Richard Lyons
This is a fab little gem as the posters say. I didn't quite know what to expect as this isn't a thriller, nor is it a horror or for that matter much of a costume drama. What unfold here is almost a playlette but in a real location. TP McKenna is a powerful Henry despite being towards the end of his life and every inch the king. Nice to see a different take on the usual school history version of Henry and his wives. That said the wives do make an appearance but a the less said here the better save for spoilers. I liked this film and think that if you are in the right mood you will connect with it. For those willing to try something away from the bodice ripping TV movie versions of Henry (all gelled back hair and waxed chests) this makes for a pleasant change and at least has something to say. Shot on a shoe string over just a few weeks make the achievement all the more impressive. This film has certainly been through the wars, having been released in the late 90s to not much ado and then lost. The extras on the DVD reveal the fascinating story of the original camera negative and how this was the key to this HD remastered release which hits cinemas again some twenty years after its first bow.
Freddie Young
It seems that every now and then Henry VIII and his wives pop back up in a historical retelling. Yes these are either stuffed to the gills costume dramas or are a bed hopping teenage romance on TV. John Walsh's Monarch is neither. This take on the most fearsome of English kings is more like Hammer House of Horror meets The Downfall. Set in one night, with a handful of players this economic drama bristles with first feature optimism from a director who went on you carve out a career in ground breaking documentaries. Great to see this getting a second look and with a spit and polish normally reserved for big Hollywood blockbusters, Monarch and its central performance from TP McKenna will now be preserved for future generations. Despite the film's humble origins, TP's performance can sit comfortably alongside, those of Richard Burton, Keith Michell and Robert Shaw.
maura-walsh
I'm surprised none of the other reviews here so far have spotted that this film is a bit of a Doctor Who-fest. An average film might have 50 or so in it's cast and if there was an odd actor who appeared in from the 50 year old sci-fi series, it would not be too much of a surprise. What is startling here is we have a cast of about eight leading players and half of them have been in Doctor Who.Peter Miles played the evil Nyder in Genesis of the Daleks and appeared in the Dinosaur Invasion of Earth, plus a few others. James Coombes was a Cyberman and Jean Marsh (who plays a ghostly Queen here) was in her evil witch persona for the Sylvester McCoy epic Battlefield. Plus she was also an early Who girl and married Jon Pertwee. Lastly the Monarch form this film's title, the great and sadly late, TP McKenna joined the seventh Doctor for The Greatest Show In The Galaxy.Has this film been given a spit and polish form the vast film archives of the British Cinema vaults to coincide with the 50th Anniversary hoopla? Either way it's a welcome addition. And having seen John Walsh's furiously funny ToryBoy The Movie in cinemas, I am a fan pure and simple. He gets my vote every time :)
Stephen McKenna
The late T.P. McKenna will soon be making a comeback of sorts with the re-release of 'Monarch' on blu-ray. This was a film feature he made in 1996 for John Walsh making his drama debut. The enterprising young graduate of the London Film School aimed high with a part-fact/part-fiction account of an isolated King Henry VIII in the last year of his life who, after he is injured on a hunting trip, is forced to take refuge in a strange manor house, well away from the protection of his palaces and his court. There are fears of enemies within and without the walls as the king glowers in a virtual state of persecution. In his delirium a conflation of his wives attends his bedside (all played by Jean Marsh). Even Ebenezer Scrooge only had to cope with three ghosts in the one night. Cinematographer, Ray Andrew (noted for his camera work on The Shining, Das Boot and An American Werewolf In London) enhances the film's tension with a subdued, almost Stygian lighting plot providing each frame with a painterly quality. This is an assured feature film debut by John Walsh, however, it might be said to be a matter of regret that his notable successes as an award-winning documentary film maker have kept him from following up on his success with Monarch. Perhaps, with the restoration of the original negative for its blu-Ray release, Walsh will be inspired to return to the dramatic form. For now, a distinct gem of a movie has been remounted and will soon be ready for a whole new audience.
AD
