PureLombardi Lauded by the NYC Independent Film Festival by winning "Best Narrative Feature" as well as a decent bit of favourable reviews, Mile End is an unsurely conveyed, but ultimately fascinating, production that interweaves relatable themes with skillful execution that all boils down to a semi-successful character study. Mile End follows Paul (Alex Humes), a simple and reserved man who questions his competence after suddenly getting fired from his job. Unknowing of the future, he finds solace and self-improvement in marathon running. During one jog, Paul meets John (Mark Arnold), an upbeat and philosophical American man. They both discuss topics such as struggle and employment, and eventually become friends. John's outlook on life revolves around bending the rules, which he follows to a fault. Humes is decent as an everyman who suddenly gets his life turned around by one person (a trope we should see more). However, notably outshining Humes, Arnold steals the show by giving a performance that demonstrates two sides to his persona. One side is a friendly Jack Lemmon-esque character that simply wants to help, and the other is unexpectedly psychotic. It is impressive to convey a sense of initial likability and then turn that into equal uneasiness for the character. This other persona paves a way for Mile End's shocking tonal transmute that is chilling but sometimes slightly unfitting. I did not presume that a film about marathon running would turn into a psychological thriller, but it does this effectively enough given the unusual running theme.Production values are crisp and polished in Mile End. Anna Valdez-Hanks shoots the backdrop of East London with care and precision, leaving it to be a reminder of many people's harsh world of unemployment. Ed Scolding sets the score and it undertones the film very well, with credits due to his first attempt at a feature film.It is a shame, then, that it does not feel like one entity since the indie film tries to establish its chain of events with scattershot pacing and a forgettable script (if you discount the few well-written analogies and expressions about ambition and adversities). A lack of good supporting performances and characters also level it down, but Mile End is an entertaining thriller that provides viewers with enough intelligence to figure out reveals and nuances that even David Fincher would be proud of. Run into this and you will not look back.

gofinbar Made redundant Paul {Andrew Humes) life is a mess. While out running he meets John (Mark Arnold). They strike up an unlikely friendship and things seem to take a turn for the good. However, John's behavior becomes erratic even obsessive taking Paul on a more sinister downward journey with unexpected results. Higgins brings us a tension that simmers just beneath the surface holds our attention. A visually thought provoking film with sold performances from the cast makes this movie worth your time. Winner Best Feature NYC Independent Film festival 2016, Winner Best film Melbourne Indie Film Festival 2016, Best UK Feature Raindance Film Festival Nominee 2015. Look forward to more from this writer/director.

getmiller-19684 It's a while since I've been genuinely startled during a film - but this gripping thriller did just that. The two lead characters are beautifully drawn, and I found the development of their relationship engrossing. The complex and sinister story line keeps you engaged and guessing well beyond the end of the film. We were still discussing various plot conundrums long after we arrived home. Beautifully shot in East London, this independent film was made on a shoe-string budget, but looks like a million dollars! I'm not surprised it was nominated for Best Feature at the Raindance Film Festival. Highly recommended.

Caroline Turner This is a great film. It's such a pleasure to see a film where all the elements come together as perfectly as they do in Mile End. Great casting – I enjoyed the contrast between the leads: one of them so self-contained and desperate to break out of the limiting and mundane nine to five world he finds himself trapped within; and the other so open and genial on the surface but ultimately looking for a 'friend' to drag into his murky, dark and dangerous world. Arnold particularly gave a convincing and expertly controlled performance as the troubled and damaged John. The clever writing created a totally plausible relationship between the two of them and the tension built steadily throughout keeping me gripped to the end. I loved the photography and those big London vistas - good to see the East end for a change. And I only jumped out of my seat once! Would definitely recommend this.