killy_nl I never read any Michel Vaillant comic book. Maybe this is the reason why I found this film so great: the sound of roaring cars, the pictures of the silent sky, slow motion on details, expressive colours and a thrilling plot. Two enemies, Vaillant and Leader teams, see each other again after 13 years during the 24h of Le Mans, ready for a showdown. While the Leader team never heard about fair play, Michel Vaillant tries to make the best out of a desperate situation. 15 Minutes before the end of the race it seems that he has no chance at all to win the race ... So, if you like racing games (e.g. Project Gotham Racing) this film is a must. After watching it, grab your joystick or wheel , charge Forza Motorsport ans blast your enemies !

michaelsuan First of all I would just like to say that I'm a graduate of the film arts and am currently working as'a commercial/mtv director, so its safe to say that I know a thing or too about film making. I truly believe after watching this film in its original French release that this is without a doubt the best Racing film ever, and probably will remain so for a very long time. Not since Wong Kar Wai's "Ashes of Time" has a film been able to stun me with it's flawless shot composition, breath taking cinematography and frame accurate editing. For those who complain about it's predictable story and poor dubbing. All I have to say are two things; first this ain't a suspense thriller or political drama its a RACING MOVIE so don't expect "The Sixth Sense", second if your a real film enthusiast or anybody who respects a directors work, you would never lower yourself to watching a dubbed film. But then again this film is so gorgeous that anybody with half an eye for cinematography can enjoy it without ever understanding a single word. Now back to the film. First thing that comes to mind when your watching this movie is STYLE, whats a decent racing movie without style to back it up. This film is just oozing with COOL from the very first frame to the very last. I can honestly say that not a single frame in the movie looked plain or boring. The look of this film is something straight out of a fancy BMW commercial.Every shot in this film seems to have been lit picture perfect, that if you were to jump in at anytime you'd think your watching a fancy watch commercial or something. This may not be good for all films but works perfectly for this one. The shots in this film some of most breath taking you'll ever see, things like a butterfly flapping its wings as the cars are about to take off, and Michel Vaillant sitting in a room filled with rotating fans as he contemplates the death of his friend. These are just a few examples, but the list goes on and on. This is one of the few commercial film directors out there who seems to understand the concept of using artistic cut aways and beautiful inserts in juxtaposition to actual story shots in order the give a film flare. The directors use of music and non story oriented shots such as the cutaways to the clear open skies, or the rippling of a cup of coffee, or a drop of rain falling onto someone's shades really help to elevate this films worth.An finally this film has some of most incredible racing sequences ever caught on film from virtually every angle you can ever imagine in virtually every atmosphere you can think of. From rain to snow, from pavement to mountainous terrains this film has it all. So for car addicts you'll be in for treat. Oh and the actors and actresses in this film are how should I say too cool almost like everyone's straight out of GQ magazine which may be bad for other films but really works for this film cause it really helps to build up that Racing mystique of beautiful cars and beautiful people. After watching this film you'll wanna put on a new Zegna suit and take a hot babe around the block in your brand new Lotus, but then again not all of us have that luxury.

bandofoutsiders During my teenage years I was a fan of the Michel Vaillant-comics. This was the only reason I went to see the movie. I feared the worst and my expectations were fulfilled. The only thing this movie has to offer are a few decently filmed race scenes (the ones in the mountains). Forget the lousy screenplay and other major flaws. The dubbing is what finally kills the movie. There may be a French and an international version, but the latter is a complete mess-up. French actors speaking English (with a French accent); other French actors' voices are dubbed into British English or American English (at random : they have Steve Warson's sister (Irish ?) speaking with an American accent); only Steve Warson's character has a decent British accent, simply because the actor himself is British.How could this mess come about ? Simple, they wanted to sell the film to an international (read English-speaking) audience. Shame on you, Luc Besson, for getting involved in this disastrous film project!

jimraynor This movie is strangely uneven. On the one hand, all the shots on a racetrack or whenever somebody drives a car are very nicely shot and framed. But when it's a transition scene, it has the look and terrible acting of a third-zone TV feature. Some shots are not even really in focus ! Furthermore, all the post-production dubbing of the foreign actors is quite off, and the story has some big plot holes. For instance, why don't they even try to call the police ? What's left is a movie with some pretty girls, very nice cars and some good action sequences. Not that bad, but not enough to make a good movie.