Leofwine_draca I suppose you could define MANHATTAN CHASE as a watershed moment in action cinema given that it's the last movie directed by the infamous and inimitable Godfrey Ho before he retired from the movies. Ho had previously shot Cynthia Rothrock in a couple of well-remembered action vehicles from the early 1990s entitled HONOUR AND GLORY and UNDEFEATABLE; both were classic so-bad-it's-good cinema with some surprisingly good fight scenes.MANHATTAN CHASE aims to offer more of the same although with diminishing results. Ho couldn't sell the film to a distributor in America and Hong Kong wasn't interested either, so this is one of Rothrock's more obscure movies. The actress is on autopilot here although her fight scenes are typically exciting, and she's partnered with fellow B-movie star Loren Avedon for the plot.The story sees the pair going up against the usual criminal gang types and there's plentiful action, most of it very cheesy in terms of stunts and staging. An early alleyway fight in which Rothrock tackles a couple of purse snatchers is very well staged and looks like it belongs in one of Corey Yuen's fight flicks of the 1980s. Outside of the action the film is really bad and the acting entirely wooden. You'll be chuckling at the scene in which Avedon gives his kid an old Gameboy for a gift; this film was made in 2000 so the technology is at least a decade out of date and I'm not sure the kid would be best pleased!

The_Phantom_Projectionist MANHATTAN CHASE is technically a Hong Kong movie, though only as much as director Godfrey Ho's previous US-set features HONOR AND GLORY and UNDEFEATABLE are Hong Kong movies. While stylistically similar, MANHATTAN CHASE does not share any of the joyful goofiness that made those films cult classics, and is actually pretty dark. This is Ho's "serious" action-drama, and while substantially better than his worst work, this one scrambles for an average rating. It gets it, mostly due to the scrappy strength of its action content, but I have a hard time recommending this one.The story: After being released from prison, an ex-gangster (Loren Avedon) finds himself on the opposite side of crime when he becomes involved in a matter of stolen heroin.A king of unintentional surrealism like Godfrey Ho probably had to restrain himself considerably to film a story as "normal" as this. The closest we get to a taste of his trademark buffoonery is a scene wherein a boy on rollerblades is kidnapped by two thugs, also on rollerblades, and costar Cynthia Rothrock chases after them on a motorized scooter. A ton of poor acting will give cheese-lovers reason to chuckle, but overall, this is clearly supposed to be a serious crime story…and I have to admit, I hate it. The depressing portrayal of female characters crosses a boundary of taste. Though Rothrock co-leads and remains as cool as one would expect, the film's world is excessively antagonistic towards women otherwise: if female characters are not being terrorized, assaulted, or murdered with abandon, they're scapegoated for the story's dumb turns. Additionally, minority characters face a fierce rate of mortality. These trends come across as dramatic shorthand for "this is gritty and realistic," but their gratuitousness pushes the film into exploitation territory and tarnishes the viewing experience.The action content is this feature's saving grace, and a few more additions to the seven full-length fights would probably have pushed this one to a higher score. The filmmakers are clearly working with little more than the skill of the stunt ensemble, and luckily, this is conducive to the Hong Kong-style of action. Coordinator and costar Steve Tartalia does very well in maximizing his resources, and though Avedon and Rothrock have had better fights against flashier opponents, they personally look close to their best, here. A scene wherein Cynthia chases down a couple of purse-snatchers probably could not have been done much better even in Hong Kong in 1986, and a mid-movie brawl between Loren and Tartalia is particularly satisfying. The feature also introduces Roberto Gutierrez to the screen, who has not done any film work since but whose wushu moves are especially eye-catching.I'm pleased that Loren Avedon is given a chance to flex his acting muscles a bit, even if his Brooklyn accent is as evasive as anything Kevin Costner has ever attempted, but the movie he's in just isn't that great. Fluctuating production values add to the list of detriments chipping away at the film's quality, and even though nothing bearing the name of Godfrey Ho should be regarded with more than modest expectations, this one still falls short. For die-hards, only!

Comeuppance Reviews Manhattan Chase, not to be confused with Chase Manhattan Bank, is the tale of Jason Reed (Avedon), a man who just got out of prison after six years. He's intent on re-forming his bond with his young son Tommy (Robin Berry), a terminally depressed tot with serious back posture issues. While on the road to fixing up his life, he runs into a woman named Jennifer (Zanzarella) who is on the run from armed thugs and killers because they think she has a cache of missing drugs. So, naturally, the next step is for the three of them to move into an apartment with Jason's buddy Victor (Roberto Gutierrez). Meanwhile, Tommy's mom is still in the picture, and her sister Nancy (Rothrock) is a tough NYC cop. Will Jason reunite the family? Will the baddies stop their harassment of our heroes? Find out today? In the canon of Godfrey Ho's shot-in-America phase of his career, we have Honor and Glory and Undefeatable (both 1993), but, based on the presence of Loren Avedon here, perhaps this one should have been called "Unlikable". If we could single out one major flaw in Manhattan Chase, it's Avedon. His smug smarminess is smeared all over the screen from the first second we see him. And the constant, annoying smirk he keeps on his face would put him right at home in the late-night Comedy Central lineup. We should also add that this movie is highly interactive. Every time he speaks, the overwhelming urge to shout "SHUT UP!" is just too strong to suppress. The fact that he somewhat resembles Jeff Speakman, but also rocks the denim-shirt-and-denim-jeans look of Jay Leno, perhaps makes him the first Jay Speakman in history. Or maybe Jeff Leno. But as demonstrated in Collision Course (1989), Jay Leno is a better action star than Avedon.Or, to look at it another way, the movie needed more Rothrock. Her scenes, as usual, are gold. She's attractive, likable, charming, and a great Martial Artist. What more could you ask for in an actress? She should have been the main star. Even the kid who played Tommy, who never appeared in anything else, wipes the screen with Avedon. What's this guy's problem? Why does he have such a terrible attitude? You're working with Godfrey Ho, dude! You're living the dream! Stop acting like such a D-bag and, much like Tommy's spine, you should really straighten up. Tommy gets a bunch of quotable lines throughout the movie, and while Zanzarella did a fine job as Jennifer, Gina Carano would have been great for that role. Of course, because it's set in New York, the characters hang out near the Statue of Liberty, like all true New Yorkers do.But, lest we forget, this is a Godfrey Ho movie, after all. There's all the funny, sped-up motion, silly reactions, disjointed plot elements, and styles of acting you see nowhere else in cinema. And because it's Ho in NYC, the time-honored Final Field Fight takes place in Central Park. His take on the NYC locations is indeed unique, and because the movie was shot in 1998, we see movie marquees advertising Bulworth (1998) and Dr. Dolittle (1998). Strangely, and awesomely, as a sort of reconciliation present after his time in jail, Jason gives Tommy a Game Boy. An old-school one from the 80's. In 1998. While most kids his age at that time were playing their PlayStation 1's, Tommy had to make do. It's a tough life.Manhattan Chase never got a U.S. VHS release, as it was clear by that time the golden age of the action movie, the video store, and the whole DTV era was over. It was a very interesting, transitional time. Maybe it's all the fault of the unnamed theme song that plays throughout the movie, a tune with a hip-hop beat , and the only lyrics are "1, 2, 3, 4", "Yeah!" and "Break it Up" - all said, inexplicably, in a duck voice. A DUCK VOICE. The end well and truly was nigh for DTV.

redleader2008 Oh boy I've just watched this and to say I was sorely disappointed would be an understatement.Initially I was drawn to this film via Godfrey Ho, especially his films set in the USA. His double whammy of "Honor and Glory" (which featured the entire cast that would return in "Undefeatable" but playing different roles) and of course Undefeatable itself.The latter film to me is "The Godfather" of unintentional laughing fits that induced me to put Undefeatable up there as a genuine classic film, 5 star (or 10 star IMDb) for inventing a new genre of movie.Even you took all the unintentional funny bits from all the obscure, guilty pleasures, dusty Video Rental VHS you'd watched; put them into one film, it still wouldn't be a patch on Undefeatable.Honor and Glory was no picnic either coming a close second.I was asked by my room-mates to take my headphones out of my laptop whilst watching it at night- as the volume of my laughter was LOUDER than the film itself!So naturally I was looking forward to "Manhatten Chase".The first sign of this being a traditional Godfrey Ho film is the picture quality. Despite the film being made in 1999 it appears to have been shot in the early 1980s with the usual grainy, dark transfer. If it weren't for a scene featuring a guy walking past a cinema advertising Deep Impact or Doctor Dolittle you'd choose the latter decade.I'm not sure what cameras or film Godfrey Ho's Production Team use but they should have tried Home Video Camcorders! However the similarity ends there.As soon as the film started this is when I dosed off. It was just plain boring and if I'm not mistaken I think after a career spanning 30 years of ridicule Godfrey hired a different scriptwriter to make a "proper" movie (or at least one that wouldn't make you laugh unintentionally). Something to do with a girl whose entire family are brutally massacred in front of her because of stolen, pushed drugs, I dunno; I was too busy checking e-mails, forum posts, Facebook to notice.Loren "I'm still waiting for THAT phonecall" Avedon who hadn't made, his much touted, big break after 1991's King of the Kickboxers and the previous No Retreat No Surrender sequels (all produced by the other perennial grainy film makers Seasonal Films) stars in this.His role is a (miscast) Mafia Hit-man and all round family man who after being busted by Cynthia Rothrock (who as usual is not the main star, nor a major character despite the DVD cover) decides to play a bigger part in his sons development after being released from prison.If anything Loren Avedon's ability as a Martial Artist, his much noted charisma, likability and knowing how to look cool whilst firing a gun adds an additional question mark over why Avedon never got better roles. The fact this was made 8 years after King of the Kickboxers doesn't hamper Avedon's enthusiasm for Manhatten Chases' shoe string production and inevitable limited release.So do you want to know if Manhatten Chase is a laugh-a-minute, bona fide "classic" like previous works Undefeatable and Honor and Glory? After all that is Godfrey Ho's specialty, whether he is aware of it or not. The answer sadly is no. I didn't "laugh out loud" once during this film.There are some "daft" moments such as Loren Avedon wearing a Baraclava and holding a high powered sniper rifle during broad daylight in a park. However knowing that this film has no budget its obvious a night-time shoot permit with security would've been too expensive.Yes I too thought Cynthia Rothrock on a Power Scooter that goes slower than jogging pace to chase bad guys on roller blades was a daft option considering her character trips over a peddle bike she could've used instead.But thats it. The only other scene is where Loren Avedon's character hands his son a reconciliation present; a 1990 Black and White Nintendo Gameboy! Even in 1999 it was considered a defunct portable console, succeeded by Playstations, N64s etc.Godfrey Ho retired from film after making this his last. It doesn't bare any trademarks to any of his previous films and I guess if Undefeatable was "The Godfather", Honor and Glory was "The Godfather part 2" then Manhattan Chase is "Robocop 3".PS: I couldn't find this movie anywhere neither on VHS, DVD on Ebay, Amazon or anywhere they didn't even have a listing for it. My guess was it was withdrawn from mainstream video release. I wouldn't bother hunting it down.