beautiful woman called Irene, "a concretion of disturbing Beauty impinging on a possessive world," as Galsworthy puts it in his preface. But it is also a saga that brings us from the Victorian world in the 1880s up to the 1920s when the new generation finds new values. Now this is very difficult stuff to reduce to a miniseries, but that is what BBC did quite successfully back in the 1960s and the television audience on both sides of the Atlantic went wild. For half a year, given a 50-minute episode each week for 26 weeks, they sat fascinated as they watched the fortunes of the Forsytes, man and woman, grasping, losing, growing older, having children who suffered from what their parents had done, some finding happiness at last, some settling for second best, but all interesting and very human. It is said that the idea of British miniseries based on famous novels is what prompted PBS to create Masterpiece Theatre to satisfy the demand. (Coincidentally, at the time of this writing, the very first Masterpiece Theatre, "The First Churchills," is due at the time of this writing to come out on DVD from Acorn Media!) I am sure many of you have watched the first third of the new version of "The Forsyte Saga" complete with color, the obligatory scenes in bed, and horse manure carefully piled up in the streets of London. Be advised that the 1967 version is a studio version, with several location shots, in glorious black and white, with a cast that is simply hard to beat or even match, and a tendency to be wonderfully addictive. I have viewed the DVD version on 7 discs released by Warner Home Video on the BBC label. (Yes, that is 1300 minutes in all, followed by 2 hours of spellbinding, often extremely funny, "bonus" material on the 7th disc.) If you prefer video tapes, the series comes in two sets: The First Generation on 6 tapes, The Second Generation on 7 tapes. They do not contain any of the extra material, so be advised. Technically, the picture has been beautifully restored except for a second here and there when there is a slight blur, perhaps 10 seconds worth out of more than 21 hours hours, and now and then the sound does get a bit fuzzy. In fact, I remember that being true when this series was first telecast, so that is no fault of this restoration. The major stars are Eric Porter (Soames Forstye), Nyree Dawn Porter (Irene), Kenneth Moore (young Jolyon Forsyte), and a pretty actress who made her reputation in this series, Susan Hampshire. I cannot begin to list the rest, all of which you can catch during the end titles and much of which you can find on the Internet Movie Data Base. Porter plays to perfection the "unlovable" man who cannot understand why he is so; and as the story unfolds, his partial mellowing, as played by Porter, is an example to all "modern" actors. In the book, Irene is seen only through the consciousness of the other characters, and as good as Ms. Porter looks as Irene, her acting is a touch wooden for such a catalytic character. Still she looks far more striking than her counterpart in the 2002 version. Galsworthy has been compared with Thackery, but he does not quite have the sweep of that earlier author. Still, the scene at a party after a lawsuit in which the loser is attracting all the attention while the winners are being cold-shouldered by their so-called friends is both painful and telling. (In fact, if it makes you think of "Chicago," you can see how far ahead Galsworthy was in his estimation of how we treat "morality.") Of course this is high class soap opera, but the production values are quite good for a 1967 studio production, the acting superb, and the dialogue a bit more intelligent than you will find in the afternoon on commercial series. This set, on tapes or DVDs, is a real "grabbit." It afforded me nearly 22 hours of viewing pleasure and will do the same for you.
edward wilgar I was absolutely delighted to have an opportunity recently to see the original `Forsyte Saga' on the ‘Ovation' channel on cable TV in Australia.Forget the recent remake and after about ten minutes you'll certainly forget that this is thirty-odd years old and made in black and white. Maybe its high-class soap opera but even so its all class.Truly a saga spanning four or five generations, the story is dominated by Eric Porter's Soames, the cold venal rapist who eventually commands our grudging respect and the truly beautiful Irene played by Nyree Dawn Porter, Soames' victim who later finds love. And then there's Susan Hampshire's pretty but totally selfish Fleur, drawing you eye whenever she's on-screen. Incidentally, Nicholas Pennell plays Fleur's husband as if he was Wilfred Hyde-White in My Fair Lady! There are many other major characters, all well portrayed and you'll really care what happens to them.Even the make-up of the two Porters is worth a word of praise as they age convincingly.A minor criticism I could make is the rather eccentric recording of the sound. The dialogue level soars and drops as if the microphones were concealed in flowerpots like the early talkies. Doors slam loudly and there are unidentified knocks and bangs in the background.See this masterpiece of television if you can, I don't think it has been bettered.
Mister-UHF `The Forsyte Saga' was a landmark in the history of television, not just in the UK, but globally. It was apparently the first miniseries to be produced anywhere. It was produced in part to start up the BBC's highbrow BBC2 channel. It was the BBC's most ambitious and expensive series up to that time. It was also the BBC's last major production in black and white, although plenty of color publicity stills were shot for it and BBC2 was intended to inaugurate color television in Britain. The series was originally aired in early 1967 on BBC2, coinciding with the 100th anniversary of author John Galsworthy's birth. It was so popular that it was quickly repeated on the more popular BBC1 channel. The series' popularity was phenomenal. The entire country seemed to rearrange its collective schedule around the show and the streets were empty when it was on. In the following years, the BBC would produce a slew of other period piece miniseries such as `The Six Wives of Henry VIII' and `Elizabeth R.' Britain's commercial network, Independent Television (ITV), got into the act with works like `Upstairs, Downstairs.'`The Forsyte Saga' was exported and had a major impact abroad. Networks in other countries were soon producing their own period miniseries. `The Forsyte Saga' was the first television series from a Western country to be shown in the Soviet Union.`The Forsyte Saga' was first shown in the United States in 1969 on the National Educational Television (NET) network and was its first prime time hit. It was repeated on NET's successor, the Public Broadcasting Service (PBS), which was soon importing and airing similar series under the `Masterpiece Theatre' banner. A few years later, the commercial networks (ABC, CBS, and NBC) were busy producing their own period miniseries like `Rich Man, Poor Man' and `Once An Eagle.'`The Forsyte Saga' had a profound influence on the careers of its cast. It greatly boosted the fortunes of Eric Porter, Nyree Dawn Porter, and Margaret Tyzack, made Susan Hampshire the uncrowned queen of BBC2, and gave Michael York and Martin Jarvis their big breaks. The series gave Kenneth More his best role during the long and inexplicable twilight of his career. On the other hand, June Barry, Dalia Penn, and Nicholas Pennell all had prominent parts in the series, but were little seen in subsequent years.In fact, the same can be said about the series itself. `The Forsyte Saga' hasn't been aired in the Washington, D.C., area in 20 or more years and is currently not available in this country on video or DVD. Its importance in television history is great and undisputed, but it's now spoken about more than seen.