Randy H. Farb
Let's see, a father and a daughter in a remote location. They are visited by strangers who arrived their by a transportation accident and stranded by a storm. The daughter falls in love with one of the men. One of the men is from a wealthy community some distance afar. Is this "The Tempest" or is it the prequel to "Forbidden Planet?" Jean Simmons can't help being beautiful even though she lives on a sheep farm in the mountains. Rory Calhoun is fine as an accused murderer. He has that Robert Mitchum style of beast and human schizophrenia. Brian Donlevy is also fine, though his part is brief and yet pivotal to the plot. The dialog is well written, and just when you think you've got it all figured out, a twist emerges.
Martha Wilcox
This is probably as close as you get to Jean Simmons appearing in a Western. Her short haircut makes her look less feminine as opposed to being a tomboy. There's no strength in her, and her English accent is out of place in this gritty world of runaway fugitives.It looks similar to an episode from 'The Fugitive' where David Janssen is held prisoner by a sheriff whilst trekking through mountainous terrain. I think the episode is called 'Passage to Helena'.The only notable thing about this film is the score by 60 year old Dimitri Tiomkin. He is fresh from 'Dial M For Murder', and from the opening scene you feel as though you are back in 'Dial M For Murder'. The score isn't that good, but you recognise the composer behind the music. His music sounds the same, and the 1950s was his best period.Rory Colhoun is not my kind of actor at all.
xerses13
A airplane crash leaves Lawman Sheriff Munson (Stephan McNally) and Prisoner Ed Stone (Rory Calhoun) stranded on a Sheep Ranch in the modern (1954) West. Between escape attempts ED makes a play for the beautiful Cally Canham (Jean Simmons) who is holding down the ranch for her Father David (Brian Aherne). MUNSON has a personal grudge against ED, but FATHER David arrives at the close too sort things out and you expect ED and CALLY will eventually get together, nuff said.Good scenery and interesting casting are the most worthwhile features of this film. Calhoun and McNally seem quite at home in the West, but Aherne and Simmons would seem too be by intellect and temperament more suited for a drawing room. Jean does fill out her 'jeans' quite well and is as sexy in those as any more feminine costume. She would exhibit the same assets in THE BIG COUNTRY (1958). The film is worth watching just for her.
Neil Doyle
John Farrow directed this unusual western about a bounty hunter (STEPHEN McNALLY) and his prisoner (RORY CALHOUN) seeking shelter in a remote cabin owned by JEAN SIMMONS, biding their time until the bad weather passes so that McNally can bring Calhoun to justice for a crime he's committed involving McNally's brother.Somehow the casting seems adrift. McNally is usually much more at home as a villain and should have played Calhoun's part. And yet, Calhoun and Simmons don't seem like a good match, she being completely out of place in this sort of western and he not convincing enough as the bad man McNally is after.The storm sequences are well done, the settings are good, and everyone tries hard to keep the melodramatics on a believable level--and most of it works quite well.BRIAN AHERNE, as Simmons' absent father, only makes an appearance toward the end of the story when his role becomes important in the scheme of things. He too seems oddly out of place in a western.Despite the flaws, makes an interesting watch.
AD
