My Sister Eileen

My Sister Eileen

1942 "NOW ON THE SCREEN! THE STAGE HIT THAT CONVULSED BROADWAY AND THE NATION !"
My Sister Eileen
My Sister Eileen

My Sister Eileen

7 | 1h36m | NR | en | Comedy

Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans.

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7 | 1h36m | NR | en | Comedy | More Info
Released: September. 24,1942 | Released Producted By: Columbia Pictures , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two end up living in a dismal basement apartment in Greenwich Village, where a parade of odd characters are constantly breezing in and out. The women also meet up with magazine editor Bob Baker, who takes a personal interest in helping both with their career plans.

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Cast

Rosalind Russell , Brian Aherne , Janet Blair

Director

Lionel Banks

Producted By

Columbia Pictures ,

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Reviews

moonspinner55 Ruth McKenney's series of autobiographical articles about siblings from Columbus, Ohio relocated to wacky Greenwich Village was initially turned into a play before this movie version (it later went back to the stage as the musical "Wonderful Town", winning a Tony award for Rosalind Russell), and in 1955 was filmed again as "My Sister Eileen" with the songs. Russell appears here as Ruth (the smart, savvy sister who longs to be a writer) and Janet Blair is sister Eileen (the pretty blonde with hopes of becoming an actress). They move into the noisiest hovel in New York, with a steady stream of foot-traffic and neighbors who barge in without knocking. Some of these characters are colorful, though the comic craziness is pitched a little high, and everyone overacts (cheerfully). Russell (who got an Oscar nomination for her dryly bemused performance) sports an awful potato-chip hairstyle which must have been all the rage in 1942; her double takes and facial exaggerations are often very funny, and she plays well off Blair (they take turns playing the jester and the straight-face). Is it ridiculous and over-the-top? Absolutely. But when the results are this friendly, it's useless to complain. **1/2 from ****
Neil Doyle ROSALIND RUSSELL was always at her best in comedies and here she had a role that got her an Oscar nomination for Best Actress in 1942--and it's easy to see why. She's downright hilarious as the gal from Ohio with writing ambitions and a pretty blonde sister (JANET BLAIR) with a penchant for attracting men and trouble.All the wacky situations stem from their Greenwich Village basement apartment which seems to have more visitors than Grand Central Station. It's all exaggerated fluff, but it works, thanks to a fine cast and sterling performances.RICHARD QUINE and GORDON JONES do repeats of their Broadway roles, and DONALD MacBRIDE as a policeman who wants quiet on his route is hilarious. JUNE HAVOC makes a brief appearance as a medium who used to live in the girls' apartment. GEORGE TOBIAS, as the opportunistic landlord with the Greek accent, is at his funniest in a colorful supporting role.My favorite moment is the conga sequence with Russell and Blair trying to get rid of sailors who don't speak a word of English, creating a disturbance that lands Blair in jail. Janet Blair is pleasant as the blonde bombshell but it's Russell who milks the most out of her role and gets all the laughs. She's terrific.BRIAN AHERNE does what he can with the role of the talkative editor, but it's not much of a part. Still, he adds a certain debonair charm to the role.Summing up: Notable chiefly as a terrific vehicle for Russell's unique brand of comic talent.
Enrique Sanchez I saw it this evening and just had to say something. Of course, this play must have been fun...and at times you realize that the use of very few settings is kind of familiar. And so it had been a play and some of the supporting characters were in the original Broadway play.But this is Rosalind's vehicle all the way. And she was rightfully nominated for an Oscar. It is the kind of performance that just sparkles. Her timing is positively impeccable. Everything she ever did had that unmistakable charm and flawless comedic timing that always makes you wonder if there is any other way to play a scene! There are many romps in this lively comedy and none is played to staleness. Not even the grand finale which I really shouldn't spoil because it came out of left field for me! I would have never ever expected it to end like this! Suffice it to say that I was literally jolted - as if something that didn't belong suddenly intruded into the movie. But it was a fitting if not slapstick ending that will bring a chuckle and a gasp to everyone.See it! It's fun!
F Gwynplaine MacIntyre 'My Sister Eileen' is based on true incidents. Ruth and Eileen McKenney were sisters from a small town in Ohio who came to New York City: Ruth intending to become an author, Eileen hoping to be an actress. Although Ruth McKenney sold a few magazine pieces, her most successful work was her series of fictionalised articles about the misadventures of her younger sister Eileen. The stories themselves have been out of print for many years, but they provided the basis for a popular play, 'My Sister Eileen' (NOT written by Ruth McKenney), which was a long-running Broadway hit and which has remained in print ever since. Ruth McKenney ironically gained fame and wealth from a play written by two other people, based on her stories.The real Eileen McKenney ended badly. A pretty actress with more looks than talent, she married the overrated screenwriter Nathanael West and she died alongside him in West's fatal car accident.The 1942 film 'My Sister Eileen' is a faithful (and funny) version of the Broadway hit, although it bears only slight resemblance to the real-life exploits of sisters Ruth and Eileen McKenney (here renamed Sherwood). Rather unusually, this movie was made at Columbia Studios *during* the play's Broadway run. Two of the best performances here are given by actors repeating their stage roles: Gordon Jones as an obsessive football player named 'The Wreck', and Richard Quine as nice young man Frank Lippincott, who fancies Eileen.Small-town sisters Ruth and Eileen come to the big city. Ruth (Rosalind Russell) is smart, cynical, and doesn't need a man. Eileen (Janet Blair) is naive and pretty and attracts all the lads. Because the sisters haven't got much money, the only place they can afford is a basement flat in Greenwich Village, owned by a crooked landlord named Appopolous (George Tobias, not up to his usual high standard here). The flat is directly above a subway tunnel, where construction workers are blasting with dynamite: at regular intervals, the whole building shakes. Worse luck, the previous tenant was a young lady who (ahem!) rented by the hour, and so Ruth and Eileen are constantly plagued with male visitors who assume that their apartment is still, erm, open for business. Ruth and Eileen have no end of misadventures while trying to start their careers as, respectively, a journalist and an actress.BIG SPOILER STARTING NOW. The last gag in this movie is absolutely hilarious. All through the film, we hear the sounds of the subway navvies directly under Ruth's and Eileen's apartment. At the very end of this movie, a jackhammer pokes up through the floor and three construction workers emerge. When they pull off their helmets, we see that they're Moe, Larry and Curly! Moe lambastes his two 'knucklehead' workmates while the soundtrack starts playing the 'Three Stooges' theme tune!In 1953, Betty Comden and Adolph Green approached Rosalind Russell to star in a Broadway musical version of 'My Sister Eileen' with music by Leonard Bernstein, to be called 'Wonderful Town'. (The original title wasn't legally available.) I really dislike 'Wonderful Town': it has a score which I consider extremely pretentious. Rosalind Russell, to her credit, had no illusions about her own song-and-dance abilities. 'Wonderful Town' was never filmed, because Columbia had retained the musical rights ... and they made their OWN musical version in 1955, with tunes by Jule Styne that are vastly better than anything "Lenny" Bernstein ever wrote. Interestingly, Richard Quine (who hed acted in the original film and the Broadway cast) directed the musical remake, and his role as Frank Lippincott was taken over by Bob Fosse, giving his best performance as an actor and choreographing some snappy dance numbers as well. I strongly recommend both film versions of 'My Sister Eileen', which is more than I can say for the overrated 'Wonderful Town'. I'll rate this 1942 version 9 points out of 10. Well done!