tenshi_ippikiookami Horrible girl, ill-advised girl, disturbing girl... Anything but magical."Magical girl" has an easily understood plot, which still makes not much sense, because everything is symbolic and with various layers. Which makes the story, quite disturbing to start with, think of itself in a too highly way.It all goes about a young girl, who is sick, and who would like to have a dress from an anime, a Japanese animation series. Her father, decides to do whatever, but whatever, to get her the dress.That everyone in this movie has some kind of mental problem, or is in mental pain, is quite obvious. The young girl is probably the sanest in all the story. Too bad we are all the time with the creepy father, a young woman with a dark past, who has a very controlling and creepy husband, and a creepy old teacher of her who has just been released from prison. All characters are quite creepy. And this without taking into account the constant hammering of symbols, which also have a strange patriotic tinge to it (bullfighting to justify that Spaniards are not like the Nordic people but neither like Italians or Latinos?; the very Spanish music or the TV playing a Spanish selection match...).So, the movie seems to say that people in pain or who see people in pain may do crazy things. It could also be about the sick girl and everything be about her illness. Or about the young woman and the very sick life she has had till that moment (and all the "nice" men that surround her). In the end, magic is conspicuous by its absence, but creepiness overstays its welcome, as the movie is two hours long.

JvH48 Saw this at the Rotterdam film festival 2015 (IFFR). In short: Unbalanced and illogical all over. Apparently hoping that the feel-good aspects of the story let us overlook all its faults. Anyway, It did not jerk any of my tears.The narrative left more than a few uncharted fields, and focused on other things that I deem mere side-ways. Important aspects of the underlying drama are not revealed to us, like why Barbara's past is so scary for Damian, and what her "psychological" issues exactly were (quote from IFFR website) or why she is a "disturbed girl" (quote from IMDb). The magical trick we see in school, in one of the openings scenes, is not enough to connect the dots later on. Similarly unclarified, we see how Damian reacts on Barbara's phone call, but leaving his defiant attitude devoid of any explanation. He seems just scared for unknown reasons. And near the finale, after learning how Barbara and the girl's father met and (!) that he stayed overnight, he freaks out, even to the extent that his attitude towards the father turns 180 degrees, all of that still for reasons unknown.That the father goes at any length to fulfill his ailing daughter's last wish, may be understandable as this is what parents do. But what we see happening here is certainly over-the-top. He does not even make an attempt to verify whether her wish still exists, as this could have been a short-lived dream from years ago. I admit that I'm trying to be rational here, but I never was a father, so what do I know.Finally, I am prepared to overlook how very coincidental our three protagonists meet each other. It is convoluted, but it could have happened this way, including the loose piece of the jigsaw puzzle lying on the street. On the other hand, the time devoted to all these side-ways would have been better spent on extra background information on the three. The synopsis on the festival website was a required read, yet insufficient to grasp all of the drama that enfolds in two hours time. We are withheld from being pulled in by the story, and also are being prevented from identifying ourselves with either one of the main characters, not even with the father who would be the obvious candidate for our sympathy.

Ajit Tiwari This film begins as a fairly common story, a story that in times of crisis anyone can feel absolutely identified. Luis is an unemployed literature professor who is barely able to make his end meet. He wants to fulfill the last wish of his 12-year-old daughter Alicia, patient of terminal cancer. Alicia wants an expensive dress of Japanese cartoon series "Magical Girl Yukiko". On the other hand, the film introduces us to Barbara, a young woman who suffers from mental disorders and Damian a retired teacher doing time in jail. Three people in extreme conditions seem to move in a parallel universe where violence and pain dominate, but in a poetic way. In the universe of Vermouth, everyone is guilty and everyone is innocent. Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.It would be easy to fill pages and pages about the virtues of "Magical Girl", but it is a little complicated to do without uncovering some of the many surprises of the film. Because in reality, it is much more than a story where lives intersect and the storm broke. It is a framework where the details are taken care to detail. The music appears only when it is needed.Jose Sacristan, Barbara Lennie and Luis Bermejo not need more than one scene to explain the most accurate descriptions of screenplay. Lucia Pollan, a revelation, it is amazing to see her purity and innocence overshadowed by the situation.What is bad, however, is that all these mixed ingredients in the same bowl can roll back to a kind of niche audience more accustomed to these kinds of films. As for the end, it is open to many interpretations, which can leave the viewer confused, but will give us the opportunity to look, to find our own explanation to what is happening.Magical Girl talks about violence and sadness using the rules of a film noir, with many subtle references of Japanese cinema.

mutanteradiante (No spoilers in this review, but a couple of ideas who try to illustrate why I've liked this film) Well, despite the fact that many scenes on this film are quite disturbing, viewers could enjoy a demanding and appealing work from Carlos Vermut.And this is the kind of movie who would let you quite astonished for many reasons. One of these is revealed when you check how violent a scene could be not showing any graphic violence at all, thanks to a wonderful script who works very, very well throughout all the film: this is, indeed, a basic part in Magical Girl, a script designed as a precise swiss machinery. It even works great on many parts who requires a little suspension of disbelief from the part of the viewer. But once you're inside, you remain there.Magical Girl's power reside on the high complex (but also extremely fluid) multi-layered and interconnected scenes. Quite similar as in Pulp Fiction film (by the way... it would be great to know Tarantino's opinion about Magical Girl).Also, as it happens on real life, you could witness the huge impact that a "butterfly effect" could provoke. This is very well shown on the film, and it would remain long time on many viewers thoughts.I really want to know what would be next director's projects, I'm sure that he's going to tune his skills, offering us an interesting filmography.Go watch it, Magical girl is a well crafted artifact. But beware, as it's NOT intended for young audiences, but adult ones.