Near Dark

Near Dark

1987 "They can only kill you once, but they can terrify you forever."
Near Dark
Near Dark

Near Dark

6.9 | 1h34m | R | en | Horror

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

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6.9 | 1h34m | R | en | Horror | More Info
Released: October. 02,1987 | Released Producted By: DEG , F/M Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

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Cast

Adrian Pasdar , Jenny Wright , Lance Henriksen

Director

Dian Perryman

Producted By

DEG , F/M

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Reviews

videorama-759-859391 Near Dark is a different kind of vampire flick, if put on a more realistic scare, with an interesting run through of story. Smitten Caleb, a farm boy (Pasdar, a good and versatile actor) falls for lovely Mae (Wright at her most sexiest). As misfortune would have it, she part of a troupe of vampires, and when Caleb is bitten, he starts to undergo a real malady, where he's kidnapped by lead vampire Henrickson, and co, as being a liability. Also being subjected to daylight, after his attack, his flesh starts to sear, where most of the film, he stays this way, looking very much like someone who needs a fix. Near Dark was made by a few people responsible for the 86 cult flick, The Hitcher, but this one is definitely no Hitcher. It's written by Eric "Hitcher" Red, whose writes brilliant description, which is better than his dialogue. It is a smart film, but really doesn't grab me that much, playing off more as a B grade. The actors are good, notably Pasdar, Wright, young Joshua Miller, such a naturally talented kid actor, who brings so much to his roles, if this and River's Edge are any indication. Of course, wild actor Paxton, too, is the other notable performance, typically as another loose cannon, but a funny scene stealing one. I like Kathryn Bigelow's movies, but this falls short of her others. It has some nasty violence, as well as a lot of bloodsucking. One of the best things about is the music by Tangerine Dream. I agree this an overrated film, completely. What I can't understand, is how Wright and Pasdar were fixed up, so they were immune to getting burnt up from sunlight. What did his father, Loy (Future Cop, Thomerson) do. Definitely not without interest. You give it your 90 minutes in court. I have a feeling, you could be another one who over rates it.
Seth_Rogue_One I watched the trailer for this, saw the poster and wasn't really impressed... But then I read some reviews saying that it's better than 'The Lost Boys (1987)' I thought I'd give it a go still.Now I never expected it to be true that it was better than 'The Lost Boys' as that's one of my favourite horror movies HOWEVER I did expect it not to be a generic bore-fest with a complete lack of humour or interesting characters, at least SOMETHING that would even make it WORTHY of being compared to the classic that is 'The Lost Boys'.But no such luck, perhaps if you saw it in it's hey-day it will have a nostalgia level to it that still makes it likable (which surely is a part of why I like 'The Lost Boys' so much) but as a new watch in 2016 I felt it was frustratingly trite.
cultfilmfreaksdotcom Steamy vampire flick with terrific moments and memorable characters, including Jenny Wright as a shyly sensuous vamp who seduces farm boy Adrian Pasdar into her clutches. She bites him and, not yet transformed, he joins the family: a gang of rogue RV-riding bloodsuckers including Lance Henriksen as the brooding leader and hopped-up scene-stealer Bill Paxton as a bad boy brawler.The vibe throughout is spooky and intense, the starkly rural daytime setting giving a Spaghetti Western feel while the shadowy night shots channel Film Noir. But the camarawork, although making good use of light and shade, keeps too close on the actors, feeling more like a Gothic photo album than a suspenseful motion picture.Some of the music, seeming placed throughout to fill a soundtrack album, hinders what should have been more timeless otherwise. But an ultra-violent scene within a red neck bar, and a finale on a desolate street straight out of a demonic HIGH NOON, makes this a uniquely bloody ride.Although not as conventionally entertaining, there's a murkier depth than its successful competitor, THE LOST BOYS. And while Pasdar is a dependable – though somewhat wooden – lead protagonist, the best moments concern Paxton's daredevil lunacy or Jenny Wright's docile-doomed expressions as each inevitable dawn draws in.Perhaps NEAR LIGHT would have been a more fitting title, as these vamps are continuously playing time with loaded dice.
zhinronxbox This movie was written by a 13 year old girl I believe. One who had ideas that would be cool for a movie. So with that being said, this movie was horrible. The worst part of the movie is the ending. SPOILER ALERT: All throughout the movie the vampires could not even get hit with sunlight before being burned/exploding. But at the end, the vampires are in a car driving off. The sun hits them and they all explode except 1. The love interest of the movie. So she is flung out of the car DURING THE DAY without any form of protection. She THAN wakes up in a hillbilly farm where she was given a blood transfusion by the farmers and she is human again....worst...movie...ever. Unless you are blind and deaf...but you will probably still hate it. It has bill paxton and bishop so I gave it a 3