B_sides_B While I was on a long local bus ride in Cambodia, the driver decided to play this movie for the passengers. In the beginning I was totally uninterested and not really paying attention, since I misjudged this as something overly sentimental and cheap. But gradually I got pulled into the epic and beautiful story. This movie just has it all: a sense of history, a sense of wonder, spiritualism, action, romance, humor, music and dance. There is room for many different moods, which follow each other in a very natural way. Almost unknown in the self-centered West, I think this movie deserves way more praise.

Avinash Patalay "Magadheera" is an indigenous product from our own very soil with significant portion of the plot inspired by bedtime tales of taatayya/ naanamma/ ammama and presented on screen at a lavish scale bench-marked by likes of "Gladiator"/ "300". Without an iota of doubt, "Magadheera" is a praise- worthy effort for the top-class CGI's that transports the audience straight into the period era. Next to CGI I am afraid everything comes to a grinding halt. The entire team seems to have been obsessed with over-the-top production values that nobody bothered to tap even a single shoulder and ask "Where is the plot heading dude?". It would be an understatement to mention the writing has holes as the proceedings give an impression that the impromptu scribbling act was attempted on the set a few minutes before the shot was canned. The editor I am sure made a silent prayer with every stitch that logic remains unquestioned by the audience. Songs by Keeravani don't quite rise upto the expectations. The action sequences are well executed though. Ѻ Kajal Agarwal:: The new poster-girl on the block, thanks to the good looks. It was evident that she attempts to cover up her acting skills with her coy expressions. Undoubtedly Ms. Kajal is good as "Indira" but sadly a misfit to pull-off the regal character of "Yuvarani Mitravinda Devi". On that note, perhaps there was a good opportunity for heroine #2 to stage an entry (on the lines of every papa Chiranjeevi's movie).Ѻ Rao Ramesh:: Brings in the stage-like performance coupled with his makeup, gait and hissing dialogue delivery to breathe life into the character of "Aghora". Ѻ Mumait Khan:: Attempts to displace "Disco Shanti" in the garb of "Bangaru Kodi Petta" remix. On behalf of the fans of the original version, do I need to spell the word "foul"?Ѻ Suneel & Brahmanandam were merely a force-fit into the storyline. The appalling act in the name of comedy was easily dispensable. Ѻ Kim Sharma:: Her item song was clearly a force-fit.Ѻ Dev Gill:: Has got what is takes to breathe a menacingly evil re- incarnate into life. Stands out clearly and now that Sonu Sood has found glory in his own hamlet, perhaps Dev Gill should consider filling in his shoes.Ѻ Sarathbabu:: Though a short role but effortlessly essayed.Ѻ Srihari:: Again the writing is at lowest ebb with regards to fleshing out the character of "Sher Khan/ Solomon". Dropping straight into the climax out-of-the-blue is cinematic liberties at its best. Ѻ Chiranjeevi:: Reprises his persona of mega-star with his signature style, signature dialogues and signature mannerism in a cameo which can be best described as "There you go son, my fan-base is now all yours. Entice them!". Encapsulating father-son in the same screen space is nothing more than a Kodak moment.And finally about....Ѻ Ram Charan Teja:: Every heir to a legacy wishes for a wand which could make the comparison go away and magically exceeds expectations. If such did exist I am sure Chiranjeevi Junior would have been the highest bidder. Under the garb of technical brilliance everything gets pushed under the carpet, which includes his performance. Chiru's fans might be benevolent this time and a few times more, but in order to stay in business he needs to build his own army of loyal soldiers. Ram Charan Teja clearly has miles to go before papa can sleep.

Lakshmi Kant Pradhan Basically i am north Indian and i mostly see Bollywood movie and a common north Indian think that south industries they can only make action movie. before two year i started to see south Indian movie from Bommarillu and than i became a huge fan of this industries honestly they not just maintain there story with there tradition emotion and all. I have seen historical movie b4 like troy gladiator patriot Alexander Jodha Akbar Veer but this movie is mind-blowing basically for youth and young generation So i am going to say that Tollywood can too ahead from Bollywood and i fill proud to be that they can made movie like this. specially thanks to S.S.Rajamouli and Vijayendra Prasad for there super-work with minimum facility's & scope in India. i am waiting for there forthcoming movie. My Rating 10/10..super.

john_thespartan I just watched the whole movie even without going bathroom. It was really a hell of a movie. I haven't seen anything like in Indian film history. I am from kerala and usually i don't like Telugu films except allu arjuns movies. I don't know Telugu language but even then also i really enjoyed a lot. Kudos to the team of this movie. And i am now a fan of ram charan teja.the start of the movie was surprising but after 10 minutes it changed to different. But the first 15 minutes seemed little bit boring to me. I mean very very little. the love scenes between ram and kajal was very beautiful. And i literally had goosebumps on the scene where teja chase the bus in a horse. Songs were good. The real excitement begins after the interval. From there the movie is like, like? i cant describe it in words. The 100 men fight scene was excellent though its inspired from 300 which is also my one of favourite movies. All in all this is something special!!!