JohnHowardReid Lupe Velez (Carmelita), Leon Errol (Lord Epping/Uncle Matt), Walter Reed (Dennis Lindsay), Elizabeth Risdon (Aunt Della), Lydia Bilbrook (Lady Epping), Hugh Beaumont (George Sharpe), Aileen Carlyle (Mrs Pettibone), Alan Carney (bartender), Marietta Canty (Carmelita's maid), Wally Brown (desk clerk), Charles Coleman (Epping butler), Eddie Dew (Sheriff Walters), Don Kramer, Dorothy Rogers, George Rogers (dancers), Patti Brill (bellgirl), Bud Geary, Duke Green (deputies), June Booth (nurse), Eddie Borden (messenger boy), Barbara Hale (girl at airport), George Plues (stage driver), Ann Summers, Margie Stewart, Mary Halsey, Margaret Landry, Rita Corday, Joan Barclay (bits), Robert Anderson (Captain Rogers), Ruth Lee (Mrs Walters), Anne O'Neal (orphanage director), Billy Edward Reed (attendant). Director: LESLIE GOODWINS. Screenplay: Charles E. Roberts, Dane Lussier. Strory; Charles E. Roberts. Film editor: Harry Marker. Photography: Jack Mackenzie. Art directors: Albert S. D'Agostino, Walter E. Keller. Set decorators: Darrell Silvera, Harley Miller. Music directed by Constantin Bakaleinikoff. Assistant director: James Casey. Sound recording: Terry Kellum. Sound re-recording: James G. Stewart. RCA Sound System. Producer: Bert Gilroy. Copyright 11 July 1943 by RKO-Radio Pictures, Inc. No recorded New York opening. U.S. release: 17 July 1943. Australian release: 13 January 1944. 5,789 feet. 63 minutes. COMMENT: Despite guest appearances by Alan Carney and Wally Brown, plus the re-appearance of Charles Coleman (albeit as a different butler), this last entry rates as neither the best nor the worst of the series. Negative elements include some misplaced wartime patriotism (if the writers really wanted to introduce all the "Anchors Aweigh" rah-rah-rah, why not make it part of the "contract-must-be-signed" plot? It's hard to believe the principals are still haggling about this stupid radio advertising contract seven pictures later), and a rather threadbare "misunderstanding" which doesn't stand up to close scrutiny unless we accept the fact that Dennis is an idiot. He is, of course, but this reduces our sympathy and interest in him to zero. Certainly he makes a typical naval officer, as feather-brained as they come, but I don't think this was the script's intention. Epping is supposed to be the dope, but his actions and reactions are far less asinine. Throwing the plot further off balance is the strong performance by Hugh Beaumont who makes his villain so likable and personable, we are genuinely sorry to see him lose out at the end.It's good to recorcd that Miss Velez rises to the occasion nobly. She dances up a storm too.

mark.waltz While actress Lupe Velez's life would not end up on a happy note, the series and character for which she is best remembered would tie things up, hopefully happy. It was the end of Carmelita but not for Lord Epping who, with Leon Errol repeating the part, ended up as a short film several years later.The film here starts off with confusion for Dennis Lindsay, now in the Merchant Marines, and on leave to finalize some business with Lord Epping. Errol is in more scenes here as both Uncle Matt and Lord Epping, although they are never in the same frame at the same time, only with a double as Uncle Matt while the camera is focused on Lord Epping. A telegram arrives for Dennis to notify him from Carmelita that they have just had a "little blessed event". Believing that Carmelita just had a baby, they rush to the Arizona resort where she's staying, unaware that the "blessed event" is a tiger kitten, not a human baby.Of course, this gets one of Dennis's business rivals scheming to get Lord Epping to sign a contract, and this is where Uncle Matt must disguise himself as the British nobleman one more time. Every time this happens though, Carmelita reminds him of "the time you put on the goat face". The time? He did it several times in each of the 8 movies in the series, utilizing his rubber-legged comical ability over and over again. When Carmelita colors an Indian wig blonde, she refers to the "dyed" hair as "dead", one of the best malapropisms in the film.This isn't as funny as previous entries, but of course, it is a bit more touching knowing that Velez would never play this part again, and there's a very funny scene towards the end where Errol, as Lord Epping, not Matthew in disguise as the business rival thought, is dunked in a well as part of punishment for the supposed kidnapping of the local sheriff's new baby. Then, Carmelita comes in to make her announcement, which proves that's all's well that ends well. Of course, Uncle Matt gets his own revenge here against the business rival, the storyline which seems straight out of something you'd see on "Bewitched".

jaykay-10 The last of the series, and not the best, but kudos to Lupe Velez, who was unique and never better than in this series. Leon Errol's rather nondescript film career was capped by his brilliant comic creation of Lord Epping. What an unlikely pair...but they are terrific together.

logan2445 This was the 2nd MEXICAN SPITFIRE film that I saw and, although I loved MEXICAN SPITFIRE OUT WEST (my 1st)this film and every other subsequent MEXICAN SPITFIRE seemed like I already saw it... talk about beating a dead horse. Lupe Valez is comic as can be as Carmelitta, and teaming her up with Leon Errol makes for a great comedy team. It is a shame that the Lord Epping theme was over worked or this entire series would rate an 8 with me. If you've seen one, You've seen them all.